On the radio, on the telephone: John Otto (and elsewhere around the dial)

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


WGR Radio News Minutemen, 1961

“I try to skewer with grace. I love being called a curmudgeon.”

John Otto may have been Buffalo’s greatest curmudgeon. Scholarly and erudite, but with a playful silly streak that kept listeners glued to his “conference call of all interested parties” for nearly 40 years.

He spent the 50s and early 60s doing just about everything imaginable on-air— and doing it superbly, first on WBNY and then on WGR, both radio and TV.

He was a classical music host, radio news anchor, and TV weatherman– but he seemed best in his element once he began hosting talk shows, specifically WGR Radio’s “Expression,” a nightly moonlit program which invited “listeners to telephone spontaneous, unrehearsed opinions” starting in 1962. 

Such would be Otto’s gig, more or less, for the next 37 years.

“He’s a good show with his deep, pulpit-shaped voice because his unshakeable confidence forces you take sides,” wrote News Radio Critic Hal Crowther in 1973. “If you agree with him, it’s ‘Give ‘em hell, John,’ but if you’re against him you’re often sorry that there are six or seven miles of night between your fingers and his windpipe.”

“Dracula and I have a lot in common,” Otto told News reporter Mary Ann Lauricella in 1981. “Daylight rather frightens us back into our caves. My metabolism is so attuned to nighttime hours that I’m more comfortable at night, when a velvet cloak is wrapped around the world.”

“He takes delight in practicing conversation as an art,” wrote Lauricella. “He uses a metaphor here, a simile there, perhaps a humorous play on words and weaves them into bright conversational tapestries.”

But Otto preferred self-depreciation to plaudits.

“I’m certainly not modern in anything— from the way I dress to the way I think,” said Otto in 1978, who was still dressing in “outdated narrow ties and straight-legged pants.”

“Weekends, I tend to fall out in customary corduroy slacks and white socks. I even let myself go a day without shaving. It’s a very exciting life I lead,” Buffalo’s congenial co-communicator told News reporter Jane Kwiatkowski in 1986.

His biggest vice, Otto confided nightly to his listeners, was his “regular investment of fortunes at Hamburg or Batavia.” Otto loved the horses, and would announce the winners from the local tracks on his show.

“We have the first three from Batavia Downs,” he’d say, often with commentary on the horse’s name, but sometimes with the hint of disdain in his voice. “It’s the rental of a horse for two minutes to run across the finish line first, and they seldom do,” said Otto of his horsing around.

Catching him in a moment of serious self-reflection, it was clear Otto had loftier goals for his nightly meeting of the minds. “If it works right, it raises the level of community thought and sets people to thinking with some added knowledge they didn’t have before.”

“We want to occupy and engage thoughts and to allow the opportunity for people to have access to a forum they are otherwise denied,” said Otto. “Some people call in who are just passing through and want to say ‘hi’ to the world—to let others know they are alive—a fact sometimes overlooked by the rest of the world.”

Not every caller “wants to unburden himself on the big hot-line issues like Vietnam, Watergate, crime in the streets, drugs, and the rest.” Otto’s often hardboiled entrenchment on those issues easily and often made way for the kind of calls an overnight program attracts.

“We get a lot of older people, lonely people. What they need are some voices in the night. And they have other things on their minds besides the headlines,” said Otto.

“One thing I’ve learned on this show is that many of them have an abiding fascination for marvels. Anything about the supernatural, ESP, UFOs, and experience that can’t be explained—that will get them talking like nothing else.”

For decades, Otto was ol’trusty—the iron horse of radio. Starting in 1955, through his first 30 years in broadcasting, he never missed a day of work—not once called in sick.

John Otto, 1962

However, he landed in the hospital in 1985 with pneumonia. “Forty years of smoking,” he said. The streak was broken and over the next decade and a half, sickness in breathing would slowly take Otto’s life—right before your listenership’s ears.

Eventually, very labored breathing made it difficult for him to get around, and he spent his final year “on the radio, on the telephone” broadcasting from his home. Even in his final days, “John, John, your operator on,” didn’t miss a broadcast. He signed off with his signature “I’ll be with you” on a Friday, went to the hospital on Saturday, and died early Monday. He was 70 when he died in 1999.


Jim Santella’s presence and sensibility blazed the trail for progressive rock radio in Buffalo, starting at WBFO (above), then notably at WGRQ and WUWU. Santella’s on-air presence mellowed in the 90s in a return to WBFO as a blues host and the original co-host of Theater Talk with Anthony Chase. His 2015 book, “Classic Rock, Classic Jock” was itself an instant classic, with an in-depth look back at one of the great eras in Buffalo radio.

This ad from a 1967 Buffalo Hockey Bisons program explained some of the far-out jive coming from America’s youth. It was clearly meant as a joke, but probably actually provided insight to more than one dad, sitting in the gray seats at the Aud, flipping through the program to find a Hershey Bears or Cleveland Barons roster.

Lifelong Lockport resident Hank Nevins has been heard up and down Buffalo’s radio dial for more than 40 years, but his career began overseas.

He volunteered to head to Vietnam the day after he graduated from broadcasting school, and was heard on American Forces Vietnam Network in starting in 1969.

In Southeast Asia, he worked with, among others, Pat Sajak.

Since returning home, Nevins worked as a disc jockey, host, and manager at radio stations in Western New York nearly without pause. Most recently, he’s spent more than a dozen years as the Saturday morning host on WBEN.


Dennis Majewicz was both Mac McGuire and Mike Melody at WNIA in the late 60s. He went onto a long career in broadcast engineering at Ch.4, Empire Sports Network, and now back at 1230am.

The deejay’s names never changed at WNIA, neither did the fact that Richard Maltby’s Midnight Mood would play every night at midnight. To put it mildly, WNIA was a quirky station. The daily noon time Catholic prayers were bookended by rock ‘n’ roll music.

There was also the reminder to be big, be a builder. The minute-long, run-on diatribe was the brainchild of station owner Gordon Brown in reaction to the war protests of the late 60s.

The impression your friends and others have of you is based on what you do– to teach, to create, to accomplish, or to build, whether you dig the trench for the foundation for a building; whether you lay the last brick on its top; whether you work with a pick and shovel or with the tools and machines, or in the office, or sell the products or services of industry; whether you grow, prepare or harvest the very food we eat, whether you are a homebuilder raising, teaching or educating your family or others how to become a builder, no matter what you are or what you do, if you are a builder, you are one to be long remembered.

Those who attempted to destroy the pyramids of Egypt were despised and soon forgotten, those thousands who labored to build them will never be forgotten. Be big, Be a builder.


Muhammad Ali in the WBEN studios with “Viewpoint” host Garfield Hinton.

Vice President Hubert Humphrey makes a Presidential campaign swing through Western New York in 1968, with KB newsman Jim Fagan over his shoulder holding up the microphone. Next to Jim is Buffalo Congressman Thaddeus Dulski. Over Humphrey’s other shoulder is Erie County Democratic Chairman Joe Crangle.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Around the TV dial through the 60s

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Van Miller spent the 60s as the play-by play voice of the Bills and one of Ch.4’s top sportscasters, but he was also one of WBEN Radio’s most popular personalities as well. Van hikes the ball to Jack Kemp

Van interviews radio comedy legend Jack Benny (above) and Hollywood beauty Jayne Mansfield (below).


Van Miller, news; Chuck Healy, sports; Ward Fenton, weather

Ch.4 had an ever-changing team of news, sports, and weather announcers.

Chuck Healy, news; Van Miller, sports, Ken Philips, weather

In 1964, Tom Jolls was the weatherman on the Ch.4 newscasts anchored by Chuck Healy leading into Walter Cronkite’s CBS Evening News.

Ward Fenton, Bill Peters, Martha Torge, Mike Mearian, and Tom Jolls recording “The Life of FDR.”

Before he made Dustmop come to life and made the phrase “Back to you, Irv,” part of Buffalo’s lexicon, Tom Jolls was celebrated as the host of Kaleidoscope on WBEN Radio. The program was filled with daily musical themes and dramatic productions often written and produced by Jolls—including the one shown above.

“I would commend Mr. Jolls for his show, its freshness, variety, presentation and the obvious effort which goes into the program. Mr. Jolls always makes Kaleidoscope sound like fun day after day,” wrote one Toronto critic.


Virgil Booth, as a host and news reporter, brought nature to Ch.4 viewers.

During the station’s first 11 years on the air, Chuck Poth was a familiar face to Ch.2 viewers as one of the station’s most visible newscasters.

The South Buffalo native attended OLV grammar school and Baker-Victory High in Lackawanna. After serving in the Army during World War II, Poth held a string of jobs at WUSJ Lockport, WJJL Niagara Falls, WBNY, and then the short-lived WBUF-TV.

After working at WGR-TV from 1954-1966, he worked in politics, writing speeches for Robert Kennedy, then running for county legislature and congressional seats, before working in Buffalo City Hall during the Griffin administration.


By 1964, Roy Kerns (above) and Frank Dill (below) were familiar faces in Buffalo, both having been on Ch.2 since the station signed on a decade earlier. They were seen anchoring news and weather leading into NBC’s Huntley/Brinkley Report.


After retiring from the Buffalo Bills, Ernie Warlick became the first Black member of a Buffalo TV anchor team when he became a sportscaster at Ch.2. While his duties generally included interviewing sports figures like Bills quarterback Tom Flores (below), they also included some news duty—like chatting with Mayor Frank Sedita during a bus strike (above).


Skating champion Peggy Fleming chats with photographers Roy Russell from The Buffalo Evening News, Don Keller (Yearke) from Ch.7, and Paul Maze from Ch.4.

The press covers the Dome Stadium controversy. At the table: reporters Jim Fagan, WKBW; Allan Bruce, UPI; Jim McLaughlin, WYSL; Milt Young, WBEN-TV, Ray Finch, WBEN-TV. Dick Teetsel, Ch.2 sits in back, and Don Yearke shoots film for Ch.7.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

One of America’s Two Great Radio Stations: WKBW

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Riding a wave started with a change to a personality driven Top-40 format in 1958, KB dominated Buffalo radio for most of the next two decades.

Sold by station founder Doc Churchill to national broadcasting powerhouse Capital Cities, the wealthy corporate backing of KB’s monstrous 50,000-watt signal helped lead to the evolution of one of the finest examples of a full-service Top-40 station that ever existed.

Eventually grabbing as much as 50% of the market share, KB quickly blew all of the much smaller Top-40 competitors out of the water. Half of the audience was listening to KB. Never before, and never since, has a radio station been so dominant in Buffalo.

Left to right: Don Keller (Yearke), Tom Shannon, Doug James, Wayne Stitt, Jay Nelson, Russ “The Moose” Syracuse, Dan Neaverth, Tom Saunders

The station’s base of homegrown talent sprinkled with some of the most talented people from around the country, helped build an unprecedented following for KB in Buffalo and around the country.

The first of those homegrown talents to leave a legacy was the great Tom Shannon, South Buffalo’s breaker of hearts and as smooth a disc jockey as Buffalo, Detroit, Denver, LA, or anywhere else has ever known.

Tom Shannon, in the WKBW air studio

Easy to listen to, debonair and literally the boy next door, the handsome and ultra-cool Shannon was a graduate of Holy Family grammar school and Bishop Ryan High.

As if owning nights on KB and driving a Corvette convertible wasn’t enough, there was the night Swedish sex-symbol Ann-Margret was in Buffalo on a promotional tour, and hopped in Tommy’s sports car for a date at the trendy Candy Cane Lounge, downtown next door to the Market Arcade.

That was the same nightclub where Shannon met the group that would ultimately become known as “The Rockin’ Rebels,” who would take “Wild Weekend,” their instrumental version of the Tommy Shannon Show theme song, to the national record charts.

At KB, he started as a weekend jock and fill-in guy, and didn’t even rank high enough to get his own theme song. It’s part of the KB magic that his self-produced, garage-band sounding musical opening touting “Top tunes, news and weather, so glad we could get together, on the, Tom Shannon Show” could become a nationwide Top Ten hit.

Shannon was at Fort Dix doing a hitch in the Army when he heard his song come on the radio and almost couldn’t believe it.

Tom Shannon sits in the WGR studio, holding a copy of the Rockin Rebels’ Wild Weekend album.

“It was so exciting to be a part of Buffalo radio back then,” Tom Shannon said in 1996. “Sometimes the disc jockeys were more popular than the rock stars.”

He was bigger than life hosting the night shift on KB, and Buffalo’s teens couldn’t get enough of Tommy. In 1961, tickets to his “Buffalo Bandstand” TV show on Ch.7 were being counterfeited and new procedures had to be put in place after the number of kids on the dance floor swelled out of control.

While a deejay at KB, Shannon hosted Buffalo Bandstand on Ch.7. When he later moved to WGR Radio, he hosted Hit or Miss on Ch.2.

Tom Shannon hosts a WKBW Record Hop, with Paul Simon, left.

Tom Shannon appeared in a series of 1964 print ads for Queen-O.

After spending the 60s and the 70s moving around the country and around radio dials, Shannon was back in Buffalo for his 30th grammar school reunion at Holy Family on South Park at Tifft when he stopped by his old home, WKBW.

A week of fill-in work lead to a three year stay towards the end of KB’s run as one of Buffalo’s most dominant radio stations. After spending time as a host on the Shop at Home cable TV network, Tommy made it back for one more turn at the air chair in Buffalo hosting afternoon drive on Oldies 104 during the 1990s and 2000s.

From 1960’s “WKBW 6-midnight platter and chatter show” host, to 1997’s deejay with “a warm conversational tone and knowledge of music and performers,” Tom Shannon has been one of the leading voices of Buffalo’s baby boomers through every stage of life.

Joey Reynolds, WKBW

If there was a way to “one up” having your theme song land on the national charts, the guy who eventually followed Shannon in KB’s evening slot probably found it.  

Joey Reynolds, KB’s night man through the mid-’60s, got The Four Seasons to sing their No. 1 hit “Big Girls Don’t Cry” with the lyrics changed to “The Joey Reynolds Show.” What a show!

Another local guy, Reynolds grew up in Buffalo’s Seneca-Babcock neighborhood playing radio announcer at the neighborhood Boys Club, and was every bit of a shock jock 20 years before the term was created for Don Imus and Howard Stern.

Joey Reynolds interviews Bobby Sherman on Ch.7’s Joey Reynolds Show.

He started a boisterous on-air feud with The Beatles and refused to play their records or even say their name, calling them “the four norks from England.” The feud lasted until there was money in it for him– he helped promote the local band The Buffalo Beatles.

Reynolds’ bombastic and over-the-top style earned him a following complete with membership cards for the “Royal Order of the Night People.” That audience extended far beyond Buffalo and Western New York. Despite working at a station 300 miles away in Buffalo, he was one of the most popular radio personalities in Baltimore, with thousands of listeners of KB’s strong signal mixed with Reynolds’ big mouth.

Reynolds’ eventual exit from WKBW is one of the most fabled in the legends of radio.

As the 1966 Variety Club Telethon aired on Ch.7, Reynolds felt slighted for being slotted to host the overnight portion of the big event.

One of many memorable stunts orchestrated by Reynolds involved him grabbing Fred Klestine as a tag-team partner to take on the tough, mean Gallagher Brothers in a wrestling match at the Aud.

In his memoir “Let a Smile Be Your Umbrella … But Don’t Get a Mouthful of Rain,” Reynolds admits to having had a few drinks before going on radio and giving TV star Frank Gorshin a hard time in an interview about the fundraiser.

Reynolds then insinuated another TV star and telethon guest host – Forrest Tucker of “F Troop” – was a drunk and had a case of booze in his dressing room.

One of the station managers took the episode personally – especially after Reynolds goaded him and made a joke about his bald head.

Seeing the writing on the wall, Joey put the writing on the door.

Rather than waiting to be fired, Reynolds, in an all-time display of brassiness, nailed his shoes to the station manager’s door with a note saying “FILL THESE” attached.

 Joey Reynolds, Tommy Shannon and Danny Neaverth all grew up in South Buffalo. Reynolds and Neaverth knew each other from St. Monica’s, the Babcock Street Boys Club and Timon High School. When teamed up on KB, the cross-talk between Neaverth’s afternoon show and Reynolds’ evening wrap was the subject of homeroom and lunch table discussion at every Western New York high school the next day, but was also the talk of water coolers and coffee break tables at businesses as well.

Beyonce. Bono. Cher. Some personalities are so renowned and celebrated just one name will do.  Such is Buffalo’s Danny.

Danny Neaverth is perhaps Buffalo’s greatest pop culture star. He’s remembered most for peeking at us through the hole in the record behind the microphones of upstart WBNY radio in the 1950s as Daffy Dan, then WGR Radio, and then 26 years at WKBW Radio — with most of those years as Buffalo’s morning man. Tag on a dozen more years at WHTT, and a few more at KB again, and Danny moved our fannies on the radio for half a century.

But it wasn’t just radio — Neaverth was also a TV weatherman on Ch.7 and later Ch.2.

He was the public address announcer for the NBA Braves and the NFL Bills.

 A few of his moonlighting gigs dovetailed more closely with his work as a disc jockey and radio host.

Danny signs hands at a Thruway Plaza record hop.

He was a concert promoter and recording artist (who could forget “Rats in My Room,” even if they tried?).

Of course, his face and voice were everywhere for Bells Supermarkets and dozens of other Western New York businesses through the years. His work in the community for dozens of causes and charities over the last 60 years has been unmatched. 

In the ’70s and ’80s, it was difficult to spend a day in Buffalo and not somehow be graced by the voice, smile and personality of “Clean Dan Neaverth,” a true Buffalonian who never forgot his Seneca Street South Buffalo roots and proudly plied his trade among fellow Buffalonians proud to call him one of us.

Danny took over mornings from Stan Roberts.

Stan Roberts at the KB mic.

Stan first woke up Buffalonians at WKBW from 1962-70, and then at WGR from 1972-82. He became “the first major Buffalo morning man to make the move to the FM band” when he joined WBUF-FM in 1982. After seven years at WBUF, Stan took WBUF mornings to the number one spot in the ratings— and the very next day, he jumped back to AM, hosting afternoon drive and working in sales at WBEN.

As WGR’s morning man, he narrated “Great Sabre Highlights” on the flip side of the very successful record single, Donna McDaniels’ “We’re Gonna Win That Cup.”  Stan also wrote at least two joke books, including “Sabres Knock-Knocks.”

Stan still hasn’t lived down the early 80s Royalite television commercial where he put a lampshade on his head, and in the late 80s, when, as the Bills PA announcer, he had to implore fans to “please stay off the field” while they stormed the Rich Stadium field, taking down the goalposts to celebrate the Bills’ clinching the AFC East in 1990.

The warm friendly voice of Fred Klestine felt like a cup of cocoa near the fire.

Fred Klestine, right, visits Xavier’s Meats at the Broadway Market

“An institution in Western New York,” his radio career when he was working at Lackawanna’s Bethlehem Steel, and a manager at Lackawanna’s WWOL heard his voice and told him to audition. Deejay was considerably easier than working in a blast furnace, and Fred spent the next 40 years keeping Buffalo company.

In the 50s, Klestine worked at WWOL and WBNY, before his long famous run at KB Radio. He was later heard on WADV-FM, and then on WBUF-FM through most of the 80s.

Then there was Pulse Beat News. Irv Weinstein was the news director and spiritual leader of the KB’s news staff.

“In terms of style, I was sometimes asked who my idol was in radio, and that was an easy one: Paul Harvey,” said Irv in an interview for the book Irv! Buffalo’s Anchorman. “Paul Harvey was not fast-paced, but he had a pace of delivering the news that was compelling. I like to think I was Paul Harvey only a lot faster.”

Faster, with flagrant, more outrageous writing. In the early rock ’n’ roll days of KB Radio and Pulsebeat News, the pace and the shocking style of writing and delivery made Irv’s later Eyewitness News persona seem comatose.

Irv Weinstein, WKBW Radio News Director

“A Top-40 news guy; fast paced,” said Irv. “Over time I developed a writing style that had sizzle and alliteration, and the type of thing to grab the audience. I learned along the way, that before you can get people to listen to you, you have to catch their attention. One way to do that is in your writing– make it compelling. Sometimes it was overboard, frankly, but it was ok. It did the job.”

It was the perfect comingling of man and circumstance that put Irv in the position to really invent the style of newscasting he made famous in Buffalo– one that was copied around the country.

Henry Brach had been a drug store owner before working in radio, and there’s something about that which just seems to fit. Unlike nearly every other KB Pulsebeat News man, Brach’s voice didn’t boom into radio speakers. His cool, understated style fit in just as well at KB, making him the favorite of listeners and a long line of America’s most talented all-time disc jockeys, who were merciless in mocking the newsman.

Henry Brach in the KB studio.

Jim Fagan was a disc jockey and newsman at WBTA in Batavia, where he’s shown here, before heading to WKBW for a three-decade career. 

Jim Fagan’s voice was one of the threads that tied together the various eras at KB.  During the 27-and-a-half years that he was a newsman at WKBW Radio, he saw many come and go, but from JFK to Reagan, his was one of the voices that reported on it over KB.

His strong voice punched out the KB Pulsebeat News sound perfectly in those early years, and mellowed as the rest of the station did right up to the very end. Fagan was among the final employees when corporate owners pulled the plug on the local news and music on KB and replaced it with syndicated programming.

John Zach was born into radio. His father was a radio pioneer, having built the first “wireless set” in the city’s Kaisertown neighborhood. After attending St. Casimir grammar school and PS 69, he learned about the technical aspects of radio at Seneca Vocational High School– but John’s path into broadcasting was lined with guitar pics rather than vacuum tubes.

As the leader of “John Zach and The Fury’s,” he played record hops with Danny Neaverth, who worked with Zach and helped him develop his on-air sound.

1959 ad.

After spending time as a disc jockey in Georgia, Zach returned to Buffalo and was hired by Irv Weinstein for an overnight news job at WKBW in 1960. He spent most of the next five decades informing Buffalo’s radio audience, come hell or high snowbanks.  Twice during the Blizzard of ’77, John Zach came in by snow mobile to anchor the news during the Danny Neaverth Show. 

As KB Radio’s News Director for most of the 80s, a survey found that John Zach was Buffalo’s most recognizable radio news personality.

With long stops at WKBW and WGR under his belt, Zach joined WBEN in 1998 and spent 18 years with Susan Rose co-anchoring Buffalo’s most listened to radio news program, Buffalo’s Early News.

John Zach spent time as a disc jockey and news man in Georgia before spending nearly 27 years at WKBW Radio.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Jim Fagan & Hubert Humphrey: two good guys

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Buffalo, NY – When Jim Fagan was inducted into the Buffalo Broadcasting Hall of Fame, I sat with him and we went through dozens of his photos and mementos from his decades in radio– from his days as a disc jockey at Buffalo’s old WINE Radio in the 50s, to his decades as a newsman at WKBW.

When he showed me this photo as a clipping from the Tonawanda News, he beamed with pride at being photographed with Hubert Humphrey.

Congressman Thaddeus Dulski, Jim Fagan, Viced President Hubert Humphrey,  and EC Dem Chair Joe Crangle. 1968.
Congressman Thaddeus Dulski, Jim Fagan, Viced President Hubert Humphrey, and EC Dem Chair Joe Crangle. 1968.

“A good guy, a really good guy,” Jim said, his unmistakable voice trailing off.

Jim died this week, and everyone who knew him, felt about him the same way he felt about Hubert Humphrey. He was just a really good guy. Let perpetual light shine upon him. May he rest in peace.

When Radio Reporters were Real Men

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

By all accounts, I have a pretty cool and interesting job. I spend my day wandering the Niagara Frontier talking to Newsmakers and regular people, often finding myself in the midst of the announcements and events that shape the lives of WNYers…

fagan-mclaughlin atticaIt sounds glamorous, but sometimes the important assignments can leave a reporter ragged… Like the night I slept in the car outside the State Police Barracks in Fredonia at the height of the Ralph “Bucky” Phillips hunt… Or the 5 days without a shower (!) covering Hurricane Katrina down in Louisiana.

I’m not looking for sympathy here… I’m just lamenting the fact that no one, on any story I’ve ever been on, looked as “Movie-Star Cool” as WKBW Radio News Director Jim McLaughlin did in this 1971 picture taken at the height of the Attica Prison Riot. His tie know slightly ascue, curly locks ever-so tussled, and the caption decribes him as “with cigar.” (Not to mention the extra cigars in the breast pocket.)

Chances are, no matter the era, that I’d never look that cool doing my job (OK, you’re probably right… Never look cool period.) Though I might have been smoking a cigar, I’d probably be standing there Like WKBW’s Jim Fagan or Bob Buyer from the Buffalo Evening News… Just as weary, but without the panache. Even given that I know I wouldn’t have been the cool Perry White style reporter….. It still would have been great to work side-by-side with Jim McLaughlin (with cigar).

Reformatted & Updated pages from staffannouncer.com finding a new home at buffalostories.com
Reformatted & Updated pages from staffannouncer.com finding a new home at buffalostories.com

Buffalo Broadcast Pioneers: 6th Annual Hall of Fame Inductions

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

This story was published in Living Prime Time magazine.

may02Spring is in the air, the lilacs are in full bloom, and that means it’s time for Buffalo’s premier radio and television event…The Buffalo Broadcast Pioneers Hall of Fame Induction. This year’s slate of honorees continue in the tradition of representing Buffalo’s amazing broadcasting past, present, and future.

Broadcasting is strange in that often, at the end of an 8-hour work day, one might have nothing to show for it all; no tangible proof of that day’s toil. By definition, one speaks into a microphone, or looks into a camera, and images and sounds go up and off an antenna, and are gone forever.

Each year, the Tralf is the location where pulled from the ether are entire life times’ worth of accomplishment. It’s with induction into the Hall of Fame that we make tangible the superlative informing, entertaining, and friendship these select broadcasters they have provided us with over the years.
The following are this years’ inductees:

 

Henry BRACH

BBP-brachThe rock steady pulse of KB’s Pulsebeat news, Henry was the heart of KB… not only as the mainstay news anchor, but as everyone’s gruff but lovable uncle.
As Buffalo’s own version of Lou Grant, Hank’s crusty newsman personality could be counted on by KB staffers to drive in from West Seneca during the ‘77 Blizzard or hop in a news cruiser to cover the Attica Prison Riots. It was his big heart, though, that leaves him remembered as everyone’s favorite person and best friend.

Listeners saw both sides of his personality indirectly: It was his never-contrived voice of reason that warmed the radios of Western New York by talking to each listener individually.

Brach’s career began at WBNY, where as news director he was the first man to hire a fresh-faced Dan Neaverth as an announcer. Though his on air persona was that of a straight-laced newsman, Henry did music shifts at both ‘BNY and beautiful music WYSL-FM before joining KB. Brach died in 1983.

Frankie CROCKER

BBP-crocker

Frankie Crocker… Chief Rocker… The Eighth Wonder of the World!!! Revered as the man who changed the rules for African-Americans as both disc jockeys and musicians, Frankie Crocker started down the road to Gotham fame and nationwide reverence in his native Buffalo.
He was studying pre-law at UB, when he was bitten by the radio bug, joining WUFO as News Director. There, he tasted early success spinning urban wax and never turned back. As a jock at WMCA in the Big Apple, Frankie began playing album cuts and extended mixes from Urban artists, helping to pave the way for the more diverse sound heard today… When Crocker started in radio, music played by Black artists was lumped by mainstream circles into the category race music.

The Chief Rocker’s resume is that of a true broadcast pioneer: He helped to bust the stereotypes, and bring the music of an entire race from the remote corners of the music world to the popular choice of hip New Yorkers. Crocker passed away in 2000.

Ted DARLING

BBP-darling

The career of Edgar Lee “Ted” Darling, the long time Voice of the Sabres, can be best summed by the number of honors he received in a life and career cut short by Pick’s Disease. He was inducted into the Sabres Hall of Fame and the Buffalo Sports Hall of Fame; is a member of the Hockey Hall of Fame in Toronto, having been honored with the prestigious Foster Hewitt Award; and has the press box at HSBC Arena named in his memory.

Ted joined the Sabres in their inaugural season after having spent time with CBC’s Hockey Night in Canada as an intermission host. Darling spent the next quarter century in the gondola high above the aud ice, entertaining Western New York’s hockey minions with his play-by-play over WGR, WBEN, WNYB-TV, and several cable outfits, including the Empire Sports Network.

Jeff KAYE

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Jeff Kaye is a radio renaissance man…. A brash yet steady voice of gold, a masterful way with both the written and spoken word, and a producer par excellence, Kaye blazed into Buffalo in the mid-60’s as KB’s nighttime teeny-bopper leader and soon was at the rudder of the K-Big giant ship as the station’s program director.

Jefferson was responsible for bringing western seaboard phone operators to their collective knees with his 1968 adaptation of Orson Wells’ “War of the Worlds,” with folks calling from all points on the map to see if Grand Island was indeed under Martian control.

In 1977, he took over the most hallowed slot in Buffalo radio, morning drive at WBEN, as only the 3rd man to sit in that announcers chair. Jeff’s decades worth work as the radio producer for Buffalo Bills Football set him up for a job at NFL Films, which he has held since leaving Buffalo, voicing countless NFL video
compilations.

Jim FAGAN

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His diction, energy and news judgment with just a touch of pageantry made Jim Fagan the quintessential intoner of Pulse Beat News. His sybarite swagger was as much a part of 1520 as were the K and the B from the time he joined the station in 1960 until he went down with the ship in 1988, when the station went to the birds and to the bird… satellite, that is. Fagan was so much a part of KB that he was brought back in 1989 and stayed on until 1992.

Fagan repeated the K-Big story of the moment at only after his days as a disc jockey at Buffalo’s WINE Radio; where he keyed the mic with such names as Mark Hall and Tommy Thomas. Also active as a shop representative, he was President of NABET Local 25, the broadcaster’s union, from 1970-89. He remains active in union affairs today, and is always willing to lend his voice to a worthy project, like Channel 2’s recent look back at the 1901 Pan-Am Exposition.

John ZACH

by wippert 1/21/02 John Zack and Susan Rose at WBEN Radio in their Amherst studios.
by wippert 1/21/02 John Zack and Susan Rose at WBEN Radio in their Amherst studios.

If you’ve listened to top calibre radio news in Buffalo anytime over the last 40 years, chances are good that you heard John Zach dictatorially caressing the airwaves, delivering the news with a style and passion like none other.

First renowned in Western New York for fronting the rock n’roll band “The Furyies” in the late 50’s, Zach’s news skills were first exercised on the Niagara Frontier at KB in 1961. The reigning Dean of Buffalo Radio News, John also spent time at WGR before joining WBEN in 1998, where you can now hear him along with Susan Rose as the station’s morning drive team.
Zach is also the Queen City’s top radio and television historian and scholar, and is active in the affairs of the BBP.

Zach is also the Queen City’s top radio and television historian and scholar, and is active in the affairs of the BBP.