His famous laugh filled Buffalo airwaves for more than 50 years, and the jingle that opened his WBEN talk show for 23 of those years says Sandy Beach is “bigger than life and twice as loud.”
Sandy Beach, inside the KB studio
That may be, but News critic Jeff Simon added this in 2007:
Sandy Beach “may be the most talented figure in (the) storied history of Buffalo radio,” and Beach was the “last legend still heard daily on Buffalo radio.”
Aside from a brief stop in Erie, Pennsylvania and four years in Milwaukee, Beach has been a constant in Buffalo radio since arriving at WKBW to take over the night shift there in 1968.
Listening to even five minutes of his show – any of his shows – over the course of 52 years is explanation enough for why News critic Hal Crowther dubbed Beach “the Needle” shortly after the deejay landed on the Buffalo radio scene.
In a 1972 interview, legendary WKBW Program Director Jeff Kaye said that within four years of arriving in Buffalo, Sandy had “worked every shift on KB except morning drive, and improved the ratings in each part.”
Beach spent the 70s, 80s and 90s in and out of Buffalo as a disc jockey, program director and eventually a talk show host. After leaving his post as KB Radio’s Program Director in the early 80s, he held morning show jobs at Buffalo’s Hot 104 and then Majic 102.
He hosted talk shows on WBEN and WGR before leaving town for the mid-90s, but when he came back to host afternoons on WBEN in 1997, he was ready to make the change permanent.
“I liked playing the oldies,” Sandy said coming back, “but you can only play ‘Doo-Wap-Diddy’ so many times.”
Six years later, he would play oldies once again, this time at WBEN’s sister station and his old stomping grounds, now sporting the call letters WWKB. For the three years KB played music of the 50s and 60s from 2003-06, Beach was a disc jockey mid-mornings and a talk show host for afternoon drive on WBEN.
The show was never edgy or provocative just for the sake of being so—but Beach was strong in proclaiming his often-conservative views and left little room for opinions (or leaders) he thought were weak or unfounded.
Stan Roberts, Dan Neaverth, Sandy Beach. Late 60s.
When he left WBEN in 2020, management called Beach a “provocative and edgy talk show host” who entertained with “distinct humor.” And an unforgettable laugh.
Watching TV rarely gets you on the front page of the paper, but it seems appropriate that it did for the staff at Tonawanda’s Jenss Twin-Ton Department store in 1969.
That man would step foot on the moon is an unimaginable, superlative, epoch-defining feat in human history. But that more than half a billion would watch it happen live on their television sets made it a definitive moment in a broadcast television industry that was barely 20 years old at the time.
Gathered around the TV “to catch a few glimpses of the Apollo 11 events” were Mrs. James Tait, Margaret Robinson, Marian Feldt, Jack Dautch, Grace Hughes, Dorothy Wiegand, Rose Sugden and Rose Ann Fiala.
By the time of the 1969 moon landing, Jenss Twin-Ton’s future was already in doubt as city fathers in the Tonawandas were looking to expand already present Urban Renewal efforts to include the store at Main and Niagara. Jenss Twin-Ton closed in 1976 when the building was bulldozed as urban renewal caught up.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
In the simplest of terms, after decades of economic depression and war, young people of the late 1940s had less responsibility, more economic freedom and a growing segment of pop culture being cultivated to employ and take advantage of that free time and free cash.
For 70 years, more mature generations have been panning the choices of teenage girls and especially the fervor with which they make those choices.
The names change, but from Frank Sinatra to Justin Bieber, rigid-minded adults can’t understand all the swooning over (some singer) with (some bizarre haircut, bizarre dance, etc.).
By 1964, American fuddy-duddies had withstood the waves of bobbysoxers and Elvis’ wagging hips — but the arrival of a moppy-headed quartet of singers from England took the genre up another notch.
If there’s a start date for Beatlemania, you might choose Feb. 9, 1964 — the date of the band’s first appearance on “The Ed Sullivan Show.” About 60 percent of American televisions were tuned to the performance of the nation’s No. 1 top single, “I Want to Hold Your Hand.” It aired in Buffalo on Ch.4.
Immediately, adults started to try to make sense of the mania.
In a matrix that has repeated itself time and time again as American Pop Culture has evolved, the aversion to the Beatles was just as strong as the fanaticism of their young followers.
What was it about the Beatles? everyone seemed to want to know. Was it the haircuts, asked the Courier-Express’ “Enquiring Reporter” of Western New York high school students?
Lining up to get on The KB Crush Beatles Bus Caravan to Toronto
One boy from Cardinal O’Hara High School was convinced that it was “The Beatles’ weird looks more than their musical ability” that made them popular. Many others agreed, but said it was the combination of talent and different looks that made the Beatles “just far out.”
Whether you loved the Beatles or hated them, they were clearly a growing economic force to be reckoned with.
It wasn’t just with the expected idea of record sales at places like Twin Fair, more staid institutions such as AM&A’s were offering “The Beatle Bob” in their downtown and branch store beauty salons. Hengerer’s was selling Beatles records and wigs.
A month after the group’s first appearance on Ed Sullivan, a couple of doors down from Shea’s Buffalo, the Paramount Theatre sold out a weekend’s worth of closed-circuit showings of a Beatles concert.
Eighteen uniformed Buffalo Police officers were hired to help keep the peace among the more than 2,500 teens who showed up to watch the show at the Paramount, which was hosted by WKBW disc jockey Joey Reynolds. The only slight hint of misbehavior on the part of Beatles fans came when the infamous rabble-rouser Reynolds declared on the stage, “I hate the Beatles!” and he was pelted with jellybeans.
Local bands like the Buffalo Beetles, later renamed the Mods, enjoyed popularity and even their own records on the radio. After the July, 1964 release of The Beatles’ first film “A Hard Day’s Night,” the summer of 1965 saw the release of the Beatles’ second movie, “Help!,” which opened at Shea’s before moving onto the smaller theaters and the drive-ins.
The Beatles also played a concert at Toronto’s Maple Leaf Gardens in August 1965. There were at least a couple of dozen Buffalonians in attendance courtesy of the WKBW/Orange Crush Beatles caravan, hosted by Danny Neaverth.
Danny Neaverth hosting on KB Crush Caravan to see the Beatles.
Sixteen-year-old Jay Burch of Orchard Park High School described Beatlemania from the midst of it in 1964 this way: “The Beatles’ singing is OK, but it’s the haircuts and dress that make them standouts. … The Beatles are different. They got a good gimmick and made it work.”
John Lennon, Paul McCartney, and George Harrison of The Beatles at a Toronto press conference, speaking into a microphone from Toronto’s CHUM Radio front and center.
Many of Buffalo’s Beatles dreams finally came true on Oct. 22, 2015, when Paul McCartney made his first appearance in Buffalo, singing songs that many in the audience had first heard 51 ½ years earlier for the first time on a Sunday evening with Ed Sullivan.
Art Wander was among the first Americans to hear The Beatles’ classic “A Day in the Life.” Yes, that Art Wander. Long before his sports talk show days, the native of Buffalo’s East Side was a national radio programmer, and hosted Beatles manager Brian Epstein in his WOR New York City office.
The KB mid-60s lineup included midday man Rod Roddy, who would later be one of the country’s leading game show announcers on shows like Press Your Luck and The Price is Right.
In the late 60s, KB issued two different top 300 lists. The band members are the KB disc jockeys shown on the previous page, with the exception of Lee Vogel—who had left the station, and was shown facing backwards.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
Riding a wave started with a change to a personality driven Top-40 format in 1958, KB dominated Buffalo radio for most of the next two decades.
Sold by station founder Doc Churchill to national broadcasting powerhouse Capital Cities, the wealthy corporate backing of KB’s monstrous 50,000-watt signal helped lead to the evolution of one of the finest examples of a full-service Top-40 station that ever existed.
Eventually grabbing as much as 50% of the market share, KB quickly blew all of the much smaller Top-40 competitors out of the water. Half of the audience was listening to KB. Never before, and never since, has a radio station been so dominant in Buffalo.
Left to right: Don Keller (Yearke), Tom Shannon, Doug James, Wayne Stitt, Jay Nelson, Russ “The Moose” Syracuse, Dan Neaverth, Tom Saunders
The station’s base of homegrown talent sprinkled with some of the most talented people from around the country, helped build an unprecedented following for KB in Buffalo and around the country.
The first of those homegrown talents to leave a legacy was the great Tom Shannon, South Buffalo’s breaker of hearts and as smooth a disc jockey as Buffalo, Detroit, Denver, LA, or anywhere else has ever known.
Tom Shannon, in the WKBW air studio
Easy to listen to, debonair and literally the boy next door, the handsome and ultra-cool Shannon was a graduate of Holy Family grammar school and Bishop Ryan High.
As if owning nights on KB and driving a Corvette convertible wasn’t enough, there was the night Swedish sex-symbol Ann-Margret was in Buffalo on a promotional tour, and hopped in Tommy’s sports car for a date at the trendy Candy Cane Lounge, downtown next door to the Market Arcade.
That was the same nightclub where Shannon met the group that would ultimately become known as “The Rockin’ Rebels,” who would take “Wild Weekend,” their instrumental version of the Tommy Shannon Show theme song, to the national record charts.
At KB, he started as a weekend jock and fill-in guy, and didn’t even rank high enough to get his own theme song. It’s part of the KB magic that his self-produced, garage-band sounding musical opening touting “Top tunes, news and weather, so glad we could get together, on the, Tom Shannon Show” could become a nationwide Top Ten hit.
Shannon was at Fort Dix doing a hitch in the Army when he heard his song come on the radio and almost couldn’t believe it.
Tom Shannon sits in the WGR studio, holding a copy of the Rockin Rebels’ Wild Weekend album.
“It was so exciting to be a part of Buffalo radio back then,” Tom Shannon said in 1996. “Sometimes the disc jockeys were more popular than the rock stars.”
He was bigger than life hosting the night shift on KB, and Buffalo’s teens couldn’t get enough of Tommy. In 1961, tickets to his “Buffalo Bandstand” TV show on Ch.7 were being counterfeited and new procedures had to be put in place after the number of kids on the dance floor swelled out of control.
While a deejay at KB, Shannon hosted Buffalo Bandstand on Ch.7. When he later moved to WGR Radio, he hosted Hit or Miss on Ch.2.
Tom Shannon hosts a WKBW Record Hop, with Paul Simon, left.
Tom Shannon appeared in a series of 1964 print ads for Queen-O.
After spending the 60s and the 70s moving around the country and around radio dials, Shannon was back in Buffalo for his 30th grammar school reunion at Holy Family on South Park at Tifft when he stopped by his old home, WKBW.
A week of fill-in work lead to a three year stay towards the end of KB’s run as one of Buffalo’s most dominant radio stations. After spending time as a host on the Shop at Home cable TV network, Tommy made it back for one more turn at the air chair in Buffalo hosting afternoon drive on Oldies 104 during the 1990s and 2000s.
From 1960’s “WKBW 6-midnight platter and chatter show” host, to 1997’s deejay with “a warm conversational tone and knowledge of music and performers,” Tom Shannon has been one of the leading voices of Buffalo’s baby boomers through every stage of life.
Joey Reynolds, WKBW
If there was a way to “one up” having your theme song land on the national charts, the guy who eventually followed Shannon in KB’s evening slot probably found it.
Joey Reynolds, KB’s night man through the mid-’60s, got The Four Seasons to sing their No. 1 hit “Big Girls Don’t Cry” with the lyrics changed to “The Joey Reynolds Show.” What a show!
Another local guy, Reynolds grew up in Buffalo’s Seneca-Babcock neighborhood playing radio announcer at the neighborhood Boys Club, and was every bit of a shock jock 20 years before the term was created for Don Imus and Howard Stern.
Joey Reynolds interviews Bobby Sherman on Ch.7’s Joey Reynolds Show.
He started a boisterous on-air feud with The Beatles and refused to play their records or even say their name, calling them “the four norks from England.” The feud lasted until there was money in it for him– he helped promote the local band The Buffalo Beatles.
Reynolds’ bombastic and over-the-top style earned him a following complete with membership cards for the “Royal Order of the Night People.” That audience extended far beyond Buffalo and Western New York. Despite working at a station 300 miles away in Buffalo, he was one of the most popular radio personalities in Baltimore, with thousands of listeners of KB’s strong signal mixed with Reynolds’ big mouth.
Reynolds’ eventual exit from WKBW is one of the most fabled in the legends of radio.
As the 1966 Variety Club Telethon aired on Ch.7, Reynolds felt slighted for being slotted to host the overnight portion of the big event.
One of many memorable stunts orchestrated by Reynolds involved him grabbing Fred Klestine as a tag-team partner to take on the tough, mean Gallagher Brothers in a wrestling match at the Aud.
In his memoir “Let a Smile Be Your Umbrella … But Don’t Get a Mouthful of Rain,” Reynolds admits to having had a few drinks before going on radio and giving TV star Frank Gorshin a hard time in an interview about the fundraiser.
Reynolds then insinuated another TV star and telethon guest host – Forrest Tucker of “F Troop” – was a drunk and had a case of booze in his dressing room.
One of the station managers took the episode personally – especially after Reynolds goaded him and made a joke about his bald head.
Seeing the writing on the wall, Joey put the writing on the door.
Rather than waiting to be fired, Reynolds, in an all-time display of brassiness, nailed his shoes to the station manager’s door with a note saying “FILL THESE” attached.
Joey Reynolds, Tommy Shannon and Danny Neaverth all grew up in South Buffalo. Reynolds and Neaverth knew each other from St. Monica’s, the Babcock Street Boys Club and Timon High School. When teamed up on KB, the cross-talk between Neaverth’s afternoon show and Reynolds’ evening wrap was the subject of homeroom and lunch table discussion at every Western New York high school the next day, but was also the talk of water coolers and coffee break tables at businesses as well.
Beyonce. Bono. Cher. Some personalities are so renowned and celebrated just one name will do. Such is Buffalo’s Danny.
Danny Neaverth is perhaps Buffalo’s greatest pop culture star. He’s remembered most for peeking at us through the hole in the record behind the microphones of upstart WBNY radio in the 1950s as Daffy Dan, then WGR Radio, and then 26 years at WKBW Radio — with most of those years as Buffalo’s morning man. Tag on a dozen more years at WHTT, and a few more at KB again, and Danny moved our fannies on the radio for half a century.
But it wasn’t just radio — Neaverth was also a TV weatherman on Ch.7 and later Ch.2.
He was the public address announcer for the NBA Braves and the NFL Bills.
A few of his moonlighting gigs dovetailed more closely with his work as a disc jockey and radio host.
Danny signs hands at a Thruway Plaza record hop.
He was a concert promoter and recording artist (who could forget “Rats in My Room,” even if they tried?).
Of course, his face and voice were everywhere for Bells Supermarkets and dozens of other Western New York businesses through the years. His work in the community for dozens of causes and charities over the last 60 years has been unmatched.
In the ’70s and ’80s, it was difficult to spend a day in Buffalo and not somehow be graced by the voice, smile and personality of “Clean Dan Neaverth,” a true Buffalonian who never forgot his Seneca Street South Buffalo roots and proudly plied his trade among fellow Buffalonians proud to call him one of us.
Danny took over mornings from Stan Roberts.
Stan Roberts at the KB mic.
Stan first woke up Buffalonians at WKBW from 1962-70, and then at WGR from 1972-82. He became “the first major Buffalo morning man to make the move to the FM band” when he joined WBUF-FM in 1982. After seven years at WBUF, Stan took WBUF mornings to the number one spot in the ratings— and the very next day, he jumped back to AM, hosting afternoon drive and working in sales at WBEN.
As WGR’s morning man, he narrated “Great Sabre Highlights” on the flip side of the very successful record single, Donna McDaniels’ “We’re Gonna Win That Cup.” Stan also wrote at least two joke books, including “Sabres Knock-Knocks.”
Stan still hasn’t lived down the early 80s Royalite television commercial where he put a lampshade on his head, and in the late 80s, when, as the Bills PA announcer, he had to implore fans to “please stay off the field” while they stormed the Rich Stadium field, taking down the goalposts to celebrate the Bills’ clinching the AFC East in 1990.
The warm friendly voice of Fred Klestine felt like a cup of cocoa near the fire.
Fred Klestine, right, visits Xavier’s Meats at the Broadway Market
“An institution in Western New York,” his radio career when he was working at Lackawanna’s Bethlehem Steel, and a manager at Lackawanna’s WWOL heard his voice and told him to audition. Deejay was considerably easier than working in a blast furnace, and Fred spent the next 40 years keeping Buffalo company.
In the 50s, Klestine worked at WWOL and WBNY, before his long famous run at KB Radio. He was later heard on WADV-FM, and then on WBUF-FM through most of the 80s.
Then there was Pulse Beat News. Irv Weinstein was the news director and spiritual leader of the KB’s news staff.
“In terms of style, I was sometimes asked who my idol was in radio, and that was an easy one: Paul Harvey,” said Irv in an interview for the book Irv! Buffalo’s Anchorman. “Paul Harvey was not fast-paced, but he had a pace of delivering the news that was compelling. I like to think I was Paul Harvey only a lot faster.”
Faster, with flagrant, more outrageous writing. In the early rock ’n’ roll days of KB Radio and Pulsebeat News, the pace and the shocking style of writing and delivery made Irv’s later Eyewitness News persona seem comatose.
Irv Weinstein, WKBW Radio News Director
“A Top-40 news guy; fast paced,” said Irv. “Over time I developed a writing style that had sizzle and alliteration, and the type of thing to grab the audience. I learned along the way, that before you can get people to listen to you, you have to catch their attention. One way to do that is in your writing– make it compelling. Sometimes it was overboard, frankly, but it was ok. It did the job.”
It was the perfect comingling of man and circumstance that put Irv in the position to really invent the style of newscasting he made famous in Buffalo– one that was copied around the country.
Henry Brach had been a drug store owner before working in radio, and there’s something about that which just seems to fit. Unlike nearly every other KB Pulsebeat News man, Brach’s voice didn’t boom into radio speakers. His cool, understated style fit in just as well at KB, making him the favorite of listeners and a long line of America’s most talented all-time disc jockeys, who were merciless in mocking the newsman.
Henry Brach in the KB studio.
Jim Fagan was a disc jockey and newsman at WBTA in Batavia, where he’s shown here, before heading to WKBW for a three-decade career.
Jim Fagan’s voice was one of the threads that tied together the various eras at KB. During the 27-and-a-half years that he was a newsman at WKBW Radio, he saw many come and go, but from JFK to Reagan, his was one of the voices that reported on it over KB.
His strong voice punched out the KB Pulsebeat News sound perfectly in those early years, and mellowed as the rest of the station did right up to the very end. Fagan was among the final employees when corporate owners pulled the plug on the local news and music on KB and replaced it with syndicated programming.
John Zach was born into radio. His father was a radio pioneer, having built the first “wireless set” in the city’s Kaisertown neighborhood. After attending St. Casimir grammar school and PS 69, he learned about the technical aspects of radio at Seneca Vocational High School– but John’s path into broadcasting was lined with guitar pics rather than vacuum tubes.
As the leader of “John Zach and The Fury’s,” he played record hops with Danny Neaverth, who worked with Zach and helped him develop his on-air sound.
1959 ad.
After spending time as a disc jockey in Georgia, Zach returned to Buffalo and was hired by Irv Weinstein for an overnight news job at WKBW in 1960. He spent most of the next five decades informing Buffalo’s radio audience, come hell or high snowbanks. Twice during the Blizzard of ’77, John Zach came in by snow mobile to anchor the news during the Danny Neaverth Show.
As KB Radio’s News Director for most of the 80s, a survey found that John Zach was Buffalo’s most recognizable radio news personality.
With long stops at WKBW and WGR under his belt, Zach joined WBEN in 1998 and spent 18 years with Susan Rose co-anchoring Buffalo’s most listened to radio news program, Buffalo’s Early News.
John Zach spent time as a disc jockey and news man in Georgia before spending nearly 27 years at WKBW Radio.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
For 20 years, Sunday nights in many households across the country meant an episode of “Gunsmoke” before the late local news. For 19 of those years, a woman who attended Hamburg Junior High and Amherst Central was one of the stars of the show.
Long before Amanda Blake played Miss Kitty, the saloon-owning love interest of Marshall Matt Dillon from 1955-74, she grew up in Western New York.
Born at Millard Fillmore Hospital on Delaware Avenue, the young “Miss Kitty” began her elementary schooling at Kenmore’s Lindbergh Elementary, also living in Hamburg and Amherst until 1946, when her father’s job at Curtiss-Wright took the family to California.
A 1960 promotional trip was the actress’s first trip back to Western New York since moving out west—but it wasn’t her last. She stayed in regular contact with old friends and relatives, and visited several times—including to attend her 40th high school reunion– before her death in 1989.
Amanda Blake surrounded by her Gunsmoke co-stars, including a young Burt Reynolds, who played Deputy Quint Asper on the show for three seasons. Blake was on Gunsmoke for all but the final season of the show’s 20-year run.
Gene Barry starred as Bat Masterson for three years on NBC and Ch.2. On a promotional visit to Buffalo, he was interviewed by Helen Neville on WGR-TV and Dan Neaverth on WGR Radio.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
For many kids and teens of the Eisenhower era, the different kinds of sounds coming out of radios gave them something of their own to listen to while doing their homework or on a transistor radio snuck under a pillow after bedtime.
There are also those who listened to deejays like The Hound and Lucky Pierre and were inspired to spend the next 60 years entertaining the world.
For example, Buffalo radio legends Sandy Beach and Jefferson Kaye, both of whom grew up in Massachusetts, listened to the Hound over KB’s powerful signal as youngsters and cited him as an inspiration.
But right here in Buffalo, a handful of the boys who’d be the broadcast Pied Pipers of their generation got their radio start in an old brick building in South Buffalo’s Seneca-Babcock neighborhood.
A group of friends from St. Monica’s grammar school on Orlando Street spent most of the rest of their free time at the Boys’ Club a couple blocks away on Babcock Street.
The club’s organized activities, mostly sports, weren’t exactly what these boys were after. “They weren’t much for boxing,” activities director Jimmy Coyle would say for years after, “they were more for talking.”
Past members of the Babcock Boys’ Club, from the Courier-Express, 1964
Danny Neaverth, Joe Pinto (who’d later become Joey Reynolds on the radio), Bill Masters (who spent 20 years on WEBR and WBEN), Danny McBride (whose local broadcasting career spanned 60 years) were all major players starting a closed-circuit radio station for the club.
Joey Pinto, center, brought his home record player to the Boys’ Club when the one in the club broke. That’s Joe Marszalak and Richard Quinn with him in a photo that ran in the Buffalo Evening News in 1956.
The boys convinced Boys’ Club manager Gurney Jenkins to get rid of an old jukebox that played 78 rpm records for Monday night dances and replace it with a modern record player and a microphone. Once they got the green light, all the boys went to work.
WBCB could only be heard inside the Babcock Boys’ Club, but offered Buffalo the first taste of what would fill the airwaves for decades to come.
Joe Pinto sent letters to record promoters and radio stations asking for old, about to be discarded, or greatly discounted records. He walked all over the city to collect the 45s which offered a more modern beat for the Boys’ Club dances.
Neaverth and McBride wired the whole building for sound, and now the set-up was more than just for dances in the gym. There was music, news, and even commercials on a regular schedule. They boys eventually started doing play-by-play of the sporting events at the club.
And a decade before their KB Radio cross-talk between Neaverth’s afternoon show and Reynolds’ evening show became the talk of Buffalo, the same two kids became the talk of South Buffalo with their “pretend” radio station at the Boys’ Club.
While Danny and Joey were at The Boys’ Club and Bishop Timon, Tom Shannon was at Bishop Ryan High, getting one of his first on air gigs leading the school in the rosary as Fr. Rufus looked on.
Boys’ Club veteran Danny McBride serves Pepsi-Cola and hot dogs at a WEBR Record Hop.
WEBR deejays Tap Taplin, Bob Wells, Bernie Sandler, and Jack Eno prepare to broadcast live for a full week from the newest Your Host restaurant in the Sheridan Drive Plaza, Sheridan at Niagara Falls Blvd. in 1953.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
BUFFALO, NY –There’s a lot going on in the 12 minute video I posted on YouTube today.
Oddly, iconic WKBW-TV news anchor Irv Weinstein was featured on the premiere of PM Magazine on WIVB-TV in 1979. Hosted by Debbie Stamp and Don Moffit, the show featured an in depth interview with Weinstein and his family, including son Marc Weinstein of Amoeba Records fame, with the rest of his “progressive rock group.”
Also featured are promos for Skybird 4, WIVB’s news helicopter, and a spectacularly ’70s promo for News 4 anchor John Beard, now with cross-town rival WGRZ-TV. How ‘70s is it? Suffice it to say, a fetching young woman mentions how much she likes John’s mustache.
At the end of the tape, another Buffalo pop culture treat– Glendora– known in here as a 1970s late-nite TV salesperson, but known around the country for her community access TV show “A Chat with Glendora” and activism in many arenas.
The stop and go of the tape capture two extra images as well—Danny Neaverth for Bells, and a Van Miller still. Arguably Buffalo’s three greatest radio and TV personalities all in one 1979 tape.
It’s classic Buffalo TV at its finest!
This tape was from Irv’s private collection. I dubbed it for him with a number of other tapes—including video from his wedding—about 15 years ago when I was working at the Empire Sports Network.
Still images from this video
Danny Neaverth for Bells
Van Miller’s Big Board Sports at 11
Remember Buffalo TV legend Glendora? “Plug it in anywhere!”
Glendora Folson-Buell
John Beard, Allen Costantini, Van Miller, Kevin O’Connell. WIVB 1979.
John Beard, at the mention of his mustache
Super hip John Beard. Anchorman.
Irv and Don Postles on the news set at Channel 7
Marc Weinstein’s “progressive rock band”
Debbie Stamp, City Hall.
WKBW-TV Director Bob Morford
Irv!
Classic Irv!
Old School Irv!
Irv relaxes at home
Late 70s product placement: Irv and Diet Pepsi
The Weinstein kids
The Weinstein’s wonderfully 70s Kenmore living room
Irv!
Channel 4’s helicopter, Skybird 4
Don Moffat, Debbie Stamp, co-hosts, PM Magazine
The PM Magazine van
Predating YouTube, I first posted a tiny, very low resolution version of this video on staffannouncer.com in 2006.
Reformatted & Updated pages from staffannouncer.com finding a new home at buffalostories.com
Beyonce. Bono. Cher. Some personalities are so renowned and celebrated just one name will do. Such is Buffalo’s Danny.
Buffalo News archives
Pictured here in the studios of WKBW on Main Street with newsman John Zach in 1972, Danny Neaverth is perhaps Buffalo’s greatest pop culture star. He’s remembered most for peeking at us through the hole in the record behind the microphones of upstart WBNY radio in the 1950s as Daffy Dan, then WGR Radio, and then 25 years at WKBW Radio — with most of those years as Buffalo’s morning man. Tag on a dozen more years at WHTT, and a few more at KB again, and Danny moved our fannies on the radio for half a century.
But it wasn’t just radio — Neaverth was also a TV weatherman on Channel 7 and later Channel 2. He was the public address announcer for the NBA Braves and the NFL Bills. A few of his moonlighting gigs dovetailed more closely with his work as a disc jockey and radio host. He was a concert promoter and recording artist (who could forget “Rats in My Room,” even if they tried?). Of course, his face and voice were everywhere for Bells Supermarkets and dozens of other Western New York businesses through the years. His work in the community for dozens of causes and charities over the last 60 years has been unmatched.
In the ’70s and ’80s, it was difficult to spend a day in Buffalo and not somehow be graced by the voice, smile and personality of “Clean Dan Neaverth,” a true Buffalonian who never forgot his Seneca Street South Buffalo roots and proudly plied his trade among fellow Buffalonians proud to call him one of us.
Ah Black Rock and Ogden, we hardly knew ye. The new year will mark a decade since the City of Buffalo had toll booths at its northern (Black Rock) and southern (Ogden) borders along the I-190.
For generations of Buffalonians, it was a bit of a sport to toss the quarter, and later two quarters, into the EXACT CHANGE baskets at the now demolished 190 toll booths.
The tolls were supposed to come down in when the highway was paid for in the late 80’s– but to the outrage of WNYers, you had to pay a toll to get to downtown Buffalo. The outrage built to a crescendo in 2006 when the toll booths were removed.
For some tollbooth memories we dip into the Buffalo Stories archives for these shots.
Its WKBW-TV Channel 7’s zany weatherman Danny Neaverth standing at the Ogden Tolls sometime in the early to mid 80’s.
This story was all about how fast people could drive through the “Exact Change” booths, and still get the coins into the basket.
Reformatted & Updated pages from staffannouncer.com finding a new home at buffalostories.com
BUFFALO, NY – In the 1960s and ’70s, Buffalo’s WKBW Radio billed itself as “one of America’s two great radio stations.” Never was that more on display than on Halloween night.
This blurb appeared in a Geneseo newspaper during the week leading up to Halloween in 1968. The masterful promotional folks at KB knew that by sending out this warning–with hope of it being published, that people would flock to hear, as Jeff Kaye puts it in the intro to the 1971 version of the dramatization, “what all the hubhub was about.” It’s the 1960’s version of “don’t click on this link.” (Buffalo Stories Photo)
While Program Director Jeff Kaye might be best remembered for that deep resonant voice which he used like Horowitz on a Steinway, he was also perhaps the greatest producer and writer– that is to say, the greatest radio mind– of the generation.
He found superb vehicles not only for his own talent, but also put the stars of KB in situations where they could shine brightest. These Halloween productions are brilliant examples. The writing and production stands up almost 50 years later, and gives the listener a true sense of the talent that went into “playing the hits” on KB.
Most of these recordings played several times through the years, starting in 1967 and running through the late 70’s.
You hear the voice, writing and production of Jeff Kaye; the engineering and production of Al Lafler, Dan Kreigler, and many others; the voices and writing of Dan Neaverth, Jim McLaughlin, Don Berns, Stan Roberts, Sandy Beach, Jack Armstrong, Shane Gibson, Joe Downey, Ron Baskin, Henry Brach, Jim Fagan, Don Lancer, Irv Weinstein, and others.
Three different versions of the war of the Worlds appear. The primary difference in each is the news guy, disc jockey and the music at the start of the show. Sandy Beach was in the original broadcast in 1968, Jack Armstrong was in the 1971 version, and Shane in 1973. In 1974, Jeff Kaye became the afternoon drive host on KB’s competitor WBEN, effectively ending any future reworking of the “covering of the invasion” half of the show– which remained mostly unchanged through the different broadcasts.
LISTEN:
Jeff Kaye, Dan Neaverth, Stan Roberts and the K-Big DJs added gasoline to the “Paul is dead” fire with “Paul McCartney is alive and Well… Maybe?”
Jim McLaughlin introduces Halloween 1973, and reminds you…Don’t turn around.
Dan Neaverth narrates People… places… things.
Jeff Kaye narrates with the KB Players in The Darkness.
Dan Neaverth narrates The Bed.
Jeff Kaye narrates with the KB Players in The Monkey’s Paw.
Jim McLaughlin narrates Vampires.
War of the Worlds 1968: The original broadcast featuring an intro by Dan Neaverth, Joe Downey-KB Radio News, and Sandy Beach- KB Radio Music.
War of the Worlds 1971: The broadcast featuring an intro by Jeff Kaye, Joe Downey-KB Radio News, and Jack Armstrong- KB Radio Music.
War of the Worlds 1973: The broadcast featuring an intro by Jim McLaughlin, Ron Baskin-KB Radio News, and Shane!- KB Radio Music.
Read the coverage of the scare created by the 1968 and 1971 broadcasts from the Associated Press, as printed in the Lockport Union Sun-Journal.
He remains one of the most popular figures in Buffalo’s history. He was also one of the most vilified.
Jimmy Griffin was Mayor of Buffalo from 1978-1993. No one has ever held the post longer, and it’s a pretty good bet that no one ever had more fun doing the job. He got things done. Like Pilot Field. And the waterfront. And the Theatre District. And getting people to stay home and enjoy a six pack instead of heading out into the Blizzard of ’85.
Look at the smile on this guy’s face in nearly every photo, and tell me he’s not having a good time.
Mayor Griffin with Burt Reynolds, when he was in town shooting “Best Friends.”
Mayor Griffin had a car phone in the 80s. When they were REALLY cool.
Reeling in a Lake Erie mermaid with lawmaker Mary Lou Rath.
Hizzoner was a natural behind the controls of a front loader.
He was also a natural on an elephant, leading the circus parade into the Aud.
With Seymour Knox on the Aud ice…
Jim Griffin: Buffalo’s original Irish dancer? with Mercy sisters wearing Talking Proud buttons, dancers, and County Executive Ed Rutkowski
Jim Griffin’s leadership spawned waterfront construction…
Two rockstar Jims of 80s Buffalo… Jim Kelly and Jim Griffin
The ol’Rockpile… Griffin’s tenacity and will pushed though the building of Pilot Field…
County Executive Ed Rutkowski, The Mayor, and Danny Neaverth on the streets of South Buffalo…
A true man of the people and a one-time gin mill owner, Mayor Griffin poured a fine beer…
These photos are among the roughly 200 photos which come from a new book about Buffalo’s beloved mayor.
A Buffalo Scrapbook: Gimme Jimmy! The James D. Griffin Story in his own Words and Photos, by Steve Cichon, will be in stores next week, or you can order a copy now at www.mayorgriffin.com and have it delivered to your home by next week.
This page originally appeared at TrendingBuffalo.com
By Steve Cichon
