Broadcasting live from the Erie County Fair is a tradition that dates back to the earliest days of TV in Buffalo, and Meet the Millers—starring turkey farmers Bill and Mildred Miller—were regulars at the fair all through the 50s and 60s. They’re shown here with another Ch.4 personality ready to broadcast live from Hamburg—John Corbett (left).
WKBW-TV’s broadcast license renewal was held up in the early 60s for a lack of quality local programming, but fans of campy old monster movies didn’t mind. Films like Frankenstein Meets the Wolfman were regular fare on Ch.7—and a generation later helped spark Off Beat Cinema’s quirky tribute to the genre on the station.
In 1968, WGR-TV’s new news team included George Redpath, Pat Fagan, Doris Jones, and Frank Benny.
By the end of the 60s, WGR-TV’s anchor team had changed again—this time with Henry Marcotte (above) with news, Mike Nolan (below) with sports, and Frank Benny—who had been on the sports desk—moved over to the weather map. Marcotte didn’t hide his conservative views– which made him the target of protesting UB students and striking NABET members who watched him cross their picket lines. Replaced by Ron Hunter, Marcotte went on to work as an editorial writer and booth announcer for NBC in New York City.
Star Trek’s Leonard Nimoy, R&B singer Ruth McFadden, actress Barbara Anderson, “You Asked for It” host Jack Smith, and telethon chairman Michael Allis in the Ch.7 studios.
Gov. Nelson Rockefeller visits with Irv Weinstein at Ch.7’s Main Street studios.
The media gathers for Jack Kemp’s 1969 announcement that he’s retiring from football and running for Congress. That’s Ch.4’s Ray Finch, Ch.4’s Paul Maze, Ch.7’s Sam Brunetta with handheld camera, Ch.4’s Virgil Booth, Larry Felser, Ch.4’s Len Johnson on audio, Ch.7’s John Winston, Ch.4’s Van Miller, Jack Kemp, and Ch.7’s Rick Azar.
Ch.4 photojournalist Bill Cantwell got mixed up in the action covering Buffalo’s civil rights protests of 1967. Cantwell was best known over his long career for his serene nature shots used during Ch.4’s weather segments.
TV news gathering and video recording technology rapidly evolved in the 60s. News editor John Kreiger (left) is writing copy from film shot by Mike Mombrea, Sr. (right) and edited by Quint Renner (center). Mombrea spent 32 years as a photojournalist at Ch.4, starting as a true pioneer—a TV news cameraman in the days when TV was just starting. It was through Mike’s viewfinder that Western New York witnessed the Attica Prison uprising, the installation of Pope John Paul II, and somewhere north of one million feet of news film capturing the day-to-day happenings of Western New York.
Recording video tape in the field for news purposes was still a decade away, but by Ch.4’s 20th anniversary in 1968, the station had three color video tape machines.
Engineers Frank Maser, Ralph Voigt, and Edgar Steeb with VTRs.
In 1969, WBEN-TV revamped its news format, calling their newscasts “First Team News.”
A deluge of print ads showed the team in action, including news anchor Chuck Healy, reporting from the dewatered Niagara Falls alongside the WBEN-TV News mobile unit, Van Miller from Bills practice with– among others– Number 40 Ed Rutkowski looking on, and weather man Ken Philips in studio in front of his maps.
WBEN also very heavily promoted the broadcasts of Buffalo Bills Football with Van Miller, Stan Barron, and Dick Rifenburg.In the booth at the Rockpile: Linda Arnold, Herm Brunotte, Willard Fredericks, Jim Georgeson, Bruce Wexler. Murray Wilkinson, Dick Rifenburg, Stan Barron, Van Miller, Tony Vacanti
The WBEN Bills Team: Bruce Wexler, Dr. Ed Gicewicz, Art Graff, Dick Rifenburg, Ray Sinclair, Willard Fredericks, Van Miller, Jim Georgeson, Stan Barron, Bob Werner, Linda Arnold, Herm Brunotte, and Tony Vacanti
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
Ch.7’s Main Street studios on a snowy night in the late 50s.
WBNY’s bright red “News from Where It Happens” cruiser, with “Flash Mike and the Mike Patrol.”
Chuck Healy goes over prizes like a case of Squirt and TV dinners on Strikes, Spares, and Misses on Ch.4.
Henry Brach (with dark glasses) broadcasting live from Sattler’s with WBNY deejay Mark Edwards.
Engineers Harold Smith and Leroy Fiedler in the WKBW master control room in the mid-1950s.
WBUF-TV weather personalities Joy Wilson and Mac McGarrity share a laugh.
The Kenneth Baumler family won a 1959 Studebaker Lark in WBNY’s “Lark Hunt” contest, sponsored by Buffalo’s six-area Studebaker dealers.
Bill Mazer called Bisons games on WKBW before moving to WGR. This team photo, with Mazer superimposed in the top right corner, was taken at Offermann Field in the early 50s. The Bisons moved to War Memorial Stadium in 1960.
WBEN’s staff announcers in the late 50s included, standing, Jack Ogilvie, Lou Douglas, Van Miller, Ken Philips, Gene Kelly, Virgil Booth, Carl Erickson, and Bernie Sadler. Steve Geer, Harry Webb and Mike Mearian are among those seated.
WKBW’s team of disc jockeys, about 1960.
Bob Diamond was a utility man on WKBW, at various times holding down the overnight shift, weekends, the farm report, and production work from the late-50s through the mid-60s.
As a member of the boys’ choir singing on WGR starting in 1926, Ed Tucholka’s first announcing job was on the PA at Sattler’s, 998 Broadway—talking about the bargains of the day, paging mothers of lost children and generally keeping things moving without benefit of a script.
Soon, his deep rich voice would be heard on WEBR, and in over 20 years there, he hosted the wartime “Noon Day Review” highlighting local GIs and as well as Uncle Ed’s Children’s Hour.
After stops at WWOL and WHLD, Tucholka moved to the WBEN stations in 1966 and oversaw WBEN-FM, always reflecting simple dignity and elegance he presented on the radio for nearly 70 years.
WBEN Operator/Engineer Tom Whalen gets ready to cue up albums for Clint Buehlman.
News anchor John Corbett looks over news scripts hot off the typewriter of Fran Lucca in the Ch.4 newsroom.
WBEN’s Sports team: Dick Rifenburg, Chuck Healy, Van Miller, and Ralph Hubbell. When injury ended Rifenburg’s professional football career with the Detroit Lions, the former All-American Michigan wide receiver turned to broadcasting and spent nearly 30 years at WBEN Radio and TV.
Officially, they were Memorial Auditorium and War Memorial Stadium, but to Buffalonians they were the Aud and the Rockpile, and they were the great WPA-built stone homes of Buffalo’s greatest diversions: football, hockey, boxing, basketball, and wrestling.
The men in this photo and their compatriots across the radio and TV dials helped bring those diversions closer. Maybe more than in other cities, Buffalo’s sports guys have always been among the most popular broadcasters, as they seemed like one of us while helping to bring us closer to heroes on the court, on the field, in the ring, and on the ice through their work.
With the smooth melodious voice of a classic announcer, Ward Fenton joined WBEN as a radio news man in 1941. After serving in World War II, he returned to the station and was named chief announcer in 1947. He was also heard as the announcer on the NBC network program Mr. IQ, which originated from Shea’s Buffalo Theater for a national audience.
His fluency in French, German, and Italian made him a natural for decades’ worth of announcing classical music programs, especially on WBEN-FM.
When Ch.4 signed on, he was the station’s weekend weatherman, and by the 1960s, was regularly seen in front of the weather map in living rooms all over Western New York, with his forecasts sponsored by the Charles R. Turner Company. His segments were bookended with a memorable film clip showing trucks at the Turner’s company garages. At the beginning of the weather segment, the trucks headed out onto the street, and then after the weather forecast, the same film ran in reverse, with the trucks appearing to back into the garage.
Fenton became Ch.4’s Chief Announcer in 1967, and retired in 1975.
Harry Webb anchors a WBEN-TV newscast sponsored by Esso, and interviews Massachusetts Senator John F. Kennedy on a visit to Buffalo in 1958.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
His lasting fame might be as the Memorial Auditorium organist for the Sabres and the Braves, but that was Norm Wullen’s retirement job– after spending decades as one of Buffalo’s highest profile radio and TV organ and piano men.
Norm Wullen plays as the show goes on, on Ch.4
He grew up on Buffalo’s East Side as the son of a piano tuner. His music career started just after World War I at the age of 15, behind a drum kit on the Crystal Beach boat. He soon moved on to piano, playing over the silent movies at the old Shea’s Court Street Theater. From there, he could be heard as the organ backdrop for the vaudeville circuit at the 20th Century and Shea’s Hippodrome theaters, appearing through the years with Bob Hope, Frank Sinatra, George Burns, Jack Benny and Edgar Bergen.
Teamed with his brother Charley, he gained his first radio plaudits on WBEN in 1934. “The Wullen Brothers” act was a dueling piano team.
Norm replaced Bobby Nicholson as WBEN’s staff organist in the 1940s, and was constantly heard on WBEN and seen on Ch.4. On TV, he accompanied Rollie Huff, and later Dick Rifenburg, as they did their morning exercises.
On the radio he was a fixture on the live midday “breakfast” shows that broadcast live from the restaurants and tea rooms of department stores and hotels like the Yankee Doodle Room at AM&A’s, the Turf Room at the Sheraton, and the Grover Cleveland Room at the Statler.
Dick Rifenburg, John Corbett, & Norm Wullen
By the end of the 1950s, Norm and staff musicians at all the local radio and TV stations were being squeezed out by a change in musical taste, but while he was still playing, Wullen took his task of “setting the mood” for housewives during their morning coffee break very seriously.
“I deplore rock ‘n’ roll,” said Wullen in 1957, “not because it’s riding a crest of popularity, but because it lacks any real melody.”
The News called Wullen “the flower of WBEN’s Musical world,” even as Top 40 began to take a strangle hold of Buffalo radio.
“Radio listeners dialing about in search of good music these weekday mornings have been finding their quest satisfied by nothing more tried-and-true than harmonious organ music,” said Wullen.
Even as times changed, Wullen and crew evolved. A little, anyway.
Like the time in 1962, toward the end of the Breakfast Show’s run that host John Corbett called out for “a little Twist music.”
Wullen was ready. It wasn’t Chubby Checker, but Norm’s musical meanderings fit the bill, “bouncing out pleasant notes,” if not a Twist.
Along with fellow radio pioneer Elvera Ruppel, Norm Wullen was also a Buffalo television pioneer, playing piano and accompanying the soprano on the “Miss Melody” show, Thursdays through the late 40s and early 50s on WBEN-TV.
Elvera Ruppel and Norm Wullen on Ch.4 in the early 1950s.
Ruppel sang at Shea’s Buffalo with the BPO, with those concerts frequently sent out around the country on the various radio networks. She was a regular star of the musical programs with pianist Al Erisman on WMAK Radio through the 1920s, and as a favorite of WGR musical director David Cheskin, her voice was heard frequently on Buffalo radio through the 30s and 40s as well.
Her most critically acclaimed moments in the spotlight came when she was half of “Buffalo’s Radio Sweetheart” team, as partnered with Smiling Bob Smith—later of Howdy Doody fame—on WGR.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
It was vestige of the Vaudeville days—wives and husbands as co-emcees on radio and television, usually hosting otherwise normal shows, only with a special kind of schtick to fall back on.
The successful and beloved team of George Burns and Gracie Allen, the married stars of one of radio’s most successful network programs from 1936-50, was all the blueprint local radio programmers needed.
Billy and Reggie Keaton were among the earliest married teams on Buffalo radio starting in the mid-40s, but soon they weren’t alone.
When Budd Hulick– half of the sensational Stoopnagle & Budd comedy team of the 1930s—returned to Western New York radio in the late 40s, he was joined by his wife, Helen. They first appeared on WHLD in her native Niagara Falls, before moving to WKBW for a few years on the “Mr. & Mrs.” show. They moved south in the mid-50s, hosting a show on WPTV Ch.5 in Palm Beach starting in 1956.
The Hulicks chat with Lucille Ball & Desi Arnaz on a press trip to Buffalo.
Mary Jane and Seymour Abeles hosted “The Shopper’s Guide” on Ch.4.
Both Buffalo natives, Mary Jane was billed as Buffalo’s “first and only” female disc jockey during the war years on WGR, and Seymour was a longtime radio actor on all the stations in Buffalo—and received a Bronze star and Purple Heart in the Pacific during World War II.
Bernie and Norma Jean Sandler were well-known for hosting programs showcasing the talents of young people. Future radio stars Danny Neaverth, Tommy Shannon, and Joey Reynolds were all guest teen deejays on Sandler’s “The Young Crowd” on WEBR.
Bernie Sandler was a teenaged bandleader while still at Bennett High School, playing gigs at The Colvin Gables and the Glen Casino. After serving in North Africa and Italy during World War II, Sandler moved to radio—first at WBTA in Batavia and then Buffalo’s WEBR–where he’d replace Ed Little as the emcee of the Town Casino show in 1953—before moving onto WBEN AM-FM-TV in 1959.
After Bernie had gone to work full-time in marketing for the Iroqouis Brewery and Norma Jane was the director of the Studio Arena School of Theater, the couple hosted “The Sandler Style” on WADV-FM starting in 1969. They were also trusted spokespeople thought the years, often seen together in TV commercials for everything from applesauce to carpets. At the time he died in 1992, Bernie was still on the air weekly at WECK, playing big band music over the radio for the same folks who danced to his live band performances 50 years earlier.
Buffalo’s best remembered husband and wife started a 21-year run on Ch.4 on Jan. 17, 1950, with a little cooking, a couple interviews, and a lot of bickering.
“Meet the Millers” with Bill and Mildred Miller was a Buffalo television staple, weekday afternoons for more than two decades.
The program was a melding of the couple’s skills. They’d spent more than 20 years entertaining together on the Vaudeville circuit. He was a dancer — even once on Broadway – and she was his piano playing accompanist.
They retired from stage work to Buffalo for health reasons, opening a turkey farm in the Town of Colden—only to answer the call to TV after a handful of very successful cooking segments around Thanksgiving time in 1949.
From the onset, “Meet the Millers” was nominally about “using economy in preparing food,” but housewives tuning in around Western New York were just as likely to be entertained by the sometimes-hostile relationship between Bill and Mildred and Mildred’s tendency to put Bill in his place regularly. For better or worse, they were Western New York’s quintessential quibbling couple.
The show grew to include interview segments which aired Monday, Wednesday and Friday, with cooking segments on Tuesday and Thursday.
The big-name stars who came through Buffalo stayed at the Statler, and that’s where Bill and Mildred did their show through the 1950s.
Stars like Elizabeth Taylor and Tony Bennett were guests through the years.
Starting with their first summer on the air, the Millers made bringing Western New York’s agricultural fairs to TV viewers a priority.
As the owners of a 350-acre farm, and Bill’s role as past president of the state turkey growers’ association, the Millers became closely associated especially with the Erie County Fair, from which their show was broadcast live every year.
The Millers were in the inaugural class of the Erie County Fair Hall of Fame in 1989.
After the couple retired from television, Bill was elected Colden supervisor and served through the early 1980s.
The couple moved to Florida, where they passed away in the early 1990s.
Bill and Mildred didn’t necessarily cook all the food they showed on TV, and they certainly didn’t do the dishes—most of the real kitchen work was done by women like Margaret Teasley, seen here offering some of the shows leftovers to the “Meet the Millers” crew, including Producer Bernie Ross, cameraman Art Lester, floorman Bud Hagmann and studio supervisor Gene Klumpp.
“Rising enthusiasm in FM listening throughout Western New York is expected to continue in 1952,” started a story in The Buffalo Evening News. Although WBEN first started experimenting with FM on W8XH in 1934, WBEN-FM was Buffalo’s first frequency modulation station when it signed on in 1946. Other FM stations signed on the air quickly, and by 1950, there were plenty of choices on the FM dial—although programming was slow to develop for the much clearer sounding band.
It wouldn’t be until the late 60s and beyond when many of these still-familiar frequencies would come into their own with programming beyond “whatever was left over” from AM sister stations.
WBEN-FM changed frequencies from 106.5FM to 102.5FM in 1958 so that the station could increase its power.
The Four Quarters were regular entertainers on WBEN-TV. Bass player Bassie Atkinson was the only Buffalonian—a Central High grad. Kenneth Strother was on piano; Reggie Willis, guitar; and Eddie Inge, clarinet.
Akron’s Miller Bros. Band, shown with Ted Mack as contestants on the Original Amateur Hour, a network program which aired on Ch.4.
Marion Roberts was the hostess of Ch. 4’s Plain & Fancy Cooking weekday mornings through much of the 1950s. Her “timely tips make homemaking easier and cooking more exciting,” according to a 1955 ad. Ch.4’s mid-50s weekday local lineup included Roberts, John Corbett, and Mildred & Bill Miller, all with shows aimed at the housewife.
He came to Buffalo as Ch.4 first signed on— and over the next 30 years, there weren’t many radio & TV personalities who saw more airtime than WBEN’s John Corbett.
Through the 1950s, he was hosting 11 weekly radio shows and was Ch.4’s “Speaker of the House” host weekdays at 12:15pm. Through the 60s and 70s, his duties turned more to news, and in the early 70s, was one of the most seen faces of TV news in Buffalo.
His contract was left to expire in 1977. He was approached about running for mayor, and even considered it— but ultimately did not, and instead, that election saw James D. Griffin begin his four-term stretch in Buffalo’s City Hall.
Celebrating the fifth anniversary of WBEN’s Breakfast at the Sheraton with engineer Peter Koelemeyer, organist Nelson Shelby, producer Gene Brook (who also played “Grumbles the Elf” on the Santa show), baritone Harry Schad, and emcees John Corbett and Ed Dinsmore in 1954.
Four years later, John Corbett and Dick Rifenburg celebrate the show’s anniversary.
In 1959, the Sheraton Gang included organist Norm Wullen, Dick Rifenburg, and John Corbett.
By the following year, the Sheraton breakfast show had given way to The Statler Luncheon Club, in the hotel’s Grover Cleveland Room. Virgil Booth and Mike Mearian were the hosts.
Ed Dinsmore was everywhere on Ch.4 in the station’s earliest days, as one of the station’s primary newscasters, playing Santa on the Santa show, and host of Breakfast at Sheraton on the radio. Dinsmore might have been Buffalo’s most familiar local TV face when he died suddenly in 1954.
Ed Dinsmore (left) and crew get ready for a newscast from the Statler studios of Ch.4, 1954.
Van Miller joined the staff at WBEN-TV as a summer relief announcer in 1955, and didn’t leave for 43 years. In this mid-50s shot, Van is anchoring the news while Chuck Healy anchors sports. The pair would play the opposite roles on the same newscast together through much of the following decade.
The first Buffalo scientist to talk meteorology regularly on Buffalo TV was Buffalo Weather Bureau Chief Barney Wiggin.
“Weather with Wiggin” ran Monday evenings in the early 1950s on Ch.4.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
Starting in 1949, Friday night meant Ralph Hubbell, Chuck Healy, and TVs tuned to live wrestling from Memorial Auditorium—with the action and antics of folks like Gorgeous George, Ilio DiPaolo, Dick “The Destroyer” Beyer, Coco Brazil, and the Gallagher Brothers and dozens of others.
During pre- and post-match interviews, the athletic Healy would often find himself somehow entangled with the wrestlers he was trying to interview— handling the headlocks from “bad guys” with the grace of a professional broadcaster.
There’s little question—especially in Buffalo, wrestling helped make TV and vice-versa in those early years.
In 1951, Ed Don George was promoting wresting in 30 cities, including Buffalo. “Let them try to besmirch the wrestling profession as much as they’d like,” said Ed Don, “But what other form of sporting entertainment gives as much to the fans as wrestling?”
He was proud of wrestling’s showmanship, which had blossomed since he had been the world’s heavyweight champ 20 years earlier. “Sure, there is showmanship in wrestling. We try to dress up our business just like the downtown merchant decorates his shop windows to attract customers.”
Wrestling with Ralph Hubbell & Chuck Healy
Wrestling, of course, goes way back in Buffalo. Crowds sold out Friday night matches through the 30s, 40s, and 50s; first at the old Broadway Auditorium (now “The Broadway Barns” and the home of Buffalo’s snowplows) and then Memorial Auditorium when it opened in 1940.
“This was a shirt and tie crowd,” said the late Buffalo News Sports Editor Larry Felser, who remembered when Wrestling at the Aud was one of the biggest events in Buffalo.
“Not that many people had TV sets back then,” remembered Felser in 2001. “People were crowding into Sears and appliance stores to try to see this thing on TV, because the place was sold out.”
And with all those big crowds, there was no wrestler who could draw them in like Gorgeous George.
Gorgeous George
“When Gorgeous George would wrestle, they’d pack the Auditorium for this guy,” said Felser.
“The Human Orchid,” as George was known, was the first modern wrestler, said retired Channel 7 sports director Rick Azar, saying he “changed the face of professional wrestling forever.”
As someone who called himself “Hollywood’s perfumed and marcelled wrestling orchid,” it’s clear that George knew how to make sure he set himself apart.
“He had an atomizer, and he’d walk around the ring with perfume, supposedly fumigating his opponent’s corners,” said Felser, who also remembered George’s flair for marketing outside the ring.
“His valet drove him around in an open convertible around Lafayette Square, and he’s got a wad of one-dollar bills, and he was throwing money to people. It was a show stopper. He landed on page one. TV was just in its infancy then, but they were all over it. It was like World War III. That’s how big a story it was.”
Gorgeous George is credited with ushering in the Bad Boy era of sports– and even inspired Muhammad Ali, who told a British interviewer, “he was telling people, ‘I am the prettiest wrestler, I am great. Look at my beautiful blond hair.’ I said, this is a good idea, and right away, I started saying, ‘I am the greatest!’”
Wrestling was cheap, flashy and easy to televise — and Gorgeous George was the performer that people loved to hate. It was said that in TV’s earliest years, Gorgeous George’s appearance on TV sold as many televisions as Milton Berle’s.
Another of TV’s favorite early sports was bowling. Chuck Healy was the host of “Beat the Champ” through the 50s, 60s, and 70s. Nin Angelo and Allie Brandt would become among Buffalo’s most popular athletes because of their feats of bowling prowess on the show. All-American Bowler Vic Hermann’s family still proudly talks about the day Vic rolled the first 300 game in the history of the show.
Chuck Healy also hosted “Strikes, Spares, and Misses,” Buffalo’s show for lady bowlers. Phyllis Notaro was just as popular as any of her male counterparts as one of the program’s great champions. Her family ran Angola’s Main Bowling Academy, and from there, she became one of the country’s top amateur bowlers and a US Open champ in 1961.
The WBEN sports team included Chuck Healy, Dick Rifenburg, Ralph Hubbell, and Don Cunningham.
This page is an excerpt from 100 Years of Buffalo Broadcasting by Steve Cichon
The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York.
Just unearthed! Recordings of entire days of WBEN Radio… Unheard since the days they were broadcast over 35 years ago! Names like Clint Buehlman, Van Miller and the NBA Buffalo Braves! Read on!
WBEN AM/FM/TV, 1960
So where did these tapes come from? In 1995, Lin Television performed a massive cleanout of the 2077 Elmwood Avenue building they had just purchased as a part of their buying WIVB-TV.
Among the “treasures” I found dumpster diving, was a box of Reel-to-Rel tapes that appeared to be WBEN Radio Logger tapes from the early 70s. Many of the reels were blank… But even those with the audio intact were nearly useless… The tapes were recorded at 15/32 IPS. That is very slow, and at the time the tapes were rescued, the only way to hear the tapes properly involved about 4 hours of work for an hour of final product. For 13 years, I’ve been trying to figure out how to play these tapes back… And now… thanks to a new reel deck.. and some new digital audio editing programs, viola!
The audio quality is not the best… Its warbly sometimes… And it jumps quite a bit… And These logger tapes were in the Engineering Shop because there were problems with the recording…. But what is really amazing. Imagine your grandparents listening to WBEN all day… That’s what you get here. Things were slow to change at WBEN. Clint Buehlman’s Show in 1973 was not really all that different from the show in 1953. Van Miller is in great voice and cadence calling Buffalo Braves basketball. As far as I know, these are the only complete recordings of Braves basketball in tact.
Below, you’ll find exactly what and who is on these tapes… and some brief cuts from each.
Clint Buehlman
One of the most often asked questions to this website is, “What was the name of Clint Buehlman’s theme song?” The answer is, there were dozens of light airy instrumentals that were used to open each hour of the Buehlman show, after newsman Jack Ogilvie introduced Your AM-MC after each newscast. Listen below for several such opens, along with other snippets from the Buehly.
Newsman Jack Ogilvie (right) and AM-MC Clint Buehlman spent mornings together for over a quarter of a century starting in 1951 and ending in 1977.
Buffalo Braves Basketball
As Van Miller’s one time producer in both radio and TV, I can tell you I don’t know that he ever sounded better than behind the mic courtside at the Aud during Braves games, as shown to the left with Dr Jack Ramsey, standing.
Another of those popular questions is Do you have any Braves Games? Apparently, the answer has been yes for quite a long time… only they’ve been stuck on tapes I couldn’t play. But now, I have at least three Braves games in their entirety.
Braves vs Lakers: December 19, 1973
Kareem Abdul Jabbar visits Memorial Auditorium
Braves vs Bucks: February 2, 1973
Wilt Chamberlain visits Memorial Auditorium
Van Miller interviews Fred Hilton and Randy Smith in the WBEN studios circa 1972.
Some Highlights from WBEN Friday December 28, 1973
WBEN’s Al Fox interviews a cow.
Dick Rifenburg (l) and Clint Buehlman (r) receive an Award for Ski Coverage.
Ward Fenton
Dick Rifenburg
Jack Ogilvie
Ken Philips
Lou Douglas
Lou Douglas in Studio A
Stan Barron showing some kids around the studio.
Some Highlights from WBEN March 15, 1973
Random Highlights from WBEN 1973
Ed Tucholka at the WBEN-FM automation center.
Virgil Booth on the Channel 4 set.
Marty Gleason at the Editors Desk.
Reformatted & Updated pages from staffannouncer.com finding a new home at buffalostories.com
By Steve Cichon
