Around Buffalo’s Radio & TV dials in the 50s

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Ch.7’s Main Street studios on a snowy night in the late 50s.

WBNY’s bright red “News from Where It Happens” cruiser, with “Flash Mike and the Mike Patrol.”

Chuck Healy goes over prizes like a case of Squirt and TV dinners on Strikes, Spares, and Misses on Ch.4.

Henry Brach (with dark glasses) broadcasting live from Sattler’s with WBNY deejay Mark Edwards.

Engineers Harold Smith and Leroy Fiedler in the WKBW master control room in the mid-1950s.

WBUF-TV weather personalities Joy Wilson and Mac McGarrity share a laugh.

The Kenneth Baumler family won a 1959 Studebaker Lark in WBNY’s “Lark Hunt” contest, sponsored by Buffalo’s six-area Studebaker dealers.

Bill Mazer called Bisons games on WKBW before moving to WGR. This team photo, with Mazer superimposed in the top right corner, was taken at Offermann Field in the early 50s. The Bisons moved to War Memorial Stadium in 1960.

 WBEN’s staff announcers in the late 50s included, standing, Jack Ogilvie, Lou Douglas, Van Miller, Ken Philips, Gene Kelly, Virgil Booth, Carl Erickson, and Bernie Sadler. Steve Geer, Harry Webb and Mike Mearian are among those seated.

 WKBW’s team of disc jockeys, about 1960.

Bob Diamond was a utility man on WKBW, at various times holding down the overnight shift, weekends, the farm report, and production work from the late-50s through the mid-60s.

As a member of the boys’ choir singing on WGR starting in 1926, Ed Tucholka’s first announcing job was on the PA at Sattler’s, 998 Broadway—talking about the bargains of the day, paging mothers of lost children and generally keeping things moving without benefit of a script.

Soon, his deep rich voice would be heard on WEBR, and in over 20 years there, he hosted the wartime “Noon Day Review” highlighting local GIs and as well as Uncle Ed’s Children’s Hour.

After stops at WWOL and WHLD, Tucholka moved to the WBEN stations in 1966 and oversaw WBEN-FM, always reflecting simple dignity and elegance he presented on the radio for nearly 70 years.

WBEN Operator/Engineer Tom Whalen gets ready to cue up albums for Clint Buehlman.

News anchor John Corbett looks over news scripts hot off the typewriter of Fran Lucca in the Ch.4 newsroom.

WBEN’s Sports team: Dick Rifenburg, Chuck Healy, Van Miller, and Ralph Hubbell. When injury ended Rifenburg’s professional football career with the Detroit Lions, the former All-American Michigan wide receiver turned to broadcasting and spent nearly 30 years at WBEN Radio and TV.

Officially, they were Memorial Auditorium and War Memorial Stadium, but to Buffalonians they were the Aud and the Rockpile, and they were the great WPA-built stone homes of Buffalo’s greatest diversions:  football, hockey, boxing, basketball, and wrestling.

The men in this photo and their compatriots across the radio and TV dials helped bring those diversions closer. Maybe more than in other cities, Buffalo’s sports guys have always been among the most popular broadcasters, as they seemed like one of us while helping to bring us closer to heroes on the court, on the field, in the ring, and on the ice through their work.

With the smooth melodious voice of a classic announcer, Ward Fenton joined WBEN as a radio news man in 1941. After serving in World War II, he returned to the station and was named chief announcer in 1947. He was also heard as the announcer on the NBC network program Mr. IQ, which originated from Shea’s Buffalo Theater for a national audience.

His fluency in French, German, and Italian made him a natural for decades’ worth of announcing classical music programs, especially on WBEN-FM.

When Ch.4 signed on, he was the station’s weekend weatherman, and by the 1960s, was regularly seen in front of the weather map in living rooms all over Western New York, with his forecasts sponsored by the Charles R. Turner Company. His segments were bookended with a memorable film clip showing trucks at the Turner’s company garages. At the beginning of the weather segment, the trucks headed out onto the street, and then after the weather forecast, the same film ran in reverse, with the trucks appearing to back into the garage.

Fenton became Ch.4’s Chief Announcer in 1967, and retired in 1975.

Harry Webb anchors a WBEN-TV newscast sponsored by Esso, and interviews Massachusetts Senator John F. Kennedy on a visit to Buffalo in 1958.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Wrestling from Memorial Auditorium

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Starting in 1949, Friday night meant Ralph Hubbell, Chuck Healy, and TVs tuned to live wrestling from Memorial Auditorium—with the action and antics of folks like Gorgeous George, Ilio DiPaolo, Dick “The Destroyer” Beyer, Coco Brazil, and the Gallagher Brothers and dozens of others.

During pre- and post-match interviews, the athletic Healy would often find himself somehow entangled with the wrestlers he was trying to interview— handling the headlocks from “bad guys” with the grace of a professional broadcaster.

There’s little question—especially in Buffalo, wrestling helped make TV and vice-versa in those early years.

In 1951, Ed Don George was promoting wresting in 30 cities, including Buffalo. “Let them try to besmirch the wrestling profession as much as they’d like,” said Ed Don, “But what other form of sporting entertainment gives as much to the fans as wrestling?”

He was proud of wrestling’s showmanship, which had blossomed since he had been the world’s heavyweight champ 20 years earlier. “Sure, there is showmanship in wrestling. We try to dress up our business just like the downtown merchant decorates his shop windows to attract customers.”

Wrestling with Ralph Hubbell & Chuck Healy

Wrestling, of course, goes way back in Buffalo. Crowds sold out Friday night matches through the 30s, 40s, and 50s; first at the old Broadway Auditorium (now “The Broadway Barns” and the home of Buffalo’s snowplows) and then Memorial Auditorium when it opened in 1940.

“This was a shirt and tie crowd,” said the late Buffalo News Sports Editor Larry Felser, who remembered when Wrestling at the Aud was one of the biggest events in Buffalo.

“Not that many people had TV sets back then,” remembered Felser in 2001. “People were crowding into Sears and appliance stores to try to see this thing on TV, because the place was sold out.”

And with all those big crowds, there was no wrestler who could draw them in like Gorgeous George.

Gorgeous George

“When Gorgeous George would wrestle, they’d pack the Auditorium for this guy,” said Felser.

“The Human Orchid,” as George was known, was the first modern wrestler, said retired Channel 7 sports director Rick Azar, saying he “changed the face of professional wrestling forever.”

As someone who called himself “Hollywood’s perfumed and marcelled wrestling orchid,” it’s clear that George knew how to make sure he set himself apart.

“He had an atomizer, and he’d walk around the ring with perfume, supposedly fumigating his opponent’s corners,” said Felser, who also remembered George’s flair for marketing outside the ring.

“His valet drove him around in an open convertible around Lafayette Square, and he’s got a wad of one-dollar bills, and he was throwing money to people. It was a show stopper. He landed on page one. TV was just in its infancy then, but they were all over it. It was like World War III. That’s how big a story it was.”

Gorgeous George is credited with ushering in the Bad Boy era of sports– and even inspired Muhammad Ali, who told a British interviewer, “he was telling people, ‘I am the prettiest wrestler, I am great. Look at my beautiful blond hair.’ I said, this is a good idea, and right away, I started saying, ‘I am the greatest!’”

Wrestling was cheap, flashy and easy to televise — and Gorgeous George was the performer that people loved to hate. It was said that in TV’s earliest years, Gorgeous George’s appearance on TV sold as many televisions as Milton Berle’s.

Another of TV’s favorite early sports was bowling. Chuck Healy was the host of “Beat the Champ” through the 50s, 60s, and 70s. Nin Angelo and Allie Brandt would become among Buffalo’s most popular athletes because of their feats of bowling prowess on the show. All-American Bowler Vic Hermann’s family still proudly talks about the day Vic rolled the first 300 game in the history of the show.

Chuck Healy also hosted “Strikes, Spares, and Misses,” Buffalo’s show for lady bowlers. Phyllis Notaro was just as popular as any of her male counterparts as one of the program’s great champions. Her family ran Angola’s Main Bowling Academy, and from there, she became one of the country’s top amateur bowlers and a US Open champ in 1961.

The WBEN sports team included Chuck Healy, Dick Rifenburg, Ralph Hubbell, and Don Cunningham.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Bowling lessons from legendary champ Phyllis Notaro

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

Forty years ago this week, one of professional bowling’s great all-time champions was at Hamburg’s Airways Leisureland on Camp Rd. offering free lessons.

During her childhood growing up in Brant, Phyllis Notaro’s family opened “Main Bowling Academy” bowling lanes in Angola. From there, through the ‘40s and ‘50s, she became one of the country’s top amateur bowlers, going pro in 1958. She won the tournament known known as The US Open in 1961, and in 1963, she bowled a 300 tournament game.

Known for having ice water in her veins and an unequalled ability to concentrate on nothing but the pins in front of her, Notaro’s concentration and confidence were complimented by her graceful delivery and smooth finish.

A member of the National Bowling Hall of Fame and the Greater Buffalo Sports Hall of Fame, Notaro also wrote a series of articles published in dozens of newspapers around the country giving aspiring bowlers easy-to-follow tips for better scores.

If improving your bowling game was on your to-do list 40 years ago this week, and you weren’t at Airways Leisureland, you missed a great opportunity.