Little Richard plays Buffalo at the Zanzibar, 1956

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

Rest in Peace Little Richard. Buffalo’s loved him since 1956.

His influence is heard on every single pop song recorded since rock n’ roll was called rhythm and blues or “race music.”

He was George “Hound Dog” Lorenz’s favorite musician. He was The Beatles favorite musician.

Don’t believe the campy persona he lived because he had to because it was just about impossible to be a black gay man in America.

From a song writing, music, and showmanship perspective– he invented rock ‘n’ roll.

A-wop-bop-a-loo-mop-a-wop-bam-boom!

Buffalo in the 50s: The Hound’s rock ‘n’ roll memory time

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

When his voice came through the speaker on your radio, you knew you were hearing something you weren’t going to hear anywhere else. He was rock ‘n’ roll even before the phrase rock ‘n’ roll existed.

George “Hound Dog” Lorenz, broadcasting live in the mid 1950s. (From the Collection of Betty Shampoe)

Elvis Presley and George “Hound Dog”Lorenz, Memorial Auditorium, 1957. From the Collection of Betty Shampoe.

“The Ol’man,” as he often called himself on the air, was an unlikely hero of Buffalo teenagers, but for George “Hound Dog” Lorenz, it was about the music, and bringing rhythm and blues music — and rhythm and blues culture — to a wider audience.

“The Hound” was the Godfather of rock ‘n’ roll radio, not just in Buffalo but around the country.

As a teenager working at a gas station, his first radio job came as an actor in dramas in the late 1930s. He got the job “because of his ability in imitating various dialects,” the Courier-Express reported, adding that he’d “often been cast in the role of the slicker in the racketbusting plays.”

It went beyond the records. Events promoted by Lorenz usually included black and white artists playing together at a time in the mid-50s when that wasn’t always the case. Those audiences were also mixed racially.

A Hound Dog record hop, with both black and white teens in attendance. Betty Shampoe is seated on the stage to the left.

Lorenz worked at a handful of smaller Buffalo stations before being picked up by 50,000 watt WKBW Radio in 1955. It meant that his show, with its different approach to music and to the way human beings relate to one another, could be heard all over the eastern United States and Canada.

Ironically, the man who introduced Elvis at Memorial Auditorium was out at KB when the station went rock ‘n’ roll full-time in 1958. Lorenz wanted nothing to do with a Top-40 format, and was known to give the time and temperature at the beginning of his show, and told listeners to “set their clocks and thermometers, because that was the last time they were going to hear that for the next four hours.”

The Hound and the Three Suns. The late Betty Shampoe, who collected these photos is seated to the left.

While inspiring many of the changes that came to KB and many other stations around the country, the Hound stayed true to his style and founded WBLK Radio, where he continued to uncover and spotlight new rhythm and blues artists in Buffalo and to a syndicated audience around the country.

Billy Ward and His Dominoes, with George “Hound Dog” Lorenz and Betty Shampoe, seated right.

These photos are from the collection of Betty Shampoe, who worked with Lorenz.

Her grandson would love to hear from anyone who remembers “digging” any of the artists her grandma is pictured with here when they joined The Hound in Buffalo in the 1950s.