The rise and fall of Buffalo’s college hoops golden era

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Canisius’ Tony Masiello and St. Bonaventure’s Bob Lanier fight for a loose ball in a Little Three game at Memorial Auditorium in 1969. (Buffalo Stories archives)

For as long as anyone can remember, the people of Buffalo have been fanatically devoted to sports.  Since 1960 for the Bills and 1970 for the Sabres, relatively large, rabid fan bases have supported those squads through lean years and even lean decades with open wallets and enthusiasm.

Buffalo fans warmly remember Saturday night college basketball doubleheaders, followed by Sunday night American Hockey League Bisons games at Memorial Auditorium in the late ’40s, ’50s and ’60s. (Buffalo Stories archives)

But with college basketball bringing March Madness to Buffalo again next week, thoughts and conversation inevitably turn to the years before the Bills and Sabres when “Little Three” games between Niagara, St. Bonaventure and Canisius were the city’s most riotous sporting events, tickets to Saturday night basketball doubleheaders at Memorial Auditorium were Western New York’s hottest ticket, and Buffalo was universally recognized as one of America’s great college basketball towns.

Up until World War II, the most ferocious rivalry among the Little Three schools was in football, but as football became too costly, each of the schools had disbanded its team by 1951. Once students and alumni had only hoops to hang their hats on, the heated rivalries burned even brighter, and all of Buffalo came along for the ride.

St. Bonaventure stuffs Niagara at the goal line in a 1940 Little Three football tilt. (Buffalo Stories archives)

In his infamous 1969 Sports Illustrated piece on Buffalo sports and Buffalo’s sports fans, Brock Yates’ account of basketball at the Aud sears an image:

“Saturday night standing room-only crowds elbow their way into the grim, lakeside fortress known as Memorial Auditorium to scream for Canisius.”

A few years later, Ray Ryan remembered it this way in a 1975 article in Buffalo Fan magazine:

“The collegians and their camp follows would converge on the downtown hall early in the evening, elbowing through the crowded lobby, passing the turnstiles, and crowding up to the beer stands … (with) an electric air of excitement as the cheering and jeering began …”

Basketball doubleheaders had been all the rage at New York City’s Madison Square Garden when Buffalo’s first two-game basketball set was played in 1936 at the Broadway Auditorium. Canisius played Georgetown and Niagara played St. Bonaventure in “a program worthy of any court in the country.”

The 1936 Canisius Golden Griffins basketball team, including future city councilman and “Over the Tavern” inspiration Big Joe Dudzick, bottom row, third from right. (Buffalo Stories archives)

The venue was an upgrade in size from Canisius’ usual home court at the Elmwood Music Hall, and the ability to fill the larger space showed basketball’s honing in on boxing as one of Buffalo’s favorite spectator sports.

But there was still room for improvement in those early years. The Broadway Auditorium was larger, but not regulation. Notre Dame’s coach George Keogan almost refused to play on the barn’s concrete floor, but with 5,000 spectators watching, he was assured by a Canisius official that it was “soft concrete” and the game went on with a laugh.

Canisius played many home games at the Elmwood Music Hall, which stood at the corner of Elmwood and Edward until 1938. (Buffalo Stories archives)

As World War II dawned, and continuing after the war, Canisius, Niagara and St. Bonaventure each became competitive and started attracting some of the country’s best teams on the way to or from those big dates in New York City. It was a confluence of great basketball, great fans, great gates and Memorial Auditorium’s opening in 1940 to make all parties involved excited for college basketball doubleheaders in Buffalo.

Through the early ’50s, the Aud was guaranteed 10,000 spectators, usually with more filling up standing room. Then things waned. There was a point-shaving scandal with several big New York City schools. Pro-basketball started catching on in New York in the scandal’s wake, and college basketball as a whole took some lumps.

Canisius vs. Niagara at Memorial Auditorium, 1951. (Buffalo Stories archives)

The local series was not without hiccups even through the glory years. The late Buffalo News Sports Editor Larry Felser, himself a Little Three athlete as guard on the Cansius football squad, said that pettiness between the schools was as much a part of the tradition as the games themselves.

It was a critical hit was when, in 1958, Niagara pulled out of the Aud doubleheaders. A few years later, Bona opened the Reilly Center and trips to Buffalo became less important.

In 1965, then-Ellicott District Councilman James D. Griffin wrote letters to the presidents of Niagara, Canisius and St. Bonaventure inviting them to a Common Council discussion on the use of the Aud and the Rockpile.

Niagara phenom Calvin Murphy can’t make it past Canisius players Tom Pasternak and Tony Masiello, (Buffalo Stories archives)

Writing “as a sport fan as well as a member of the Common Council,” Griffin hoped it would be possible for the differences that broke up the Little Three’s run at The Aud to be set aside “not only for the same of the loyal fans, but also for the sake of the City of Buffalo, which enjoyed much favorable publicity due to the high caliber of ball played in previous contests.”

College basketball’s last great kick at the can came in the end of the 1960s, and it had to do as much with great players as schools setting aside differences.

Each of the Little Three had big stars to help capture the sports passions of Buffalo. After starring for Black Rock’s Cardinal Dougherty High School, Tony Masiello went on to star for Canisius College before being drafted by the Indiana Pacers in the 1969 NBA Draft.

Bennett High’s Bob Lanier led St. Bonaventure to an NCAA Final Four bid in 1970, before a Hall of Fame pro career with the Pistons and Bucks.

And before he ever shot a basket for Niagara, Calvin Murphy — who remains the shortest player ever inducted into the Basketball Hall of Fame — was entertaining Bills fans with his champion baton-twirling during halftime breaks at the Rockpile.

The energy and excitement these three brought to the court and to the old Little Three rivalry was just enough for Buffalo to win an NBA franchise in 1970. The Braves were wildly popular until the end of the season, when top players were traded away and the franchise was sold and moved out of town.

But with the huge following of the pro Bills and Sabres, it was too late to rekindle the glory days of the Little Three. An attempt was made in 1996 with the opening of then-Marine Midland Arena, adding UB to make the Big 4. While there was some excitement among fans, it was the schools that put a damper on the idea by not cooperating in scheduling games.

“Does this sound like something out of a 35-year-old time capsule or what?” wrote Larry Felser on one of those opinionated days in 1997.

Torn-Down Tuesday: Elmwood Music Hall

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

During the first decades of the 20th century, the Elmwood Music Hall was Buffalo’s top convention, speech-making, and musical concert space. It was also a popular site for sporting events like boxing and high school basketball.

 

1932. Buffalo Stories archives

Originally built as an armory, the building left much to be desired as an event venue. During one 1936 address meant for all of Buffalo’s WPA workers, little was heard other than a series of “blasts, snorts, rasps and gurgles” because of the hall’s “abominable acoustics.”

Regardless, for two generations, the place always had something going on, whether it was Boy Scouts, suffragettes, prohibitionists, or speeches from a long line of presidential candidates and New York governors — including both Presidents Roosevelt.

Beyond the bad acoustics, the hall also had structural issues. The building was deemed unsafe, condemned, and torn down in 1938. Two federal government-sponsored, Depression-era projects helped replace the building at Elmwood and Virginia where Family Dollar now sits — both Memorial Auditorium and Kleinhans Music Hall opened in 1940.