Category: Buffalo Radio & TV

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Irv. Danny. Van. Carol. The men and women who’ve watched and listened to have become family enough that we only need their first names. Buffalo has a deep and rich broadcasting history. Here are some of the names, faces, sounds and stories which have been filling Buffalo’s airwaves since 1922.

Scroll to read more about Buffalo’s Radio & TV History from one of WNY’s most counted upon broadcasting historians or search for a specific person or station…

One of America’s Two Great Radio Stations: WKBW

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

Riding a wave started with a change to a personality driven Top-40 format in 1958, KB dominated Buffalo radio for most of the next two decades.

Sold by station founder Doc Churchill to national broadcasting powerhouse Capital Cities, the wealthy corporate backing of KB’s monstrous 50,000-watt signal helped lead to the evolution of one of the finest examples of a full-service Top-40 station that ever existed.

Eventually grabbing as much as 50% of the market share, KB quickly blew all of the much smaller Top-40 competitors out of the water. Half of the audience was listening to KB. Never before, and never since, has a radio station been so dominant in Buffalo.

Left to right: Don Keller (Yearke), Tom Shannon, Doug James, Wayne Stitt, Jay Nelson, Russ “The Moose” Syracuse, Dan Neaverth, Tom Saunders

The station’s base of homegrown talent sprinkled with some of the most talented people from around the country, helped build an unprecedented following for KB in Buffalo and around the country.

The first of those homegrown talents to leave a legacy was the great Tom Shannon, South Buffalo’s breaker of hearts and as smooth a disc jockey as Buffalo, Detroit, Denver, LA, or anywhere else has ever known.

Tom Shannon, in the WKBW air studio

Easy to listen to, debonair and literally the boy next door, the handsome and ultra-cool Shannon was a graduate of Holy Family grammar school and Bishop Ryan High.

As if owning nights on KB and driving a Corvette convertible wasn’t enough, there was the night Swedish sex-symbol Ann-Margret was in Buffalo on a promotional tour, and hopped in Tommy’s sports car for a date at the trendy Candy Cane Lounge, downtown next door to the Market Arcade.

That was the same nightclub where Shannon met the group that would ultimately become known as “The Rockin’ Rebels,” who would take “Wild Weekend,” their instrumental version of the Tommy Shannon Show theme song, to the national record charts.

At KB, he started as a weekend jock and fill-in guy, and didn’t even rank high enough to get his own theme song. It’s part of the KB magic that his self-produced, garage-band sounding musical opening touting “Top tunes, news and weather, so glad we could get together, on the, Tom Shannon Show” could become a nationwide Top Ten hit.

Shannon was at Fort Dix doing a hitch in the Army when he heard his song come on the radio and almost couldn’t believe it.

Tom Shannon sits in the WGR studio, holding a copy of the Rockin Rebels’ Wild Weekend album.

“It was so exciting to be a part of Buffalo radio back then,” Tom Shannon said in 1996. “Sometimes the disc jockeys were more popular than the rock stars.”

He was bigger than life hosting the night shift on KB, and Buffalo’s teens couldn’t get enough of Tommy. In 1961, tickets to his “Buffalo Bandstand” TV show on Ch.7 were being counterfeited and new procedures had to be put in place after the number of kids on the dance floor swelled out of control.

While a deejay at KB, Shannon hosted Buffalo Bandstand on Ch.7. When he later moved to WGR Radio, he hosted Hit or Miss on Ch.2.

Tom Shannon hosts a WKBW Record Hop, with Paul Simon, left.

Tom Shannon appeared in a series of 1964 print ads for Queen-O.

After spending the 60s and the 70s moving around the country and around radio dials, Shannon was back in Buffalo for his 30th grammar school reunion at Holy Family on South Park at Tifft when he stopped by his old home, WKBW.

A week of fill-in work lead to a three year stay towards the end of KB’s run as one of Buffalo’s most dominant radio stations. After spending time as a host on the Shop at Home cable TV network, Tommy made it back for one more turn at the air chair in Buffalo hosting afternoon drive on Oldies 104 during the 1990s and 2000s.

From 1960’s “WKBW 6-midnight platter and chatter show” host, to 1997’s deejay with “a warm conversational tone and knowledge of music and performers,” Tom Shannon has been one of the leading voices of Buffalo’s baby boomers through every stage of life.

Joey Reynolds, WKBW

If there was a way to “one up” having your theme song land on the national charts, the guy who eventually followed Shannon in KB’s evening slot probably found it.

Joey Reynolds, KB’s night man through the mid-’60s, got The Four Seasons to sing their No. 1 hit “Big Girls Don’t Cry” with the lyrics changed to “The Joey Reynolds Show.” What a show!

Another local guy, Reynolds grew up in Buffalo’s Seneca-Babcock neighborhood playing radio announcer at the neighborhood Boys Club, and was every bit of a shock jock 20 years before the term was created for Don Imus and Howard Stern.

Joey Reynolds interviews Bobby Sherman on Ch.7’s Joey Reynolds Show.

He started a boisterous on-air feud with The Beatles and refused to play their records or even say their name, calling them “the four norks from England.” The feud lasted until there was money in it for him– he helped promote the local band The Buffalo Beatles.

Reynolds’ bombastic and over-the-top style earned him a following complete with membership cards for the “Royal Order of the Night People.” That audience extended far beyond Buffalo and Western New York. Despite working at a station 300 miles away in Buffalo, he was one of the most popular radio personalities in Baltimore, with thousands of listeners of KB’s strong signal mixed with Reynolds’ big mouth.

Reynolds’ eventual exit from WKBW is one of the most fabled in the legends of radio.

As the 1966 Variety Club Telethon aired on Ch.7, Reynolds felt slighted for being slotted to host the overnight portion of the big event.

One of many memorable stunts orchestrated by Reynolds involved him grabbing Fred Klestine as a tag-team partner to take on the tough, mean Gallagher Brothers in a wrestling match at the Aud.

In his memoir “Let a Smile Be Your Umbrella … But Don’t Get a Mouthful of Rain,” Reynolds admits to having had a few drinks before going on radio and giving TV star Frank Gorshin a hard time in an interview about the fundraiser.

Reynolds then insinuated another TV star and telethon guest host – Forrest Tucker of “F Troop” – was a drunk and had a case of booze in his dressing room.

One of the station managers took the episode personally – especially after Reynolds goaded him and made a joke about his bald head.

Seeing the writing on the wall, Joey put the writing on the door.

Rather than waiting to be fired, Reynolds, in an all-time display of brassiness, nailed his shoes to the station manager’s door with a note saying “FILL THESE” attached.

Joey Reynolds, Tommy Shannon and Danny Neaverth all grew up in South Buffalo. Reynolds and Neaverth knew each other from St. Monica’s, the Babcock Street Boys Club and Timon High School. When teamed up on KB, the cross-talk between Neaverth’s afternoon show and Reynolds’ evening wrap was the subject of homeroom and lunch table discussion at every Western New York high school the next day, but was also the talk of water coolers and coffee break tables at businesses as well.

Beyonce. Bono. Cher. Some personalities are so renowned and celebrated just one name will do. Such is Buffalo’s Danny.

Danny Neaverth is perhaps Buffalo’s greatest pop culture star. He’s remembered most for peeking at us through the hole in the record behind the microphones of upstart WBNY radio in the 1950s as Daffy Dan, then WGR Radio, and then 26 years at WKBW Radio — with most of those years as Buffalo’s morning man. Tag on a dozen more years at WHTT, and a few more at KB again, and Danny moved our fannies on the radio for half a century.

But it wasn’t just radio — Neaverth was also a TV weatherman on Ch.7 and later Ch.2.

He was the public address announcer for the NBA Braves and the NFL Bills.

A few of his moonlighting gigs dovetailed more closely with his work as a disc jockey and radio host.

Danny signs hands at a Thruway Plaza record hop.

He was a concert promoter and recording artist (who could forget “Rats in My Room,” even if they tried?).

Of course, his face and voice were everywhere for Bells Supermarkets and dozens of other Western New York businesses through the years. His work in the community for dozens of causes and charities over the last 60 years has been unmatched.

In the ’70s and ’80s, it was difficult to spend a day in Buffalo and not somehow be graced by the voice, smile and personality of “Clean Dan Neaverth,” a true Buffalonian who never forgot his Seneca Street South Buffalo roots and proudly plied his trade among fellow Buffalonians proud to call him one of us.

Danny took over mornings from Stan Roberts.

Stan Roberts at the KB mic.

Stan first woke up Buffalonians at WKBW from 1962-70, and then at WGR from 1972-82. He became “the first major Buffalo morning man to make the move to the FM band” when he joined WBUF-FM in 1982. After seven years at WBUF, Stan took WBUF mornings to the number one spot in the ratings— and the very next day, he jumped back to AM, hosting afternoon drive and working in sales at WBEN.

As WGR’s morning man, he narrated “Great Sabre Highlights” on the flip side of the very successful record single, Donna McDaniels’ “We’re Gonna Win That Cup.” Stan also wrote at least two joke books, including “Sabres Knock-Knocks.”

Stan still hasn’t lived down the early 80s Royalite television commercial where he put a lampshade on his head, and in the late 80s, when, as the Bills PA announcer, he had to implore fans to “please stay off the field” while they stormed the Rich Stadium field, taking down the goalposts to celebrate the Bills’ clinching the AFC East in 1990.

The warm friendly voice of Fred Klestine felt like a cup of cocoa near the fire.

Fred Klestine, right, visits Xavier’s Meats at the Broadway Market

“An institution in Western New York,” his radio career when he was working at Lackawanna’s Bethlehem Steel, and a manager at Lackawanna’s WWOL heard his voice and told him to audition. Deejay was considerably easier than working in a blast furnace, and Fred spent the next 40 years keeping Buffalo company.

In the 50s, Klestine worked at WWOL and WBNY, before his long famous run at KB Radio. He was later heard on WADV-FM, and then on WBUF-FM through most of the 80s.

Then there was Pulse Beat News. Irv Weinstein was the news director and spiritual leader of the KB’s news staff.

“In terms of style, I was sometimes asked who my idol was in radio, and that was an easy one: Paul Harvey,” said Irv in an interview for the book Irv! Buffalo’s Anchorman. “Paul Harvey was not fast-paced, but he had a pace of delivering the news that was compelling. I like to think I was Paul Harvey only a lot faster.”

Faster, with flagrant, more outrageous writing. In the early rock ’n’ roll days of KB Radio and Pulsebeat News, the pace and the shocking style of writing and delivery made Irv’s later Eyewitness News persona seem comatose.

Irv Weinstein, WKBW Radio News Director

“A Top-40 news guy; fast paced,” said Irv. “Over time I developed a writing style that had sizzle and alliteration, and the type of thing to grab the audience. I learned along the way, that before you can get people to listen to you, you have to catch their attention. One way to do that is in your writing– make it compelling. Sometimes it was overboard, frankly, but it was ok. It did the job.”

It was the perfect comingling of man and circumstance that put Irv in the position to really invent the style of newscasting he made famous in Buffalo– one that was copied around the country.

Henry Brach had been a drug store owner before working in radio, and there’s something about that which just seems to fit. Unlike nearly every other KB Pulsebeat News man, Brach’s voice didn’t boom into radio speakers. His cool, understated style fit in just as well at KB, making him the favorite of listeners and a long line of America’s most talented all-time disc jockeys, who were merciless in mocking the newsman.

Henry Brach in the KB studio.

Jim Fagan was a disc jockey and newsman at WBTA in Batavia, where he’s shown here, before heading to WKBW for a three-decade career.

Jim Fagan’s voice was one of the threads that tied together the various eras at KB. During the 27-and-a-half years that he was a newsman at WKBW Radio, he saw many come and go, but from JFK to Reagan, his was one of the voices that reported on it over KB.

His strong voice punched out the KB Pulsebeat News sound perfectly in those early years, and mellowed as the rest of the station did right up to the very end. Fagan was among the final employees when corporate owners pulled the plug on the local news and music on KB and replaced it with syndicated programming.

John Zach was born into radio. His father was a radio pioneer, having built the first “wireless set” in the city’s Kaisertown neighborhood. After attending St. Casimir grammar school and PS 69, he learned about the technical aspects of radio at Seneca Vocational High School– but John’s path into broadcasting was lined with guitar pics rather than vacuum tubes.

As the leader of “John Zach and The Fury’s,” he played record hops with Danny Neaverth, who worked with Zach and helped him develop his on-air sound.

1959 ad.

After spending time as a disc jockey in Georgia, Zach returned to Buffalo and was hired by Irv Weinstein for an overnight news job at WKBW in 1960. He spent most of the next five decades informing Buffalo’s radio audience, come hell or high snowbanks. Twice during the Blizzard of ’77, John Zach came in by snow mobile to anchor the news during the Danny Neaverth Show.

As KB Radio’s News Director for most of the 80s, a survey found that John Zach was Buffalo’s most recognizable radio news personality.

With long stops at WKBW and WGR under his belt, Zach joined WBEN in 1998 and spent 18 years with Susan Rose co-anchoring Buffalo’s most listened to radio news program, Buffalo’s Early News.

John Zach spent time as a disc jockey and news man in Georgia before spending nearly 27 years at WKBW Radio.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

The Sound of the City: WEBR

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

After being the first in the nation to attempt a poorly received “sing-along” format, WEBR rebooted its image in 1962 with the new “The Sound of the City” theme song.

The Courier-Express’ Jack Allen called The Sound of the City “a bit of good music a cut above the jarring jingles so often associated with commercial AM radio.”

“The Sound of the City” was originally written for San Francisco radio station KSFO, which was owned by Gene Autry, and resung for radio stations around the country.

Johnny Mann– best known as the music director on the Joey Bishop Show– wrote the song which was performed by “The Johnny Mann Singers.”

Among those nameless faceless Johnny Mann singers was Thurl Ravenscroft, who was the singing voice of “The Grinch” with Boris Karloff’s narration. Also, as Tony the Tiger, he bellowed out “They’rrrrre GREAT!” on Frosted Flakes commercials for 30 years.

His deep throaty vibrato is easy to pick out in the line, “faint is the thunder of Niagara, soft is the murmur from the lake.”

Lyrics to “The Buffalo Anthem,” as sung by The Johnny Mann Singers

The Sound of the City,

the Good Neighbor City,

the Sound of Buffalo.

Are mixed with daylight’s glimmering rays,

and moonbeams shimmering glow.

When darkness settles on the city,

night sounds slowly come awake.

Faint is the thunder of Niagara,

soft is the murmur from the lake.

Hear the Sound of the city,

the sounds that are heard in Buffalo, New York.

WEBR, Buffalo

When the Boulevard Mall opened in 1962, it was the first to offer “weatherproof shopping” in an enclosed mall space in Western New York.

WEBR deejays Jack Eno, Carrol Hardy, Al Meltzer and others broadcast live from the mall during its first days open to the public.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

A new voice for Buffalo’s Black community: WUFO

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

“Buffalo’s newest radio voice spoke in its debut with a sound of moderation and sincerity, and promised an ambitious public service program,” reported Jack Allen in the Courier-Express as WUFO signed on at 1080am.

WUFO’s original on-air staff, 1961, including Eddie O’Jay, Jimmy Lyons, The Hound– George Lorenz, and Joe Rico.

Since 1961, WUFO’s programming has remained 100% dedicated to Buffalo’s Black community, which had grown 143% from 1950-1960.

“The only Black-owned and operated radio station in Buffalo and the only source of music and information reflective of the black experience,” said a 1981 station promotional piece.

Jimmy Lyons with Sammy Davis Jr.

In signing on, WUFO brought to the airwaves Buffalo’s first two full-time African-American disc jockeys.

The Courier-Express called Jimmy Lyons “the Jackie Robinson of Buffalo Broadcasting.”

When this photo of Jimmy Lyons was taken in the WXRA studios on Niagara Falls Boulevard in Amherst, he was Buffalo’s first (and only) black disc jockey.

By the time WUFO signed on, Lyons was a Buffalo radio and entertainment veteran who was first heard on local radio in 1937, when he won the Shea’s Buffalo Amateur show on WBEN in 1937 at the age of 17.

Through the ’40s, Lyons was a singer and dancer at nightclubs in Buffalo and across the northeast with a stint as an Army lieutenant in between, serving in Italy and Germany during World War II.

After settling back in Buffalo, Lyons became a draftsman for Bell Aircraft, while also entertaining in nightclubs and picking up weekend radio work at small stations around Buffalo like WWOL, WXRA and WINE where he was a pioneer in playing a mix of rhythm and blues and gospel music.

On WUFO, he hosted “The Upper Room” with gospel music twice a day and “The Lyons Den,” with R&B music middays.

Bob Wells wasn’t the only deejay to host dances at the Dellwood Ballroom. Jimmy Lyons with Sam Cooke and fans at the Dellwood, Main at Utica.

Ellicott District Councilman King W. Peterson, WXRA owner Ted Podbielniak, Jimmy Lyons, and attorney (and future councilman and judge) Wilbur Trammell celebrate Lyons’ work in the African-American community.

Eddie O’Jay came to Buffalo from Cleveland as WUFO’s program director and daily “Blues for Breakfast” host.

Eddie O’Jay (left).

He would later hold the same on-air job at New York City stations WWRL and WLIB. His fast-paced pioneering style in Buffalo and then New York inspired many aspiring young African-Americans, including Frankie Crocker and Imhotep Gary Byrd.

Both Crocker and Byrd were Buffalo natives who listened to O’Jay on WUFO, got disc jockey jobs at WUFO themselves, and then followed O’Jay to fame at WLIB in New York City.

When O’Jay died in 1998, both Crocker and Byrd attended his funeral and spoke to the New York Daily News.

“When I was growing up in Buffalo,” said Byrd, “there were no black radio stations and no black jocks. Eddie O’Jay was the first black voice I heard on the radio. He hit that town like a tornado.”

Crocker said of his mentor, “The deejay was the show. You never looked at the clock. When the record ended, you talked, and Eddie was a master. He’s the reason I went into radio.”

The most widely remembered claim to fame for O’Jay, whose real name was Edward O. Jackson, was the soul group the O’Jays.

The group that scored several hits in the ’70s including “Love Train” was formed in the ’50s as the Mascots. They renamed themselves the O’Jays in honor of the disc jockey after he began to heavily promote their music on the radio in the early 1960s.

O’Jay and Lyons starred in a series of radio commercials for Simon Pure Beer, where Lyons was aboard a spaceship called the “East Aurora,” which was fueled by Simon Pure Beer.

When WUFO first signed on, Courier-Express critic Jack Allen wrote, “O’Jay has arranged, along with Lyons, a schedule of daily broadcasts which at first listening seem conservative and in excellent taste, and which should gain wide appeal with its constructive service contributions to the community.”

Luckily for the nearly six decades of great radio it inspired, WUFO from its very earliest days has remained excellent in taste, but has veered from the conservative to the innovative more often than not.

WUFO newsman Malcom Erni

O’Jay spent about a year at WUFO and was replaced by Sunny Jim Kelsey. Soon after, Frank Crocker became a regular in WUFO’s lineup.

Sunny Jim Kelsey, WUFO

Frankie Crocker… Chief Rocker… The Eighth Wonder of the World!!! Revered as the man who changed the rules for African-Americans as both disc jockeys and musicians, Frankie Crocker started down the road to national fame via New York City and nationwide reverence from his native Buffalo.

A graduate of Buffalo’s East High School, Crocker was studying pre-law at UB when he was bitten by the radio bug, joining WUFO as News Director in 1964. There, he tasted early success spinning urban wax and never turned back.

Francis Crocker, East High Class of 1958

As a deejay at New York City stations WWRL, WMCA and WBLS, Crocker began playing album cuts and extended mixes from Urban artists, bringing a more diverse sound to the airwaves and opening the door for more creativity and wider audiences for artists of color. Adding to his cache, was the time he entered New York’s famous Studio 54 on white stallion.

Starting with his time in his native Buffalo at WUFO, Crocker helped to bust stereotypes and bring the music of an entire race from the remote corners of the music world to the popular choice of hip New Yorkers.

Frankie Crocker, at New York’s WWRL Radio shortly after leaving WUFO Radio in the mid-60s.

After Gordon McLendon bought WBNY 1400am and moved his WYSL call letters over to the station in 1961, WUFO Radio took over WYSL’s old spot at 1080am. The call letters at that frequency changed from WXRA to WINE to WYSL to WUFO in a matter of four years, but have remained WUFO for six decades.

WINE’s format was Top 40 rock ‘n’ roll, but WYSL was “beautiful music” when the station first signed on. By the end of the 1960s, WYSL was WKBW’s primary Top 40 rock ‘n’ roll competitor.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

WBEN AM-FM-TV’s new home, 1960

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

Among the Election Day 1960 races being covered closely by Carl Erickson on Ch.4 were between Richard Nixon and John Kennedy for President as well as Edward Rath and Chester Gorski for Erie County Executive.

Erickson came to WBEN in 1948, and was the newsman on Clint Buehlman’s show.

He spent most of the 50s and 60s as Chief Announcer for WBEN Radio.

A new era in broadcasting was ushered in 1960 when WBEN opened its new studios on Elmwood Avenue. WBEN AM-FM-TV had outgrown the studios it had called home on the 18th floor of the Statler Hotel since 1930.

The Buffalo Evening News stations bought the former WBUF-TV studios, which had been built by NBC only a few years earlier, and added more studio space and an office building to the complex.

Bill & Mildred Miller show off the stove in their new studio, 1960

Clint Buehlman, operator Tom Whalen, and engineer Earnest Roy— who started with the station before it even went on the air in 1930– are shown in the new, far more spacious radio studios.

WBEN announcers Carl Erickson and Jack Ogilvie are seated as Mike Mearian leans on the piano of Norm Wullen, 1960.

WBEN executives George Torge, Alfred Kirchhofer, station owner Kate Butler, James Righter, and C. Robert Thompson inspect the new WBEN-TV control room. The $1.5 million building was heralded as the “most modern broadcasting center in the nation.” The final broadcast from the Statler was Jan. 10, 1960.

After WNED-TV left for the Lafayette Hotel, the studios for WGR Radio were in the building behind WBEN’s studios in the late 50s and early 60s.

It’s incredible to think that when Van Miller started calling the play-by-play for the brand-new Buffalo Bills of the American Football League in 1960, he was better known as Ch.4’s 11pm news and weather announcer than a sports broadcaster. Through two AFL straight championships, four straight Super Bowls, and two stadiums, Van’s sense of the game and amplified level of excitement became the filter through which football-loving Buffalo took their love to the next level. He’d call every game during the NBA Buffalo Braves’ stay in the city and work as Ch.4’s primary sportscaster for more than 30 years. “Do you believe it?” he’d ask, as fandemonium went into overdrive, imploring “fasten your seatbelts!” until retiring as the Voice of the Bills after 37 years in 2003.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

Boost Buffalo… It’s good for you!

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

Starting in 1960, Buffalo radio and television stations were donating an estimated $30,000 per month in commercial airtime for the Chamber of Commerce’s “Boost Buffalo” campaign.

What’s the best home town of all? Winter, Summer, spring and fall?

Buffalo! Buffalo! Boost Buffalo it’s good for you!

Boost Buffalo it’s good for you! Buffalo’s ideal for work or play! Buffalo’s ideal in every way!

There’s plenty to boast about in Buffalo!—The Boost Buffalo Jingle

“Boost Buffalo” was everywhere.

Commercials blared on radios and TVs, and also filled were billboards and the back of cars– with 10,000 bumper stickers printed, all organized by the marketing men of Buffalo.

“Some people poke fun at the ‘Boost Buffalo, it’s good for you’ slogan,” a chamber official said, “but that only shows that it’s caught on, that everybody’s heard of it, and that it’s good.”

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

Buffalo’s visits to Romper Room

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

In 1956, Miss Pat was the first Buffalonian to end Romper Room with… “I see Patrick… and Marie… and Jane… and Phillip…”

Through the 50s, 60s, and 70s, there were around a dozen different versions of the Romper Room franchise seen in Buffalo living rooms.

There were nationally syndicated versions aired on Buffalo stations, as well as local shows that were produced in Toronto and Hamilton easily seen in Western New York with rabbit ears and maybe a bit of tin foil.

But on three different occasions—on three different stations– there were Buffalo-produced Romper Room shows with Mr. Do Bee and the “magic mirror” as well.

Ch.2 aired its version of Romper Room starting in 1956 with Miss Pat as host. Par Schrier was a teacher in the North Tonawanda schools.

After a two-year run, Ch.7 picked up the show with a new host, Miss Mary. Her real name was Cele Klein, and she’d been a veteran soap opera actress. The show would get 150 letters a day from kids across WNY and Southern Ontario.

*Miss Mary, Cele Klein, left, and Miss Binnie Liebermann, right.*

She handed her magic mirror over to Miss Sally Klein, who was around for about a year, then Miss Binnie Liebermann, who was hosting the show when the local version was cancelled in 1962– “clobbered” in the ratings, according to Channel 7, by Uncle Mike Mearian on Channel 4.

Doris Jones frequently filled in for Miss Binnie towards the end of the show’s run.

Another local version of Romper Room came in 1971 when Channel 29 first signed on the air. Miss Elaine Murphy was the host.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

Around Buffalo’s Radio & TV dials in the 50s

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

Ch.7’s Main Street studios on a snowy night in the late 50s.

WBNY’s bright red “News from Where It Happens” cruiser, with “Flash Mike and the Mike Patrol.”

Chuck Healy goes over prizes like a case of Squirt and TV dinners on Strikes, Spares, and Misses on Ch.4.

Henry Brach (with dark glasses) broadcasting live from Sattler’s with WBNY deejay Mark Edwards.

Engineers Harold Smith and Leroy Fiedler in the WKBW master control room in the mid-1950s.

WBUF-TV weather personalities Joy Wilson and Mac McGarrity share a laugh.

The Kenneth Baumler family won a 1959 Studebaker Lark in WBNY’s “Lark Hunt” contest, sponsored by Buffalo’s six-area Studebaker dealers.

Bill Mazer called Bisons games on WKBW before moving to WGR. This team photo, with Mazer superimposed in the top right corner, was taken at Offermann Field in the early 50s. The Bisons moved to War Memorial Stadium in 1960.

WBEN’s staff announcers in the late 50s included, standing, Jack Ogilvie, Lou Douglas, Van Miller, Ken Philips, Gene Kelly, Virgil Booth, Carl Erickson, and Bernie Sadler. Steve Geer, Harry Webb and Mike Mearian are among those seated.

WKBW’s team of disc jockeys, about 1960.

Bob Diamond was a utility man on WKBW, at various times holding down the overnight shift, weekends, the farm report, and production work from the late-50s through the mid-60s.

As a member of the boys’ choir singing on WGR starting in 1926, Ed Tucholka’s first announcing job was on the PA at Sattler’s, 998 Broadway—talking about the bargains of the day, paging mothers of lost children and generally keeping things moving without benefit of a script.

Soon, his deep rich voice would be heard on WEBR, and in over 20 years there, he hosted the wartime “Noon Day Review” highlighting local GIs and as well as Uncle Ed’s Children’s Hour.

After stops at WWOL and WHLD, Tucholka moved to the WBEN stations in 1966 and oversaw WBEN-FM, always reflecting simple dignity and elegance he presented on the radio for nearly 70 years.

WBEN Operator/Engineer Tom Whalen gets ready to cue up albums for Clint Buehlman.

News anchor John Corbett looks over news scripts hot off the typewriter of Fran Lucca in the Ch.4 newsroom.

WBEN’s Sports team: Dick Rifenburg, Chuck Healy, Van Miller, and Ralph Hubbell. When injury ended Rifenburg’s professional football career with the Detroit Lions, the former All-American Michigan wide receiver turned to broadcasting and spent nearly 30 years at WBEN Radio and TV.

Officially, they were Memorial Auditorium and War Memorial Stadium, but to Buffalonians they were the Aud and the Rockpile, and they were the great WPA-built stone homes of Buffalo’s greatest diversions: football, hockey, boxing, basketball, and wrestling.

The men in this photo and their compatriots across the radio and TV dials helped bring those diversions closer. Maybe more than in other cities, Buffalo’s sports guys have always been among the most popular broadcasters, as they seemed like one of us while helping to bring us closer to heroes on the court, on the field, in the ring, and on the ice through their work.

With the smooth melodious voice of a classic announcer, Ward Fenton joined WBEN as a radio news man in 1941. After serving in World War II, he returned to the station and was named chief announcer in 1947. He was also heard as the announcer on the NBC network program Mr. IQ, which originated from Shea’s Buffalo Theater for a national audience.

His fluency in French, German, and Italian made him a natural for decades’ worth of announcing classical music programs, especially on WBEN-FM.

When Ch.4 signed on, he was the station’s weekend weatherman, and by the 1960s, was regularly seen in front of the weather map in living rooms all over Western New York, with his forecasts sponsored by the Charles R. Turner Company. His segments were bookended with a memorable film clip showing trucks at the Turner’s company garages. At the beginning of the weather segment, the trucks headed out onto the street, and then after the weather forecast, the same film ran in reverse, with the trucks appearing to back into the garage.

Fenton became Ch.4’s Chief Announcer in 1967, and retired in 1975.

Harry Webb anchors a WBEN-TV newscast sponsored by Esso, and interviews Massachusetts Senator John F. Kennedy on a visit to Buffalo in 1958.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

Public Broadcasting comes to Buffalo

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

When the National Broadcasting Company gave up on its Buffalo UHF experiment and pulled the plug on WBUF-TV Ch.17, they sold off all the station’s assets but one—the license.

NBC donated the license to broadcast on Ch.17 to the Western New York Educational Television Association, which signed on WNED-TV on March 30, 1959 as New York State’s only public television station.

WNED-TV —which stands for Western New York Educational TV—began broadcasting with, what one station official described as “mismatched hand-me-down equipment held together by hope, dumb luck, and quite literally, masking tape… The ‘technical difficulties’ slide should have read ‘financial difficulties.’”

The station’s camera blew-out 30 seconds into the first broadcast.

A young John Zach operates a WNED-TV camera. Zach would go on to a career in radio news at WKBW, WGR, and WBEN that would span more than five decades.

Still, “The cultural appeal of the station was immediate,” reported Sturgis Hedrick in The News, as Buffalo’s Martha Graham Dancers were the first performers featured on the station.

It was touch and go for the first few years, with threats of programming cuts and layoffs of the already barebones staff, but over the station’s first decade on the air, WNED-TV saw “increased public support, state support and the greater recognition of public television’s role by the federal government.”

Starting in the old cinderblock building behind what is the Ch.4 studio today– WNED-TV moved to the penthouse of the Lafayette Hotel by the end of 1959.

Six local colleges joined with the station to create programming that would allow students to gain college credit through lessons learned on what could hardly be called “the boob tube” when tuned to Ch.17.

Board Chairman Laurence Goodyear reflected, “The services which Ch. 17 has provided to the community have been unique and distinctive.”

Bertha Hoffman teaches a French class on Ch.17.

Sister Jeanne, art professor at Rosary Hill College, teaches a class over WNED-TV.

Aside from grammar school, high school, and college credit programs, there were also typing classes, along with training for fire and police. Jack Call was the instructor on Ch.17’s “Train for Fire.”

Diane Sina was the host of “Type Right” on Ch.17.

For all the educational programming on WNED-TV, among the favorite and most watched programs was “Piano on a Terrace,” when announcer Matt Regan would play in the open air on the roof of the Lafayette Hotel.

Jack Paupst’s jolly shopkeeper Mr. Whatnot was the most popular show in the station’s early days.

Among WNED-TV’s original employees was publicity manager J. Michael Collins. He’d become the station’s manager, and in 50 years of creating a public broadcasting empire, he’d also become a familiar face during pledge breaks and events like “the Great TV Auction.” He’s shown here with other staffers who survived the station’s first decade: Chief Engineer Gordon Knaier and Technical Operations Director G. Robert Bakaysa.

J. Michael Collins with two young WNED fundraisers.

WBFO-FM signed on in January, 1959, as a student-run, non-commercial, educational radio station at UB. “Classical music, poetry, symposiums and area college news” were on the schedule as the station only broadcast during the evening hours when first on the air.

Electrical engineering students built the studio in the Baird Music Building and a transmitting plant atop the Tower Dormitory.

“The student body benefits internally with the acquisition of broadcasting knowledge by the WBFO staff,” said Jack Mettauer, WBFO’s first program director, who was also a math student and a former WEBR engineer. “Externally, the wide variety of programs will stimulate

student interest in specific fields.”

Programming in October, 1959 included an hour of “pop tunes” each night—but “not to include Top-40 music,” followed by an hour of news from around the campus and around the world.

WBFO Chief Engineer Howie Barker at the controls, 1959

As the 60s wore on, WBFO found itself in the midst of the unrest on the UB campus, and became a pioneer in public radio as it’s known today.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

The Relegated Role of Women, con’t.

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

Almost forty years into broadcasting in Buffalo, not much had changed in where one might expect to hear a woman’s voice. Speaking to women about women’s issues was about the extent of women’s roles. There were growing numbers of exceptions, but they were clearly exceptions.

World War II changed things briefly, but not a lot.

As many of WBEN’s announcers went to war, the station took the unprecedented step of (temporarily) hiring a woman as an announcer.

Vera Holly, shortly after leaving WBEN signing on ABC, 1947.

But a 1943 memo from the station’s top brass told all emcees, telephone receptionists, and the publicity staff that she was not to be referred to while announcing, that she wouldn’t use her name while announcing, and that program hosts should refrain from mentioning her name or identity on the air.

Vera Holly was a very popular entertainer on the station for a decade. She was a singer and emcee on WBEN in the 1930s and 1940s, and had top billing on “International House Party,” but wasn’t allowed to identify herself for the nearly six months she was reading station breaks and newscasts on WBEN.

A CBS gig on “The Jerry Lester Show” landed her in front of the same microphone as the biggest star of 1943– Frank Sinatra.

“I had a great kick working on the same show as Frank,” Holly told The Buffalo Evening News. “Confidentially, he really is cute. And much nicer than I expected.”

When she was picked up for a network show in 1946, she was called “one of the most promising young stars of radio.” Holly went on to announce her own network programs on Mutual, CBS, and ABC.

A decade later, the advent of TV doubled the number of announcing jobs, but not for women— except for a very particular announcing job at the weather map.

*Joy Wilson, WBUF-TV “Weather Girl,” 1956*

As a genre, the “Weather Girl” made its debut on WBUF-TV in 1956 “in what is billed as an amusing and novel presentation of the temperature readings and weather conditions.”

The Courier-Express reported that “an attractive young brunette” would be joining Roger Lund at the weather map on WBUF-TV.

“Beauty and the barometer will meet Monday evening on Ch. 17 when Joy Wilson of Kenmore becomes Buffalo’s first TV weather girl on a new five-minute program telecast weekdays at 6:45.” Wilson worked in the station’s office.

Around the same time, Janice Okun was the Milk for Health spokeswoman during WBUF-TV’s newscasts, bringing television experience from her time as the second host of Ch.4’s “Plain and Fancy Cooking.”

She later appeared for the Dairy Council on Ch.7’s “Farm & Home” before moving to The Buffalo Evening News as Food Editor.

It was another woman, however, who combined being the Milk for Health “milkmaid” along with delivering the weather forecast.

Without the benefit of doppler radars or advanced computer imagery, Paula Drew would read the same information provided by the Weather Bureau like any other (male) announcer, and follow the forecast with a live commercial for Western New York’s dairy farmers.

At various times through the 1950s, her reports as “The Milk for Heath Milkmaid” were seen on Chs. 2 and 4.

In 1959, dressed in a fur stole and a pill box hat, Drew was received at the White House, bearing a gift for President Eisenhower from the Niagara Frontier’s milk producers. The 8-day-old Holstein came from the Genesee County dairy farm of Clarence Johncox.

The elegant Paula Drew also made regular appearances at the Fort Erie Race Track through the 1950s, always wearing pearls and mink, even in the barns.

Drew was also part of a New York State dairy contingent that toured European dairy farming and production facilities. In reporting back to Chautauqua County’s dairymen, she told the group that she “drinks at least three glasses of milk per day … although she likes coffee, tea and an occasional highball when on a date.”

Paula Drew on an AM&A’s remote, Ch.2

An accomplished opera singer, Drew attended Juilliard School of Music, training as a coloratura soprano. While attending Juilliard, she was signed to a Universal Pictures contract.

In post-war 1940s Hollywood, she made movies with Red Skelton and Hugh Beaumont — better known later for his role as Ward Cleaver.

After working in Buffalo for most of the 1950s, Drew moved onto other corporate public relations work in Toronto. Her last regular gig in Buffalo was as the voice of Tops Friendly Markets through the 1970s until 1983.

Doris Jones modelling Buffalo’s own Birge Wallpaper.

Though she broke into TV as model and women’s host, Doris Jones was eventually Buffalo’s first woman staff announcer.

*Doris Jones hosted a radio show on WHLD starting in 1957.*

Jones was still in high school when she started modelling on Ch.4 and later was short-lived WBES-TV’s “All Weather Gal” sponsored by Phoenix Beer.

As Ch.7 signed on the air, she was “femcee” of the station’s daily audience participation show For the Ladies, “a pleasant half-hour planned for the housewife,” reported the Courier-Express as the show debuted in 1959. “It includes interesting fashion news, a fair sample of live music and assorted singing and dancing. Blonde Doris Jones is the charming hostess.”

In 1965, she was hired as a “weathergal” at Ch.2, but union rules dictated she become a full-time staff announcer—making her Buffalo’s first woman in that role. She wound up doing weather during the 6pm news, anchoring local newscasts during the Today Show, emceeing a Fantasy Island kids show, giving skiing and boating reports, and hosting “TV’s first card game,” Pay Cards.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.

Buffalo’s third and final VHF station: WKBW-TV, Ch.7

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Excerpt from 100 Years of Buffalo Broadcasting

The fight over who would get the license to operate Buffalo’s final VHF station was a protracted one, with several years of hostile exchanges between Dr. Clinton Churchill’s WKBW group, a group including the Courier-Express, and the owners of WWOL Radio.

Rev. Clinton Churchill’s start in broadcasting came in 1924 when he brought his church choir to perform on WGR Radio in 1924. “A bushel basket” full of mail came in, filled with letters asking for more religious programming— and the checks and cash needed to help make that happen. Churchill is shown here with Buffalo Mayor Frank Sedita.

Once the WKBW-TV group was granted the license, the four months it took them to begin broadcasting was the fastest a US TV station had ever gone from approval to programming.

On November 30, 1958, Buffalo once again became a three-station market after Ch. 59 and Ch.17 both stopped broadcasting, and Ch. 7 joined Ch.2 and Ch.4.

The brief sign-on ceremony was hosted by Rick Azar, who introduced Dr. Churchill and several area religious leaders, before introducing the film “Yankee Doodle Dandy.”

Ch.2 had the elves and Ch.7 had “KB Bunny.”

An ABC affiliate from the moment the station signed on, Ch.7 went on the air with “a compact staff of three announcers.” Stan Barron moved over from WKBW Radio. Both Roger Lund and Rick Azar had been at WBUF-TV, which went dark only weeks before Ch.7 began broadcasting.

The sign-on of Ch.7 ushered in another new era in Buffalo TV. All three stations were now available on every television without the need for special equipment– and each of the broadcast networks now had a local station to air its programming.

“Competition Keen,” read the sub-headline in a piece by J. Don Schlaerth. “Now that three VHF television stations can be received in Buffalo, the keenest programming and advertising competition that has ever existed in this market will begin. It should mean better network and local services for area viewers.”

On November 30, 1958 Rick Azar was the announcer who signed on WKBW-TV. Six years later, he’d be joined by Irv Weinstein and Tom Jolls two years after that– to form the troika that would dominate Buffalo television until the turn of the century.

WKBW’s first newscaster, Roger Lund started in radio in 1935 as an actor at WGR, was chief announcer at WXRA from 1949-54, and after a year in TV in Elmira, joined WBUF-TV as a news anchor and weather man for two years until the station went dark. He served in the Marine Corps in World War II and Korea.

Stan Barron, WKBW-TV Sports Director, 1958

Stan Barron might best be remembered for his nightly “Free Form Sports” shows on WBEN, but that was the final act in a long career in sports and broadcasting in Buffalo. He came to Buffalo in 1952 and spent nine years at WKBW Radio and TV, working as 1520’s morning “Clock Watcher,” and Ch.7’s first sports director.

Through the years, he called the action for the Bills, the Griffs, and the hockey Bisons, but baseball was always his favorite. In 1956, he was instrumental in helping to bring community ownership to the Buffalo Bisons. Then in 1979, he was one of the leading voices to help bring professional baseball back to Buffalo after a ten-year absence.

Stan joined WBEN in 1967 and was a part of the Bills play-by-play team with Van Miller, Chuck Healy, and Dick Rifenburg. Barron was the “every man” of the group— not an accomplished athlete like Healy or Rife, not a polished, impeccably dressed announcer like Van. His gritty voice and common-sense opinions— always willing to tell you when he thought a team “looked like a bunch of donkeys”— felt like it could have just as easily come from the next bar stool than from the radio.

Stan Barron with Buffalo’s National Champion Cyclist Edith Ann Johnson.

Decades after the station first signed on, Bob Costello, Marty Stetter, Bill Hiller, Rick Azar, Norm Schultz, Jack Cook and Steve Zappia were all original employees still working at the station.

Shortly after first signing on, WKBW-TV’s “News Central” anchor team was Dave Thomas, weather; Bill Gregory, news; and Rick Azar, sports.

Irv Weinstein reports from South Buffalo’s Republic Steel.

Though his primary duties were as WKBW Radio News Director, Ch.7 viewers would catch occasional glimpses of Irv Weinstein’s reporting on Ch.7 before he moved over to TV full-time in 1964.

Ch. 7’s Don Keller interviews Buffalo Schools Superintendent Dr. Joseph Manch. He signed on WNIA as the first Tommy Thomas in 1956, moving to KB as Dick Biondi’s newsman. As Don Keller, the Farm Feller, he delivered agricultural news on WKBW Radio and Ch.7. After being sent to his first fire with a wind-up camera and being told by News Director Hal Youngblood to “point it at the flames,” his role evolved into Buffalo’s first modern street reporter– gathering and presenting news and interviews. Later known by his real name Don Yearke, he went on to serve as Ch.4’s Chief Photographer through the 80s and 90s.

Bow-tied Paul Thompson, like Yearke, was an early Ch.7 cameraman, who was often seen on-camera conducting interviews.

This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.