WGR’s 100th Anniversary

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

WGR is celebrating 100 years of broadcasting and, as WGR Historian, I put together a handful of minute-long stories talking about the station’s rich history.

WGR’s Sign On

Just weeks after Buffalo’s first radio station… WWT first went on the air, On May 21, 1922, WGR broadcast its first programs the Federal Telegraph Company on Elmwood Avenue.

“Buffalo enters into the field of national radio broadcasting with the formal opening of one of the largest and most powerful broadcasting stations in the east….  thousands of dollars (have been spent) to furnish Buffalo with a class of radio service which will be equal to that of stations which have been broadcasting since interest in radio began to assume such proportions as we see today,” reported the Courier.

The original owners started WGR to sell radios… and Federal Radio’s $25 set could easily pick up any broadcast within a 30-mile radius of the city.

“This renders radio reception in homes of Buffalo and vicinity no longer an instrument of the well-to-do, but for almost anybody who cares to use it.”

In 1923, WGR became one of the earliest tenants of Buffalo’s brand new Statler Hotel, where it was a Class B station– authorizing broadcast on reserved frequencies, without interference, at high power. That meant the station could be heard regularly within several hundred miles, but could also be heard on occasion as far away as Hawaii and England.

For a century now, WGR has been the voice of Buffalo heard around the world.

WGR Sign-on

Early personalities at WGR

Bob Schmidt, later known as Buffalo Bob Smith

For 100 years now, WGR has been bringing the great voices of radio to Buffalo.

Before he was Howdy Doody’s sidekick and one of television’s early stars, Buffalo Bob Smith, Masten High School grad Bob Schmidt was one of the stars of WGR in the 30s and 40s as “Smiling Bob Smith”

In the early years of radio, the country’s most powerful stations—like WGR—weren’t allowed to play recorded music. Conductor David Cheskin, the leader of the 18-piece WGR Staff Orchestra, was one of Buffalo’s most popular entertainers and a “one man wonder” during the pre-war Golden era of Buffalo radio.

The WGR Orchestra

Cheskin’s music made WGR nationally famous as he conducted 18 network shows a week— including “Buffalo Presents”— heard all over the country on NBC and CBS as performed live in the WGR studios.

Billy Keaton was one of WGR’s most popular hosts after he, like many early radio entertainers, settled down with radio after a life on the road as a Vaudeville man.

Billy Keaton in the WGR studios with singer Johnny Ray.

After his “Stuff and Nonsense” program took off, his success turned a temporary Buffalo assignment permanent. After the war, Billy’s wife Reggie joined the act, and the two hosted the “Mr. and Mrs. Show” on WGR.

As a long-time WGR Radio fan favorite, Billy was the natural choice to welcome the first viewers to WGR-TV in 1954.

Then and now, the great voices of Buffalo can be heard on WGR.

WGR– Early Voices

Baseball on WGR

For 100 years now, Buffalo’s best sports coverage has been a reason to listen to WGR.

From the earliest days of announcers recreating baseball games from tickertape print outs, complete with broken pencil sound effects for the sound of a hit

Roger Baker

To Bisons play-by-play from Offermann Stadium with Buffalo’s first sportscaster Roger Baker and his protégé who’d spend more than 60 years broadcasting sports in Buffalo, Ralph Hubbell.

Hubbell broadcast the games of Bison Great Ollie Carnegie as he set an International League homerun record which stood for 69 years.

Later it was Bill Mazer who was behind the WGR microphone when another great Bisons slugger—Luke Easter famously hit a White Owl Wallop over the Offermann Stadium scoreboard.

Pete Weber and John Murphy at the Rockpile

In the 80s, WGR was owned by the Rich Family—and with Pete Weber behind the play-by-play mic…

The station was instrumental in helping get Pilot Field built—starting a renaissance for building in downtown Buffalo, and a renaissance for classically designed ballparks all around the country.

Baseball on WGR through the years

Ted Darling on WGR

WGR was the long-time home of Ted Darling… whose smooth and exciting style brought gravitas to the expansion Sabres in 1970 and became a trusted uncle behind the Sabres play-by-play mic on radio and TV for the next 21 years.

Sabres broadcast crew, Mid-80s, in the Memorial Auditorium Press Box. Mike Robitaille, Jim Lorentz, Rick Jeanneret, Ted Darling

His genuine excitement for what he was describing on the Memorial Auditorium ice and the stunning pace of his broadcasts helped make listening to the radio almost as exciting as being there for a Perreault rush or a Korab check.

Darling’s voice instantly brings generations of Buffalo hockey fans to a different place and time.

There’s something that feels like home when you hear Ted Darling….

Ted Darling

Rick Jeanneret on WGR

Spine-tingling. Quirky. Explosive. Imaginative.

What can you say about Rick Jeanneret that even comes close to listening to him?

Across a span of 51 years—Rick Jeanneret’s has been an inseparable part of what the Sabres are to us…

And for most of those years, it was WGR that brought you that voice.

Rick Jeanneret

Van Miller calls four Super Bowls on WGR

There were different places around the radio dial you heard Van Miller’s voice through the years, but the only place you ever fastened your seatbelt for Van Miller Super Bowl fandemonium was WGR.

Van Miller, the Voice of the Bills (Buffalo Stories archives)

Thinking of those great teams of the 80s and 90s, our minds flash pictures of Kelly, Bruce, Andre and Thurman—but the sound is undeniably Van Miller.

Another voice that made WGR feel like home during the Bills Super Bowl run…

Van Miller– Four Straight Super Bowls

The Great DJs of WGR in the 70s

The 1970s were the glory years for big personality disc jockeys and rock ‘n’ roll music on WGR.

Shane Brother Shane was “Buffalo’s zany philosopher king.” The Cosmic Cowboy did it all to make smiles across the miles, hoping you fill your night with life, love, laughter, family, friends, fun and music.

Shane Brother Shane

Stan Roberts—whose WGR jingle called him the Corny DJ—is remembered for wearing a lampshade on his head on Royalite TV commercial and Dial-A-Joke, but also as a warm, friendly, and funny presence on morning radio across five decades.

Buffalo Stories archives

Frank Benny was one of the smoothest broadcasters to ever work in Buffalo– as the weatherman on Channel 2 and DJ on WGR starting in the 60s through the 80s.

The DJs of WGR in the 70s

The Commercials of WGR in the 50s & 60s

WGR has aired literally millions of commercials over the last hundred years…

Our sponsors have not only paid the bills, but have made for great memories themselves, like these Buffalo classics from the 50s and 60s:

The commercials of WGR in the 50s

The Commercials of WGR in the 70s & 80s

Hundreds of thousands of sponsors have aired millions of commercials on WGR over the last century…

Through the 70s and 80s, thousands of local institutions used the power of WGR with commercials you can’t forget–

The commercials of WGR in the 70s

The Voices of News on WGR

Sportsradio550 has been Buffalo’s premier source for Bills and Sabres news for decades, but for 80 years— WGR was also the home of some of Buffalo’s most beloved news voices.

Since his time as News Director at WGR Radio and WBEN Radio, Ray Marks (center, seated in the WGR Newsroom in the mid-1990s) had been teaching communications courses at St. Bonaventure, Buffalo State, and Medaille. He died in 2015. (Buffalo Stories/staffannouncer archives)

We also remember WGR personality and Traffic Reporter Mike Roszman and pilot Herm Kuhn, who died when the WGR Traffic plane crashed between reports in 1993.

WGR’s News voices through the years

Artie Baby Boo-Boo & The Coach

Back in 1988, Art Wander got Bills General Manager Bill Polian so mad, he told Art to get out of town.

Instead, Art spent the next decade taking your calls (and East Side Eddie’s calls) on WGR.

Then there was “The Coach,” Chuck Dickerson.

Chuck Dickerson, “The Coach”

He was a coach for the Bills—until Marv Levy fired him after Super Bowl XXVI for being a little too opinionated.

For a decade starting in 1993, Chuck Dickerson was the loudest football fan in Buffalo.

Art Wander & Chuck Dickerson

John Otto, Buffalo’s first talk show host

WGR has been heading to the phones as Buffalo’s call-in show pioneer for more than 60 years, starting with John Otto in the early 60s…

John Otto, WGR, 1975.

And you’ve been a big part of what makes WGR special ever since, taking part in call-in shows with hosts lke JR & Susie, Paul Lyle, Tom Bauerle, Ann Edwards, Clip Smith, and so many more…

But the brilliant and dry-witted John Otto– and his nearly 40 years overnights on WGR– is the stuff of legend.

Some shows were more legendary than others.

Thursday nights it was Desperate and Dateless, with co-host Shane Brother Shane (and later with Tom Bauerle.)

John Otto & WGR talkshows

This was a fun project and it was wonderful to celebrate so many great broadcasters and friends, but the truth is– it felt a bit funny.

For the first half of my broadcasting career, WGR was a sworn enemy of the stations where I worked– first as a news competitor at WBEN and then as a sports competitor at the now-defunct WNSA Radio.

But many of the guys I worked with at WBEN and WNSA now work at WGR, so I guess we won 🙂

During the decade I worked at Entercom Radio (2003-2013), I primarily worked at WBEN– although you regularly heard my newscasts on Star 102.5, KB Radio, and 107.7 The Lake.

You also heard me occasionally on WGR, filling in at the sports desk, like in this clip from 2003…

Cichon says, remember the time you spent listening…

Of course, my biggest on-air contribution at WGR was as the curator of the Haseoke archive.

Haseoke– Rubber Ducky

On the radio, on the telephone: John Otto (and elsewhere around the dial)

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


WGR Radio News Minutemen, 1961

“I try to skewer with grace. I love being called a curmudgeon.”

John Otto may have been Buffalo’s greatest curmudgeon. Scholarly and erudite, but with a playful silly streak that kept listeners glued to his “conference call of all interested parties” for nearly 40 years.

He spent the 50s and early 60s doing just about everything imaginable on-air— and doing it superbly, first on WBNY and then on WGR, both radio and TV.

He was a classical music host, radio news anchor, and TV weatherman– but he seemed best in his element once he began hosting talk shows, specifically WGR Radio’s “Expression,” a nightly moonlit program which invited “listeners to telephone spontaneous, unrehearsed opinions” starting in 1962. 

Such would be Otto’s gig, more or less, for the next 37 years.

“He’s a good show with his deep, pulpit-shaped voice because his unshakeable confidence forces you take sides,” wrote News Radio Critic Hal Crowther in 1973. “If you agree with him, it’s ‘Give ‘em hell, John,’ but if you’re against him you’re often sorry that there are six or seven miles of night between your fingers and his windpipe.”

“Dracula and I have a lot in common,” Otto told News reporter Mary Ann Lauricella in 1981. “Daylight rather frightens us back into our caves. My metabolism is so attuned to nighttime hours that I’m more comfortable at night, when a velvet cloak is wrapped around the world.”

“He takes delight in practicing conversation as an art,” wrote Lauricella. “He uses a metaphor here, a simile there, perhaps a humorous play on words and weaves them into bright conversational tapestries.”

But Otto preferred self-depreciation to plaudits.

“I’m certainly not modern in anything— from the way I dress to the way I think,” said Otto in 1978, who was still dressing in “outdated narrow ties and straight-legged pants.”

“Weekends, I tend to fall out in customary corduroy slacks and white socks. I even let myself go a day without shaving. It’s a very exciting life I lead,” Buffalo’s congenial co-communicator told News reporter Jane Kwiatkowski in 1986.

His biggest vice, Otto confided nightly to his listeners, was his “regular investment of fortunes at Hamburg or Batavia.” Otto loved the horses, and would announce the winners from the local tracks on his show.

“We have the first three from Batavia Downs,” he’d say, often with commentary on the horse’s name, but sometimes with the hint of disdain in his voice. “It’s the rental of a horse for two minutes to run across the finish line first, and they seldom do,” said Otto of his horsing around.

Catching him in a moment of serious self-reflection, it was clear Otto had loftier goals for his nightly meeting of the minds. “If it works right, it raises the level of community thought and sets people to thinking with some added knowledge they didn’t have before.”

“We want to occupy and engage thoughts and to allow the opportunity for people to have access to a forum they are otherwise denied,” said Otto. “Some people call in who are just passing through and want to say ‘hi’ to the world—to let others know they are alive—a fact sometimes overlooked by the rest of the world.”

Not every caller “wants to unburden himself on the big hot-line issues like Vietnam, Watergate, crime in the streets, drugs, and the rest.” Otto’s often hardboiled entrenchment on those issues easily and often made way for the kind of calls an overnight program attracts.

“We get a lot of older people, lonely people. What they need are some voices in the night. And they have other things on their minds besides the headlines,” said Otto.

“One thing I’ve learned on this show is that many of them have an abiding fascination for marvels. Anything about the supernatural, ESP, UFOs, and experience that can’t be explained—that will get them talking like nothing else.”

For decades, Otto was ol’trusty—the iron horse of radio. Starting in 1955, through his first 30 years in broadcasting, he never missed a day of work—not once called in sick.

John Otto, 1962

However, he landed in the hospital in 1985 with pneumonia. “Forty years of smoking,” he said. The streak was broken and over the next decade and a half, sickness in breathing would slowly take Otto’s life—right before your listenership’s ears.

Eventually, very labored breathing made it difficult for him to get around, and he spent his final year “on the radio, on the telephone” broadcasting from his home. Even in his final days, “John, John, your operator on,” didn’t miss a broadcast. He signed off with his signature “I’ll be with you” on a Friday, went to the hospital on Saturday, and died early Monday. He was 70 when he died in 1999.


Jim Santella’s presence and sensibility blazed the trail for progressive rock radio in Buffalo, starting at WBFO (above), then notably at WGRQ and WUWU. Santella’s on-air presence mellowed in the 90s in a return to WBFO as a blues host and the original co-host of Theater Talk with Anthony Chase. His 2015 book, “Classic Rock, Classic Jock” was itself an instant classic, with an in-depth look back at one of the great eras in Buffalo radio.

This ad from a 1967 Buffalo Hockey Bisons program explained some of the far-out jive coming from America’s youth. It was clearly meant as a joke, but probably actually provided insight to more than one dad, sitting in the gray seats at the Aud, flipping through the program to find a Hershey Bears or Cleveland Barons roster.

Lifelong Lockport resident Hank Nevins has been heard up and down Buffalo’s radio dial for more than 40 years, but his career began overseas.

He volunteered to head to Vietnam the day after he graduated from broadcasting school, and was heard on American Forces Vietnam Network in starting in 1969.

In Southeast Asia, he worked with, among others, Pat Sajak.

Since returning home, Nevins worked as a disc jockey, host, and manager at radio stations in Western New York nearly without pause. Most recently, he’s spent more than a dozen years as the Saturday morning host on WBEN.


Dennis Majewicz was both Mac McGuire and Mike Melody at WNIA in the late 60s. He went onto a long career in broadcast engineering at Ch.4, Empire Sports Network, and now back at 1230am.

The deejay’s names never changed at WNIA, neither did the fact that Richard Maltby’s Midnight Mood would play every night at midnight. To put it mildly, WNIA was a quirky station. The daily noon time Catholic prayers were bookended by rock ‘n’ roll music.

There was also the reminder to be big, be a builder. The minute-long, run-on diatribe was the brainchild of station owner Gordon Brown in reaction to the war protests of the late 60s.

The impression your friends and others have of you is based on what you do– to teach, to create, to accomplish, or to build, whether you dig the trench for the foundation for a building; whether you lay the last brick on its top; whether you work with a pick and shovel or with the tools and machines, or in the office, or sell the products or services of industry; whether you grow, prepare or harvest the very food we eat, whether you are a homebuilder raising, teaching or educating your family or others how to become a builder, no matter what you are or what you do, if you are a builder, you are one to be long remembered.

Those who attempted to destroy the pyramids of Egypt were despised and soon forgotten, those thousands who labored to build them will never be forgotten. Be big, Be a builder.


Muhammad Ali in the WBEN studios with “Viewpoint” host Garfield Hinton.

Vice President Hubert Humphrey makes a Presidential campaign swing through Western New York in 1968, with KB newsman Jim Fagan over his shoulder holding up the microphone. Next to Jim is Buffalo Congressman Thaddeus Dulski. Over Humphrey’s other shoulder is Erie County Democratic Chairman Joe Crangle.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Western Connections

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


For 20 years, Sunday nights in many households across the country meant an episode of “Gunsmoke” before the late local news. For 19 of those years, a woman who attended Hamburg Junior High and Amherst Central was one of the stars of the show.

Long before Amanda Blake played Miss Kitty, the saloon-owning love interest of Marshall Matt Dillon from 1955-74, she grew up in Western New York.

Born at Millard Fillmore Hospital on Delaware Avenue, the young “Miss Kitty” began her elementary schooling at Kenmore’s Lindbergh Elementary, also living in Hamburg and Amherst until 1946, when her father’s job at Curtiss-Wright took the family to California.

A 1960 promotional trip was the actress’s first trip back to Western New York since moving out west—but it wasn’t her last. She stayed in regular contact with old friends and relatives, and visited several times—including to attend her 40th high school reunion– before her death in 1989.

Amanda Blake surrounded by her Gunsmoke co-stars, including a young Burt Reynolds, who played Deputy Quint Asper on the show for three seasons. Blake was on Gunsmoke for all but the final season of the show’s 20-year run.

Gene Barry starred as Bat Masterson for three years on NBC and Ch.2. On a promotional visit to Buffalo, he was interviewed by Helen Neville on WGR-TV and Dan Neaverth on WGR Radio.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

The WGR Flashcast

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


In 1940s America, the frenzied commercialism, hot-burning bulbs and pulsating neon of Times Square ignited a sense of wonder and excitement over what an American city could be.

Buffalo had its share of the lights – Main Street near Chippewa was aglow with what was described as “Buffalo’s great white way,” and the greatest display of dazzling and flashing marquees and signs between New York and Chicago.

One lighting element Buffalo didn’t have – until 1949 – was a flashcast news sign.  WGR Radio was the sign’s sponsor, which meant in red neon, those call letters brightly bookended the revolving ribbon of news headlines at Main and Court streets from atop the Western Savings Bank building. Visible from the WGR studios across Lafayette Square in the Rand Building, the scroll was controlled from WGR’s newsroom.

While the sign was promoted as Times Square coming to Buffalo, the event to throw the switch on the sign, hosted by Mayor Bernard Dowd, was called a “Hollywood premiere-type event.”

A few months after the first messages started streaming across the lights, a News story talking about improvements being made downtown mentioned the sign. “Here is a group of men at Main and Court streets, looking up at the Flashcast. They’re squinting a little to read the moving electric words in the sunlight.”

By the time WGR Radio’s studios had moved to the building behind Ch.4 at 2065 Elmwood Avenue in 1959, the sign had gone dark. It had been completely removed by 1962 when construction was started on a new $4.5 million, 12-story Western Savings headquarters next door.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Billy and Reggie Keaton & Sally Work, WBEN

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Billy Keaton in the WGR studios with singer Johnny Ray.

Like many of radio’s pioneers, Billy Keaton’s foray into the medium came in the pre-war days when he adapted his Vaudeville routine for WEBR, and then into the highly popular “Stuff and Nonsense” program on WGR.

His success turned a temporary Buffalo assignment permanent. After the war, Billy’s wife Reggie joined the act, and the two hosted the “Mr. and Mrs. Show” for a decade.

Reggie and Billy interview a monkey.

While the Keatons’ voices were familiar throughout the ’40s and ’50s, their faces were soon popular as well. As a long-time WGR Radio fan favorite, Billy was the natural choice to welcome the first viewers to WGR-TV in 1954. The Keatons later hosted several cable TV talk shows through the years, leaving a legacy of 55 years of entertaining Western New York.

Reggie Keaton panics as her husband Billy gets ready to lay a smooch on a cardboard cutout of starlet Linda Christian during the couple’s show in the WGR studio.

Sally Work spent the bulk of her radio career on WBEN, but was a pioneering Women’s Editor on WGR starting in 1926 first. By 1948, her show carried 15 sponsors and a waiting list out the door.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

AHK- Alfred Kirchhofer & around the Buffalo radio dial

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Starting in 1927, Alfred H. Kirchhofer spent 39 years at The Buffalo Evening News as the Managing Editor then Editor. He was also Vice President, then President of WBEN from 1930-67.

AHK (as he referred to himself) or Mr. Kirchhofer (as everyone else referred to him) was the man in charge of WBEN Radio before there was a WBEN Radio.

His influence was key in the News’ purchase of the station in 1930. From 1927 until his retirement in 1967, Kirchhofer ran and expanded a News Empire that included The Buffalo Evening News and added WBEN Radio in 1930, in 1936 added WEBR Radio (then a News property), WBEN-FM in 1946, and WBEN-TV in 1948.

Despite his founding of four broadcast outlets, Kirchhofer was first and foremost a newspaper man. After joining the Buffalo Evening News in 1915, he opened the News’ Washington Bureau, and became a familiar figure to Presidents Harding, Coolidge, and Hoover, all the while being Buffalo’s eyes and ears in the nation’s capital.

Realizing the potential for radio beyond selling newspapers, Kirchhofer developed a staff of radio writers and newsmen for WBEN and put the station on top to stay for decades.

The FM and television stations developed under Kirchhofer were not only Buffalo’s first, but among the first in the nation.

Even as much of the broadcasting world reflected the changes in society through the 50s, 60s, and 70s, the staunch conservative content and dry delivery at the News Stations was a direct result of Kirchhofer’s editorial approach.

His News style book included a section titled, “avoid mentioning hideous creatures.” Rats and snakes became rodents and reptiles. Women weren’t “pregnant” but with child on the pages of The News, and “motherhood is not treated as a situation comedy.”

The approach made the News Stations “The Stations of Record” for generations.

Another famous Kirchhofer story involves the chair next to his desk, which was notoriously bolted to the floor, nominally as a way to keep “boozy salesmen and politicians from getting too close,” but in practice, it was an intimidation tactic for anyone speaking with him.

Elda Lucente broadcast the Italian Hour on WXRA in 1949. The station was founded in Kenmore in 1947, and sold to become WINE in 1957.
The 1947 WGR announcing staff consisted of chief Allen Lewis (seated), and David Getman, Bernard Ryan, Robert Sherry, and Don Gill.
Bob Glacy joined the WGR/WKBW staff in 1938. In the early 40s, he hosted WKBW’s “Headlines on Parade” morning news program. He was the long-time host of “Glacy’s Basement” on WKBW and through the 50s, was one of the stable of hosts and disc jockeys at WGR.

Over the more than 15 years Bob Glacy spent at WGR Radio and later WGR-TV, he did just about everything from newscasts to disc jockey to hosting Ch.2’s TV Dance Party.

Later on WEBR, he hosted “Coffee Break” between 10 and noon from the fourth floor Civic Room of the downtown Sample Shop at 554 Main Street.

“Glacy will be seated in a glass studio shaped like a coffee-maker. Shoppers will be able to watch the broadcast and have coffee and rolls. Relaxed music will be geared to the housewife and home-bound office worker.”

CHVC signed on from a studio next to the Rainbow Bridge in Niagara Falls, Ontario in 1947. The station offered some of the first programming created by Black Western New Yorkers meant to be listened to by Black Western New Yorkers. Johnny Thomas and Flora Henderson produced programs on CHVC created for an audience in Buffalo.
“The Quiz of Two Cities” on WBEN pitted the people of Buffalo vs the people of Rochester, with Wally Nehrling, quizmaster.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Buffalo Radio at War (and after the war)

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


“Women’s Army” aired on WGR to help with the recruitment of WAACs. Announcer Denny Schute interviews Lt. Jeanne Gatt from the WGR studios at the Rand Building.

Blackout drills were a way of life during World War II, and the first came the day after Christmas, 1941.

Radio stations set aside their programming to help conduct the drill. The following account was in The News the next day, and shows a tremendous overview of radio in Buffalo at that time.

“Only lights burning in most Buffalo homes Friday night were tiny dial lights on radios, while the radio stations that poured out a stream of information about the blackout were lighted themselves by small blue bulbs not much larger than those on listeners’ sets.

“Although most stations possess “inside” studios which have no windows and thus could be kept as brilliant as possible, all preferred to switch out all lights except tiny blue ones near their microphones and technical-control panels.

“WBEN, whose studio windows in Hotel Statler were covered securely by wallboard shields, kept only a dim safety light burning in its inside “standby” studio where other announcers remained on duty while Ed Reimers described the blackout from a 20th-floor vantage point in City Hall. Control room windows were likewise covered and dimly lit.

A WBEN billboard painted on a building behind Buffalo City Hall, 1944.

“Blinds were drawn completely over all studio windows at WEBR in Broadcasting House, 23 West North Street.  A lone bulb glowed in one studio in use, and a tiny green light illumined control room switches and dials.

“Blue cellophane was fastened over control room lights, tiny meter bulbs were changed from white to red and only desk lamps were in use in two inside studios of WGR-WKBW, which linked to carry a description by announcers Jack Gelzer and Bob Sherry from an 18th-floor parapet of the Rand Building of Buffalo blacking out.

“Tight-fitting cardboard covered WBNY’s windows in the Nellany Building and one blue bulb glowed in the control room and another in one studio.

“Visible from vantage points about the city were red warning lights on WBEN’s transmitter towers on Grand Island, WEBR’s tower on the Larkin Terminal Warehouse, WGR-WKBW antennas in Hamburg and WSVS’ towers on Seneca Vocational High School.

“These warning lights must be kept burning at all times under federal law, unless ordered out by military authorities. The Civil Aeronautics Board ordered that aeronautical lights such as these must be kept burning during test blackouts. WBNY’s tower in East Eagle Street carries no signal beacons, not being so required because of its location and height.”

During the war years, stations offered plenty of patriotic programming. Several radio stations offered live coverage of the opening of the new Curtiss-Wright factory in Cheektowaga just before the US entered the war. It was the largest airplane factory in the country when it opened in 1941.

In 1944, Buffalo’s War Emergency Radio Service radio station signed on.

WQWT was part of a nationwide network meant to operate using portable transmitters in the event of emergency.

WEBR engineer Ray Lamy oversaw the operation, which, had it ever been used, would have employed amateur operators using their own equipment—all in an effort to save resources for the war effort.

WKBW’s “Commando Corps Court of Honor” was a program that encouraged young people to sell War Stamps and Bonds. Announcer John Boothby makes the announcement in the Lafayette Hotel Ballroom that the program had raised more than $330,000 by the end of 1942. To the right of the mic is Chief Announcer Jack Gelzer, who came up with the program. WGR-WKBW Announcers Robert Sherry and Jack McLean are also on hand.

“Junked radio sets and parts, salvaged from cellars and attics, are being rebuilt by amateurs and professionals into two-way stations and operated for the public good,” reported Popular Science in 1943.

Nominally meant as a means of communication during natural disasters, the system was built in anticipation of air raids on American targets. It was disbanded at the end of the war.

The High Hatters entertain at Curtiss-Wright, 1944.

In 1946, the long-standing Buffalo Broadcasting Corporation partnership of WGR and WKBW was broken up, as WGR was purchased by a group led by longtime Buffalo radio man I.R. “Ike” Lounsberry.

Signing the paperwork to buy WGR are, seated: Edward J. Gorono, BBC counsel; Leo J. Fitzpatrick, chairman of the board of WGR, and I. R. Lounsberry, WGR president and general manager. Standing: Edwin F. Jaeckle, BBC counsel; Norman E. Nobes, WGR secretary-treasurer, and Raymond J. Meurer, counsel for WGR.

Lounsberry was there at the very beginning of radio in Western New York, as one of the engineers/operators/announcers who put WMAK on the air in 1922.

As he explained in 1931, “In 1922, it was one and the same person who operated the technical equipment, announced the program, booked talent, did janitor duty and numerous other tasks.”

He stayed on when WMAK was absorbed into the Buffalo Broadcasting Corporation, and stayed with the BBC until he broke it up with the purchase of WGR for $750,000 in 1946.

Esther Huff (left) plugs her ears as Bob Smith reads his watch to time a screaming contest announced by Clint Buehlman (far right) on WBEN’s “Early Date at Hengerer’s.”

Shortly after Clint Buehlman left WGR for WBEN, Smilin’ Bob Smith followed. With Esther Huff, they co-hosted “Early Date at Hengerer’s” live from the downtown department store. While Buehlman’s pace was fast and his persona was slapstick, Smilin’ Bob was more laidback and homespun.

Clint Buehlman works the room at Hengerer’s downtown store on Main St.
Buehlman, Huff, and Smith visit with a polio victim during Christmas.

Smith’s routine caught the ear of NBC executives in New York City looking to build a team for the network’s Big Apple flagship station.

Shortly after Smith left WBEN for the New York’s WEAF Radio in 1946, longtime News and Courier-Express radio critic Jim Trantor wrote:

“Buffalo’s Smilin’ Bob Smith, who’s become one of NBC’s fair-haired boys on the New York scene… is going great guns at the head of a television show for youngsters down there and looks to have just about the rosiest future imaginable.”

The show would become “The Howdy Doody Show,” and Smith was destined to become one of the great early stars of television.

After Smith left, Les Barry took over his spot on the Hengerer show which ran through the 40s. The show moved and was eventually taken over by John Corbett—Johnny from JN’s (JN Adam & Co. Department Store)

The “gay and charming hostess” of the show, Esther Huff, began her radio career at WGR in 1927 with an afternoon show for women discussing fashion, homemaking tips, and Hollywood news.

Esther Huff, WBEN

Through the mid-40s, she was a regular on several WBEN programs.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Buffalo Morning Radio Wars, 1940s style

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


With city hall as a backdrop, WGR morning man Clinton Buehlman takes to the ledge of the Rand Building during his wake-up show to wake-up motorists in Lafayette Square, 1942.

Clint Buehlman signed on as WGR’s morning man in 1932, and remained Buffalo’s undisputed king of morning radio until his retirement in 1977.

Buehlman, chained to the WGR mic

For 11 years on WGR, and then for 34 years on WBEN, there was no more listened-to, beloved, or marketable voice emanating from Western New York radios.

Almost immediately and for all his 45 years waking up Buffalo, Buehlman was able to turn his own popularity into sales when he talked about a sponsor.

The combination of fawning listeners and fawning commercial clients are what every station manager dreams of in a morning show.

WBEN announcer and Sun Greeter Club emcee Al Taylor, 1941.

WBEN had been on the air for more than a decade with little headway in making a dent in Buehlman’s dominance.

There was The Minute Men Show with Jack and Earl, and starting in 1938, emcee Al Taylor hosted the Sun Greeters Show on WBEN.

When Taylor—who interviewed Adolf Hitler as a newspaperman in the 30s—left for WCAU in Philadelphia, he was eventually replaced by a man The Buffalo Evening News called “silly… fast-talking… and glib,” Jack Paar.

Jack Paar sits at a WBEN typewriter in 1942, writing jokes and serials like “Joyce Jingle, Girl House Detective.” “She had a schoolgirl complexion,” Paar wrote, “until it graduated.”

“Jack is WBEN’s Sun Greeter who rattles along at breakneck speed from 6:05 until 9 in the morning, playing records, reeling off nonsense, telling the time, dishing out choice morsels of Hollywood gossip and what-not just about the time you’re eating your breakfast cereal,” wrote The News.

Almost two decades after he left Buffalo, Jack Allen wrote about Jack Paar in the Courier-Express as the former Buffalo morning man celebrated his fifth anniversary as the host of the “Tonight Show.”

The controversial host, at 25, patrolled the early morning for WBEN radio in 1942-43. His satirical quips ‘woke ’em up’ on morning radio as they now ‘keep ’em up’ on late-night TV. Paar entered the Army in 1943, to be succeeded on WBEN by Clint Buehlman.

Paar is remembered by some radio executives here as ‘a talented personality who worked hard at original comedy’ and ‘despite his humility he is strongly egotistical.’

WBEN hired Clint Buehlman away from WGR in 1943 after Jack Paar left for the Army.

Buehly welcomed to the WBEN’s Statler studios by Station Manager Edgar Twamley in 1943.

After a decade as the host of “The Musical Clock,” WGR’s morning show, in 1943 his new WBEN show was called simply “Clint Buehlman.”

“That should be sufficient but, for the newcomers to Buffalo, it means time announcements, all types of music, jokes, and anything else that helps to make up a fast-moving show,” explained The Buffalo Evening News.

“Clint is one of the few men who can work without script and whose ad-libs are funnier than many carefully rehearsed network programs.”

“Fast-moving” and “funny” might not be the descriptors those who remember Buehlman in the 60s and 70s might use, but he grew up and grew old with us on the radio.

Toward the end of his uninterrupted 46-year run hosting Buffalo’s top-rated morning radio program, Buehlman sounded like the cranky grandfather he was—reminding men to wear their rubbers and pay close attention to the road.

Still, even into his last decade on the air, more than half of radios that were on in Buffalo during the morning hours, had Clint Buehlman on. He may have been a crotchety grandpa, but he was the whole city’s crotchety grandpa.  

Buehlman was replaced on WGR by Foster Brooks— who’d later be known to television viewers around the country for his routine at the “lovable lush.”

Coming to Buffalo from WHEC Radio in Rochester, Brooks joined WGR/WKBW in 1943 as the emcee of the Musical Clock morning show Buehlman had made dominant, while also emceeing WKBW’s “Million Dollar Ball Room.”

Along with “Buffalo Bob” Smith and Johnny “Forgetful the Elf” Eisenberger, Brooks was the third member of WGR’s “the High Hatters,” a popular Country & Western vocal group. He was a late replacement trio after the original third voice left the group.

The High Hatters: Foster Brooks, Johnny Eisenberger, Bob Smith

Brooks left Buffalo around 1950 after winning an Arthur Godfrey talent contest—but spent most of the next 30 years coming back to Buffalo through the magic of television—as a guest on both Steve Allen’s and Johnny Carson’s Tonight Show, numerous guest starring roles on shows like Adam-12, and many Dean Martin-produced shows like Martin’s variety show and his celebrity roasts.

He became famous for his “Lovable Lush” routine, where he played hundreds of different characters who were so blotto they could barely stand—but didn’t think their inebriation was noticeable.

The comic had given up the bottle by the time his act had become famous, but he later admitted while in Buffalo, there might have been times where he resembled the character that he’d made famous.

“I was very fortunate I didn’t get in trouble,” Brooks said in 1978.

“There were times I’d get home at 4, wake up at 5, and be to work at 6. I had to close one eye to read the news and the commercials. There were two and three words where there was only supposed to be one.”

Fellow WGR announcer Ralph Hubbell—who wrote about his own public battle with the bottle in his book “Come Walk With Me”—would often drive Brooks home, and “Hubbell and my wife would explain who I owed apologies to.”

Brooks stopped drinking in 1964, and his star took off from there.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Buffalo’s radio staff musicians

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


The WGR Staff Orchestra, featuring conductor David Cheskin, right. Announcer John Lascalles is at the microphone to the left.

The best known and most remembered musician of Buffalo’s radio staff musician era is probably Dave Cheskin.

He was a “one man wonder” during the Golden era of Buffalo radio in the 30s and 40s, serving as WGR’s Music Director, band leader, and conductor.

Trained at Juilliard and then a violinist for the NBC Orchestra for three years, Cheskin came to Buffalo as the music director for the Erlanger Theater, soon taking on the role of Buffalo Broadcasting Corporation Music Director in 1931.

Dave Cheskin

His live broadcasts, conducting the 18-piece WGR Orchestra, were among Buffalo’s most popular radio programs of the day.

At one point, Cheskin was also conducting 18 network shows a week— including “Buffalo Presents”— heard all over the country on NBC and CBS as performed live in the WGR-WKBW studios.

WGR live broadcast with Dave Cheskin conducting.

Cheskin was tapped as the Buffalo Philharmonic’s Pops Conductor through the war years, and spent more than 30 years leading one of Buffalo’s premier dance bands.

The WGR Orchestra

The members of Cheskin’s bands and orchestras also move on to their own high-profile radio gigs as well.

Harold Austin, known for leading the bands at the Crystal Beach Ballroom and on the Crystal Beach boat “The Canadiana,” as well as in the Dellwood Ballroom during WEBR’s Hi-Teen Show, started his musical career as a musician in Dave Cheskin’s WGR Orchestra.

Through the years, hundreds of thousands of Buffalonians waited at the foot of Main Street to board The Canadiana. Once aboard, the sound of Harold Austin’s Orchestra filled the ship in the 30s, 40s, and 50s.

Violinist Max Miller was a featured star for many years with the WGR Orchestra, until he was named WBEN’s Musical Director.

Max Miller, conductor, WBEN Orchestra

Miller was nine years old, the first time he played the violin on Buffalo radio. After graduating from Buffalo’s East High School, he played regularly as a part of the Shea’s Buffalo orchestra.

Max Miller, center with violin, leads the WBEN Orchestra.

Miller took over the reigns at WBEN from Bob Armstrong, the trombone and cello player who’d lead the WBEN-NBC Orchestra for most of the 1930s.

Bob Armstrong’s Hotel Statler Orchestra in 1941 (above) was mostly the same group heard on WBEN at the time.

Vera Holly and Herman “Tiny” Schwartz were the featured vocalists, sitting at the front of the stage.

The musicians included, in the front row, Charlie Wullen, leader Bob Armstrong, Bill Jors, John Porejko, Stan Zureck, John McFadden, and Bill Wullen. In the second row, Pat Vastola, Dan Brittain, Hank Krompart, and Andy Dengos, with Ed Rydel and Tom Sist at the top of the bandstand.

The Federal Theater Jubilee Singers on WEBR in 1938. From left to right, Ruth Malone, Grant Johnson, Martha Boynkin, Robert Edwards, Harriett Baull, and Godfrey Tottin. The group was unit of the Depression-era WPA Federal Theater Project. They travelled the city to portray the origin of Negro spirituals and jubilee music.
The winners of WEBR’s 1940 “Barbershop Harmony” contest were James Davies, Daniel Colley, Crawford Anderson, and Donald Rowley.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Roger Baker

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


One of the original superstars of Buffalo Radio in the 20s and 30s for the Buffalo Broadcasting Corporation’s WGR and WKBW, Roger Baker was the Queen City’s first definitive sportscaster. His 40-year announcing career started when he was a musician sitting in the orchestra waiting to go on the air, but no announcer showed up. He stepped up to the microphone and never stepped back.

A pioneer in the art of baseball play-by-play– before him, calling the action of a baseball game was assigned to which ever announcer was next on the schedule. He was Buffalo’s first regular baseball announcer, and gained recognition for his descriptions of Bisons games.

Roger Baker’s play-by-play abilities transcended language. In 1935, his endorsement of Old Gold Cigarettes was translated into Polish and appeared in Dziennik Dza Wszystkich, Buffalo’s Polish language daily newspaper.

Those who remember him in the sports booth remember the ultimate professional– no focus on personality, so much as the product on the air. His work from Offermann Stadium was straight and by the book.

After being tapped by Baseball Commissioner Kenesaw Mountain Landis to call the 1933 World Series to a nationwide audience on CBS, Baker was called up to the big leagues in 1939, replacing Red Barber as the voice of the Cincinnati Reds when “the Ol’Red Head” moved onto critical acclaim as the voice of the Brooklyn Dodgers and then the New York Yankees.

Deco Restaurants were an early sponsor of sportscasts in Buffalo, including Roger Baker’s play-by-play broadcast of the Buffalo Hockey Bisons from the Peace Bridge Arena in Fort Erie in 1933.

In 1948, Baker returned to Buffalo as the news-reading General Manager on WKBW Radio. He eventually moved into the same news-reading General Manager spot at the short-lived Buffalo UHF pioneer WBES-TV Channel 59.

Along with Bill Mazer, Baker was also an original member of the WGR-TV sports team when the station signed-on in 1954.

“Years of experience covering sports events plus constant study of the sports picture account for the mature nature of Rog’s evening sports telecast. Master of play-by-play, his reporting of sports as they happen has set the pattern for imitators all over the country,” read a promo piece from the sign-on of Ch.2 in 1954.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon