Hamburg’s biggest contribution to the early history of rock ‘n’ roll might be more technical than musical, but it was from the 50,000 watts worth of radio waves flying out of Big Tree Rd. that Western New York and much of the east coast and Canada were introduced to the format.
The Buffalo Broadcasting Corporation opened its transmitter and tower facilities on Big Tree Rd. in July, 1941. The facility cost $350,000– $5.7 million in 2017 dollars—and was described as “truly a showplace of electric marvels.”
When the building first opened, a series of telephone lines carried programs from the Rand Building studios of WGR and WKBW to Hamburg for broadcast.
WKBW’s mainstays were the network programs of CBS with stars like Orson Welles, Hedda Hopper, Cecil B. DeMille, and Kate Smith. WGR carried Mutual Network shows like “The Lone Ranger” and talent like Milton Berle.
The local talent included Billy Keaton, Ralph Hubbell, and WGR Orchestra leader David Cheskin. Before Howdy Doody came along, Bob Smith hosted “The Cheer Up Gang” every morning, and before spending 35 years on WBEN, Clinton Buehlman hosted “WGR Musical Clock.”
After spending time at a few smaller stations, in the mid-1950s, George “Hound Dog” Lorenz took his rhythm and blues program featuring the music which would soon be known as rock ‘n’ roll to 50,000 watt WKBW Radio. The powerful signal allowed “The Hound” to introduce the evolving music genre to the entire northeastern United States.
WKBW would eventually be known as “one of America’s two great radio stations.” The voices of Stan Roberts, Tom Shannon, Irv Weinstein, Danny Neaverth, Joey Reynolds, Jack Armstrong, and so many others were sent out over the four and later six towers in our backyard.
Today, WWKB Radio and WGR Radio still transmit from Big Tree Rd. Both stations are owned by Entercom Communiucations, which is in the middle of a $1.7 billion merger with CBS Radio.
We’re opening up the Buffalo Stories audio archive vault in search of Christmas memories today.
Up first are two selections from the John Otto collection. These recordings were found in Otto’s personal files. The first is a series of Christmas stories told by listeners during the Christmas season in 1986.
The stories are great, and of course, listening to John listen to the stories is great as well.
These all come from Otto’s short-lived Nightcall program on WWKB radio. He returned to WGR the following year.
The second Otto selection is a WGR Production from 1963. This radio play has John Otto as “Live in Bethlehem,” and covers the birth of Christ as if it were being covered by modern journalistic means. Featured are many voices of WGR in the early 60s.
Another selection is a listener submission, audio as aired on WBEN-TV on December 24, 1955, featuring the Sylvania Choraliers.
Jonathan Kinney writes:
My grandfather, Edmund Koval, graduated Penn State as an Electrical Engineer, did a stint in the Navy at the end of WWII. My grandparents moved to The Town of Tonawanda from Franklinville in 1955 when they built their new house in the suburbs.
He got a job as an electrical engineer at Sylvania. The chorus rehearsed at the Wood & Brooks Building on Kenmore Ave near Ontario-had the big ivory tusks on it. (See that Riverside landmark here.) He was always very proud of this recording, and he’d play it for me as a child near the holiday season.
Here are a few selected highlights from the audio only recording from Channel 4:
Other sights and sounds of Buffalo Christmases past from Buffalo Stories:
When Don Paul retired as Buffalo’s pre-eminent weather authority last month, the folks at Channel 4 wished him luck on the message board in front of the station’s Elmwood Avenue studios. The high-definition display replaces a scrolling light sign which had been in place for at least 40 years.
Steve Cichon/Buffalo Stories photo
The station now known as WIVB-TV has called 2077 Elmwood Ave. home since 1960, and until 2000, the building also was home to WBEN Radio. The yellow buildings across Elmwood Avenue in this 1983 photo have long since been torn down, and replaced by Popeye’s and Napa Auto.
Buffalo Stories archives
In 1977, it wasn’t Don Paul, but another fabled Buffalo weatherman — Channel 2’s Kevin O’Connell — who was then Channel 4’s main weatherman, broadcasting live from underneath the sign as a blizzard descended upon the region.
Buffalo Stories archives
It was a simpler sign — almost bizarrely similar to next-door neighbor and competitor WGR’s sign in 1961. The tiny building that housed WGR’s radio studios for several years has been owned by Channel 4 for decades. It still stands directly across Elmwood from McDonald’s.
Buffalo News archives
Looking further down Elmwood, none of the buildings in view past the former WGR building are still standing. A paint store stood where the former Don Pablo’s/Advance Auto now stands. Off in the distance closer to Hertel, the water tower of the Kittinger Furniture factory is visible.
Forty-five years ago, Frank Benny’s story was called “the most outstanding comeback in the history of Buffalo broadcasting” by News critic Gary Deeb. Nearly half a century later, that record appears to be intact.
Frank Benny, 1971. (Buffalo News archives)
Benny was a constant on Buffalo radio dials for 25 years. His voice and style were smooth and sonorous. He quickly became Buffalo’s definitive warm, friendly announcer upon coming to WGR Radio in 1965. By 1968, he was a regular on Channel 2 as well, first on the sports desk, and then for nearly a decade as the station’s main weather anchor at 6 and 11.
By 1970, he was one of Buffalo’s most in-demand announcers. He told The News he was generally working on about four hours of sleep. His day started as WGR Radio’s morning man, then he hosted WGR-TV’s Bowling for Dollars and Payday Playhouse 4 o’clock movie, and he did the weather forecasts on Channel 2. He was the NBA Buffalo Braves’ first PA announcer in the 1970-71 season.
In five years at WGR, he became one of Buffalo’s most popular media personalities. That was helpful in identifying him the day he robbed a bank on his way home from the radio station in June 1971.
Only minutes after the holdup of the Homestead Savings and Loan at the corner of Main and Chateau Terrace in Snyder netted $503 for a man wearing a stocking over his head and brandishing a (later-found toy) gun, Amherst Police were arresting Benny at gunpoint in the driveway of his Williamsville home.
The case was a local sensation. Management at WGR and at least three other stations ordered that the on-air staff not make any snide remarks or jokes at Benny’s expense. One notable exception was Channel 7, where the 6 p.m. “Eyewitness News Reel” featured the title card “Forecast: Cloudy” for the otherwise-straight Benny story. At 11, the title was changed to “Under the Weather.”
The disc jockey, TV weather man and father of two was charged with third-degree robbery and was tried in a non-jury trial. The prosecution rested when Benny’s attorney agreed to the facts of the case — that the announcer had indeed stuck up the bank — but that the he was innocent of the charges in the “poorly planned, ludicrous robbery” because he was temporarily insane.
Four psychiatrists testified that Benny was “not in sufficient possession of his faculties at the time of the holdup.” A Buffalo General psychiatrist who had examined Benny said that the temporary mental illness was caused by extreme and prolonged stress.
First, Benny was a central figure in a protracted labor strike at WGR AM-FM-TV. Eighty members of NABET, the union representing nearly all the operations personnel and announcers at WGR, spent nine months on strike. About 10 — including Benny — crossed picket lines to continue to work. Station management provided Benny an armed guard after rocks were thrown through the windows of his home and his family was threatened.
Benny’s family was also threatened the very morning of the robbery. He’d racked up thousands of dollars of gambling debts, and the bookmakers were calling in their markers — or else.
In October 1971, the judge found Benny not guilty by reason of mental disease, and he was ordered to spend two weeks at Buffalo State Hospital.
Then, in December, within six months of the robbery, Benny was back on WGR Radio and TV. Having been found not guilty, and “on a wave of public sympathy,” management thought it was the right thing to do.
“A lot of people have told me that it takes guts to do this, to go back on the air,” Benny told The News during his first week back at WGR. “But to me, it’s not a courageous thing. It’s a simple case of going back to what I know.”
That’s not to say that Benny wasn’t thankful.
“It’s hard to fathom that people can be that nice,” Benny told News critic Deeb. “It’s nice to know people can be forgiven.”
All told, Benny spent 19 years at WGR, walking away from the station in 1985. For a year and a half, he was the morning man at WYRK Radio, before finishing out the ’80s as a weekend staffer at WBEN.
Frank Benny at WGR in 1983 (Buffalo News archives)
No matter what his personal life sounded like, he always sounded like Frank Benny on the radio. After leaving WBEN Radio in 1989, Benny left for Florida, where he was on the radio for 16 years — until he died in 2005 at age 67.
This page first appeared on staffannouncer.com in 2004, and was last updated May 21, 2014.
In celebration of John Otto’s 85th birthday, and mindful that it was 15 years ago this year that your congenial co-communicator signed off, we introduce several hours of John Otto recordings unheard since the day they were first broadcast in 1998.
It’s truly one of Buffalo’s greatest broadcasters at his finest: John Otto, broadcasting live from the Tralfamadore Cafe on the night he was inducted into the Buffalo Broadcasting Hall of Fame.
John talks with and interviews dozens of our city’s finest broadcasters, and they pay tribute to him– on the radio, on the telephone, at long last.
And the more to come sign is up– As we draw nearer the 15th anniversary of our-operator-on’s last show, we will present dozens more recordings from the 1950s through 1999 in this space. We’ll get to that in as soon as it takes to tell it– in the meantime, enjoy that Hall of Fame day broadcast below, and hold the phone.
John Otto played many of his own sound effects on the show… You could often hear him fumbling for the right cart as someone asked to guess the voice, or Joann the Just would call– of course, the trumpet was necessary to announce her presence. Here are a few of the sound effects “Your operator on” would play– taken directly from the broadcast carts which he himself used on the show.
John spent most of five decades on Buffalo radio, and his show was introduced by various jingles and production elements through the years. Several of these were given to me by the late Ben Bass, who aside from sending 30 years as a disc jockey himself, was also an engineer on the Otto show in the 1970’s.
Finally, here are some clips of the man himself– These were saved at the radio station by many of John’s producers through the years, including Mike Maniscalco, Brad Riter, Greg Bauch, Ben Bass, and others. They are mostly short, entertaining John Otto clips on pop culture and bad callers– others are just a taste of how John sounded on the air. The last clip is 46 minutes worth of a show– enjoy!
Thirty-five years ago this month, The News began celebrating the 100th anniversary of the paper’s starting a daily edition.
In the special section called One Hundred Years of Finance and Commerce, The News recounted the history of a handful of Buffalo’s financial and commercial industries, and provided ad space for many companies involved in those industries to tout their own contributions.
Buffalo’s wealthiest and most philanthropic families through most of the 20th century were in change of Buffalo’s banks. Each was known for its pop-culture contributions to Buffalo as well.
The grandfather of the founder of the Sabres, Seymour Knox Sr., was credited with building Marine (later Marine Midland) Bank into a modern giant. It was Seymour Knox II’s love of art and patronage that saved the Albright Art Gallery in Buffalo, know now, of course, as the Albright-Knox.
The Rand and Diebold families made their wealth in banking — but they were also well known in the broadcasting world.
It’s an old, probably apocryphal story that the call letters of Buffalo’s first successful commercial radio station — WGR — were selected in homage to George Rand, an early financier of the station. It’s more likely that the call letters were randomly assigned and the Rand reference was a happy coincidence.
The Diebolds were influential in early television in Buffalo, helping to bring the financial backing of Western Savings Bank to a handful of stations in the 1950s.
Manru Beer was brewed by Fillmore Avenue’s Schreiber Brewing Company from 1899 to 1950, except during the Depression, when Manru Coffee was produced in its place and became rather popular.
Manru Beer was popular among Buffalonians of Polish extraction, because Anthony Schreiber was born Anthony Pisac in Poland. He changed his name to a German one to help him compete in the German-dominated brewing industry.
Seventy years ago tonight, listeners to WGR heard Merry Mac the Manru Man offer his daily chuckle at 11 p.m.
By Steve Cichon | email@example.com | @stevebuffalo
BUFFALO, NY – “It’s no picnic… It’s not pretty, but we have to go through it.”
This teacher and radio news man has been battling Leukemia since September, and is now slated for a January transplant.
You may know him as Ray Marks, radio newsman. You may know him as Ray Markiewicz, professor and friend. But if you know Ray at all, you won’t be surprised to know that he’s come to deal with the overwhelming diagnosis of leukemia by wrestling the uncertainty of what’s to come into a long list of certainties to tackle one at a time.
“What a perspective, you know?”
Late last summer, Ray began to feel some unexplained weakness. A visit to the doctor quickly turned to a visit to Roswell Park Cancer Institute. After an especially painful bone marrow extraction, doctors were blunt and aggressive with their diagnosis and treatment plan. Get on board, or expect only a year to live.
That wasn’t easy to hear, but now since September, Ray’s endured round after round of chemotherapy, three shots in the stomach every time, along with blood and platelet transfusions as needed.
While painful and tiring, the course of treatment can only be temporary. The only hope of a cure is with a stem cell transplant.
Looking for Marrow Donors
Ray has siblings, but the fact that they are each over the age of 40, makes them ineligible as bone marrow donors. After going to the worldwide database, two donors have said they are willing to come forward to offer Ray his only chance at beating leukemia by allowing their stem cells to be harvested, flown Buffalo, and transplanted into Ray.
The surgery is planned for mid-January, and will likely be followed by a month long stay at Roswell Park, plus up to another 100 days of healing and convalescing at the American Cancer Society’s Hope Lodge. He’d prefer to get better at home, but for the Markiewicz family, home is in Angola, and doctors insist that a stem cell transplant patient be no more than 20 minutes from the hospital for fear of rejection.
“The way the doctor put it was, we want you here now if that happens,” said Markiewicz, who added that his home is a half-hour from downtown on a good day with no traffic.
“After all that, the hope is for a cure, but there’s no way to be sure,” Markiewicz said, quickly adding that he’s doing his best to remain hopeful. Any hope is better than the diagnosis of what was to come without the surgery. “She said I had one year to live without the surgery. We’re talking dying here.” The thought of possible pending death has given Ray plenty to reflect on.
“Realizing how terribly important to live life to the fullest. I don’t have any regret, but I appreciate everything I’ve experienced more. Why are we here? We live to make the world a better place,” said Markiewicz. “I want to continue to do that.”
He’s thought a lot about his nearly 40 years in broadcasting, and the great friends, co-workers, and friendly competitors he feels honored to have known, but his primary focus these days outside of health and family has been on his relatively new-found love of the classroom.
Through the treatments, Ray has continued to teach two fall semester classes at Medaille College. “I love teaching, it means a lot to me, and believe it or not, I feel better while I’m doing it. It’s been tough… It’s getting hard, but I thought, ‘I can do this,’ and I’m going to finish it. It’s helpful when the endorphins fly. I love it, and it helps keep me going.”
With the hopes of raising both his spirits and some funds to help alleviate the financial burden of his treatment, the friends and family Ray Markiewicz have organized a benefit in his honor in January.
Whether you worked with Ray, were taught or mentored by him, listened to him on the radio, or are just willing to help out a fellow Western New Yorker who needs a hand, event planners are looking for raffle basket and special auction donations, folks willing to buy a ticket, or maybe just a donation.
The event is Saturday, January 11, 2014, from 1-6 at the Newell-Faulkner American Legion Post 880 in Eden. Tickets are $20 for adults, $10 for kids 10 and under.
Listen to a great newscast, which opens with Van Miller shouting “The Bills are in the Super Bowl!”
When you turn on your radio Monday afternoon, you’ll barely—if at all—notice the difference. That’s how they get away with it. An era, however, will have ended in Buffalo radio.
Greg Bauch’s last day at WGR is Friday. Listeners to Schopp and The Bulldog might recognize Greg as the guy who plays funny sound effects or through his radio alter ego, Greg Buck.
While Greg is among the best at finding (and playing at the right moment) silly or interesting sound bites, and Greg Buck is the funniest bit ever on Buffalo radio, others will come along and play sound effects and be funny. That’s just what one does on the radio.
The real story is, after 15 years there, Bauch is, without question, the heart and soul of WGR.
He’s the type of guy who becomes the heart and soul wherever he goes, but in a business where heart and soul don’t often last much longer than the time the “ON AIR” light is lit, Greg has managed to strap that station to his back, allowing an institutional continuity and his goodness to permeate the product for a decade and a half.
I first heard Greg Bauch when he started the way everyone started at WGR a generation ago: as the man at the controls of the late night John Otto show. The astute listener could hear that the brilliant Otto was often frustrated with the fact that his show was a training ground for “the new guy,” especially when that new guy “cared not a FIG!” about Otto or his show.
Broadcasting Hall of Famer Otto loved Greg. You could hear the smile through the radio as John, John, your operator on referred to him as my humble man servant Gregor.
John Otto was the first in a very long line of wonderfully talented hosts who was able to find something special in Greg, which is someone who was happy with being, and supremely talented at being, a radio producer.
A good producer is someone who lives for the good of the show (not someone who lives for the opportunity to inject himself on the air.)
A good producer does whatever it takes to forge a relationship with the talent on the show he’s producing, and builds an unbreakable trust with that person, allowing the talent to freely host the show with the knowledge that whatever is happening “on the other side of the glass” is being dealt with the proper amount of care.
With all this, a good producer is an equal part of the success of the show which he produces, although any recognition of that fact is almost always an afterthought. He is also accepting of the fact that he might command a quarter of the pay of the talent, while often working at least twice as hard.
Speak to Chris Parker or Mike Schopp or Chuck Dickerson or Tom Bauerle or the late Clip Smith or the late John Otto. They will tell you, invariably, that their shows were better because they had Bauch at the controls.
A thankless, lunch bucket kind of job in the midst of the glitz, glamour and fame of radio. Greg excels at it because that’s who he is.
But, as Van Miller used to say, that’s only the half of it.
To use a hokey hockey analogy, Greg has worn the “C” in the WGR dressing room for at least a decade as the quiet, stay at home defenseman, who not only moves easily among the superstar goal scorers, but always takes the new guys under his wing and shows them what they need to know.
Name anyone you’ve heard do a sports update on WGR in the last decade, and they were trained by Greg Bauch. Or trained by someone who went to the Greg Bauch College of WGR Knowledge.
To use another stupid sports analogy, Greg is the quarterback who stands back and sees everything at the station, from all perspectives- the talk show hosts, the update guys, the producers, even promotions and engineering, and successfully has them all working together.
It’s ironic and rare in this day and age, that he has been able to force all that’s good out of that radio station, and the people working there, by his gentle touch, and the fact that you aren’t likely to meet a better human being. Unless you know Howard Simon. But Greg has hair, so Greg > Howard.
This isn’t just the end of an era because Greg won’t be there anymore. It’s the end of an era, because it’s almost certain there’ll never be another like Greg Bauch in radio in Buffalo ever again.
Like in many fields, the corporatization of radio has eliminated the middle ground where good producers once stood. Radio is ever increasingly becoming a place where there are a few reasonably well-paid on-air talents, and everyone else makes minimum wage without benefits.
Even if someone had the drive, personality, voice, comedic timing, leadership skills and hot wife that Greg Bauch has, it’s nearly impossible that the person could remain in a job that is no longer valued in the corporate structure of radio the way Greg has been able.
So, talk show callers… Your time to harass a legend is running out. Post game coming up.
This page originally appeared at TrendingBuffalo.com
BUFFALO, NY – Bills games were big doings in the late 80s and early 90s, but they were always big doing in my house. Among my earliest memories of listening to the radio is sitting in our 1977 Mercury Monarch with mustard colored nugahyde seats, listening to Van Miller describe Joe Cribbs run with the ball. It was only a 5 minute drive from our South Buffalo home to Grandma Coyle’s South Buffalo home, where watching my grandfather watch the game was more fun for me, hearing him curse about Joe Ferguson.
Fast forward a few years, when the Bills actually started winning, and my dad would have his 5 brothers over to watch the game. Football for me became an endless walk to the fridge for another beer for someone.
I remember the excitment, I remember the cheering, I remember getting Bills clothes for Christmas every year, and being able to wear them to school on the “Bills Spirit Fridays” before games days and weeks later.
But the actual games themselves all blend together for me before I started working in sports radio. That’s true with only one exception: The Houston Comeback Game. I remember that I was alone in the living room listening to the game on the awful stereo my dad got for free somewhere. No screaming uncles looking for beers. No one swearing when the team was getting killed. Just me… a high school sophomore, Van Miller, and that cruddy stereo.
I was already taping most of the things I listened to on the radio, but I didn’t tape the game for some reason… Maybe because they were losing early, and then I got caught up in the comeback… I don’t know. But I did tape it the next day, when they played back the second half and OT. And here it is, 20 years later.
In Part One, WGR’s Art Wander introduces a collage of highlights, and then the second half of action with Van Miller, Marc Stout, and Greg Brown at the score 28-3 Oilers. (The audio is low quality so that Bills fans reliving the glory days don’t shut down my website.)
In Part two, the second half continues with Van Miller, Marc Stout, and Greg Brown… After overtime and the comeback complete, Paula Green does the news, and then briefly hear John Otto gush about the Bills. Its my favorite part! (The audio is low quality so that Bills fans reliving the glory days don’t shut down my website.)
I’ve been listening to this and thinking a loy about it, and realizing that a few months after taping this, I started working at WBEN. Then soon producing the Bills games on the radio, and covering media day at the stadium. The starting at WBEN in someways seems like only yesterday. That memory of sitting in my living room listening to this game seems like a a book I’ve read, but not something I actually lived.