Remembering Mark Leitner

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

To the listener, Mark Leitner was the last of the great WBEN news men. Unerring. Rock solid. The most trustworthy voice Buffalo radio has known in decades. 

Mark Leitner in the WBEN News Booth, early 80s

“Leitner provides the most effective and reassuring voice among WBEN anchors,” wrote The Buffalo News. Critics have used the words “solid presence,” “respected,” “crisp and calm.”

But the man with the most serious voice in Buffalo didn’t take himself too seriously. “I tell the jokes around here,” he’d often say with a scowl to unsuspecting newbies— before letting go with one of his always-contagious laughs. 

I recorded Mark laughing when we were both at a press conference at some point in the early 2000s when Mark was working for WNED-AM and I was at WBEN. I would play his laugh in the WBEN newsroom when someone would say something silly– and we’d all laugh again thinking of Mark.

To all of us who worked with Leitner— that’s all anyone ever called him, Leitner— he was the ultimate newsman AND the funniest guy we’ve ever worked with. His decades-worth of fellow journalists and disc jockeys can’t help but feel a smile creep across our lips even at the thought of him. Even with the sad news of his passing. 

This was a serious news story about “The Sniffer.” Mark treated it very seriously. He took any opportunity to add the absurdity of a news story– but never did it without clowning.

On 9/11, News Critic Anthony Violanti wrote Mark’s “professionalism and journalistic integrity provided a calming presence” on perhaps the worst day in our nation’s history.

But at the same time, the walls near Leitner’s work station in the newsroom were usually covered with “autographed” pictures from Bishop Head and Carol Jasen among others— photos which he’d inscribed himself just to be silly.

Mark talking with newsmakers with a Carol Jasen photo over his shoulder

His over-the-top acting was the source of light hazing for interns and new part-timers for decades— and the source of deep unbridled laughter for those who loved him. 

Leitner’s performative conversations with himself were legendary.  “I know, just shut up Leitner. No kidding, really? That’s how you’re going to treat me after all these years?”

For me personally, Mark’s mentorship and eventual friendship is something I will always treasure. He was among the many who looked out for me and helped guide me through my earliest years of radio and adulthood. 

WNED Reporter Mark Leitner, Channel 4’s George Richert, and Channel 2’s Claudine Ewing. They all worked together at WBEN in the 1990s.

My students, I think, would have gotten a kick out of seeing Leitner talk to himself in a stage whisper, realizing that’s where I ripped that routine off from. 

When it was time to go, Mark wouldn’t say good bye, but it was always, “I’ll bore you later, my friend.”

Never a bore. Always a friend.

Listen to Mark Leitner:

Mark Leitner says goodbye to WBEN audience after nearly 25 years, 2002.

Newsday at Noon, 1987. Tim Wenger, Mark Leitner, Kelly Day

Jeff Kaye introduces Mark Leitner and Ed Little, 1983

Mark Leitner, WBEN newscast, 2001

Bill Lacy introduces Mark Leitner, 1993

Mark Leitner & Craig Nigrelli news, 1991

One of Mark’s famous “cold intro” news wraps. “This is Mark Leitner.”

Kevin Gordon, Bernadette Peters, Mark Leitner, Stan Barron, and Rick Pfeiffer in the WBEN Newsroom, early 80s.

Milk Bottle Caps of 1940s Buffalo

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

Over the last few weeks, eBay seller wmlengadairy has been selling a huge collection of Buffalo area and Western New York milk bottle caps from the late 30s, 40s, and early 50s.

These are the paper lids which came on top of glass milk bottles, which were most often delivered daily to homes nearby the particular dairy by a milkman.

Many of these are extremely rare, and together show how the neighborhood dairy was an entrenched part of life not too long ago.

Same as it ever was: Jerry Sullivan vs Bruce Smith, 1997

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

Bills Safety Jordan Poyer and sportswriter Jerry Sullivan have been going back and forth for a couple of weeks now… But there’s nothing new under the sun.

I recorded this 1997 postgame exchange between Jerry and Bruce Smith at the WBEN studios on Elmwood Avenue from a live feed coming from Rich Stadium.

With the static from our wireless microphones, it’s hard to hear exactly what Jerry is asking Bruce, but most of Bruce’s response is pretty clear.
“You a punk ass motherfucker once you get (interference),” said Bruce, to the laughter of the assembled reporters, photographers and players.

“I know you’re going to say it,” said Bruce. “I know you ain’t gonna stop.”
The first clear words we hear from Sullivan on the tape are, “(something) stop being an asshole…”

To which Smith replied, “Oh, I’m the asshole! I’m the asshole! Oh yeah,” before turning to another reporter and calmly telling him, “Go ahead, man.”

That year, I produced Bills games on the radio. For years, we’d run the postgame show without a delay. My timing or the exact order of events might be off, but I think we started running a delay on the player press conferences after Thurman Thomas stormed away from the podium microphone one time yelling something close to, “half of you ain’t ever put on a jockstrap,” but with the word “fuck” worked in there somehow.

I think I have that audio somewhere, but I couldn’t find it today.

Anyway, that running live on the radio earned me a strongly-worded note from my boss about trying to make sure to avoid those sorts of words going out on the air if possible.


When this Bruce Smith interview aired live, I was able to “dump” out of delay—so the WBEN audience never heard Bruce Smith call Jerry Sullivan a “punk-ass motherfucker” on the radio. The problem was, with the 1970s technology we were using at the time, there was no way for me to hit dump a second time so quickly and avoid allowing Jerry and Bruce calling each other assholes on the radio.

Back in those days, while there were relatively few ways to hear or see full press conferences, it just so happened one of the local tv stations—I don’t remember whether it was 2, 4, or 7—aired this press conference live on its post-game show.

The complete exchange between Bruce and Jerry was aired live on TV and talked about for weeks on sports radio talk shows on WBEN and WGR—as well as in letters to the sports editor as published every week in the Sunday News.

Jerry Sullivan & Bruce Smith

From 1880 to Today: The Erie County Jail

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

For more than 140 years, Erie County has held prisoners on Delaware Avenue between Eagle and Church streets.

Erie County Jail, 1890s.

The Erie County Jail was built in 1877 with room for 200 prisoners. It was connected by an underground passage with what was then Buffalo City Hall (and is now old County Hall and the County courthouse).

The current holding center building was built on the spot in 1938.

The Friday Night Polka—One-On-One Sports with the Bulldog, WBEN

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

I don’t remember exactly how it started on the air, but I know that back in the early/mid-90s, when I was the producer of One-On-One Sports with Chris “The Bulldog” Parker on WBEN, I was buying up as many obscure albums as I could from Salvation Army and AMVETS thrift shops—including polka albums with interesting cover art of great song titles.

Chris “The Bulldog” Parker, mid 90s at WBEN.

At some point, with me going through these albums, Chris must have said—we should have a Friday Night Polka—so we did.

The show closed with a polka every Friday night, and we eventually had a good rotation of songs about drinking and about Buffalo.

Heard here for the first time in more than 20 years—a medley of the Friday Night Polkas from WBEN’s One-On-One Sports with the Bulldog.

We’d only play a minute or so from each selection at 10:59pm to close out the show—these are the minute long clips we’d play.

Chris and I really enjoyed the music– but we’d get side eye from the lovely call screeners Monica and Rose (which is really how most of the show went most nights anyway.)

One-on-One Sports with the Bulldog Friday Night Polka Medley

On this track:

  • “Bulldog Talking Sports” theme
  • Bulldog welcomes you to a Friday night, 1996
  • Ice Cubes & Beer, Ray Budzilek & The Boys
  • Buffalo Polka, Krew Brothers Orchestra
  • No Beer in Heaven, Li’l Wally
  • Bartender Polka, Walter Solek
  • Meister Brau Polka, Li’l Wally
  • Why don’t you people give the ball scores?— from a complaining voicemail
ME! Steve Cichon, producing One-On-One Sports in the WBEN control room, 1995

The Bulldog theme is taken from an aircheck… and you can hear the ancient WBEN delay system folding back on itself as the theme music plays.

One of my personal all-time favorite moments in music came when the late, great Tony Krupski of the Krew Brothers played the Buffalo Polka on demand– and grinned from ear-to-ear when I sang along with him, knowing all the words because of this great Friday night tradition in Buffalo radio.

Na zdrowie and sto lat!

Carefree Black Friday shopping in 1979 Buffalo

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

AM&A’s ad, 1979.

The cry seems louder this year than it ever has — buy local this Christmas. With Covid protocols putting so many small businesses teetering on the brink of extinction, Western New Yorkers are putting extra effort into making sure the holiday money they spend stays here with Buffalonians.

Forty-one years ago, the Thanksgiving Day ads in the Courier-Express tell a slightly different story for Black Friday 1979 — one where most of our retail choices were made in stores that were locally owned and operated.

If you had kids in mind or kids in tow for Black Friday shopping in 1979, you might have stopped by Hengerer’s downtown location or the Boulevard Mall, both of which promoted their visits from Santa in the Thanksgiving Day paper. Child World, with locations at Main and Transit and the Summit Park Mall, might also have been a good stop.

Among the stores with ads on Black Friday were Ulbrich’s Books, the Pop Shoppe touting 26 different pop flavors in stubby glass bottles, Attea Brothers on Clinton Street, Pitt Petri and Poise ‘N Ivy. Buffalo’s three area Champion Factory Outlet stores also had an ad. What was then a bargain label for Western New York kids is now a much trendy sought-after pricey brand name.

Hills and Sattler’s ran relatively small ads, and Twin Fair touted its layaway plan. Sears’ ad was very small — just letting possible Black Friday shoppers know the big store at Main & Jefferson would be open to accommodate them. Brand Names and Century catalog stores both ran several ads showing off hot products like Mr. Coffee’s latest brewer.

The gift of music was on the mind of advertisers in 1979, with big ads from AM&A’s, Twin Fair, and Naum’s Catalog Showroom. Record Theatre, calling itself “the world’s largest record store,” promised to stay open 84 straight hours for holiday shopping.

Buffalo’s big department stores were well-represented, too, including The Sample, Hengerer’s AM&A’s, Kleinhans, Jenss and L.L. Berger.

Both Krasner’s and Scott-Del started in the Southgate Plaza. DonLevy’s Backroom was a New England chain store with late 1970s locations across the street from Southgate Plaza and in the Clarence Mall at Main and Transit. Morrison’s was a longtime downtown ladies apparel store that branched into suburban locations before closing in 1983.

Remembering Seneca Street’s Mr. Manny

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

I saw news on Facebook today that Manny Ciulla has died.

Mr. Manny, one of the greats

Manny’s on Seneca Street was the kind of institution we need more of… run by the kind of man we need more of.

After my ol’man’s bar closed, Manny’s was the only ginmill where dad’d feel comfortable, because Mr. Manny was more than just a guy who pushed drinks over the bar– he cared about his customers and the people of the Seneca Street community like family.

“Mrs. Manny” made great pizzas and burgers, but Manny’s was a clearly a tavern. Still, when I’d stop in as a 12 or 13 year old and ordered a Birch Beer at the bar, there was nothing untoward about it– and I know Mr. Manny loved it, and he’d talk to me like he talked to my dad or my uncles.

I can’t imagine there’s anyone who knew Mr. Manny who didn’t love him. Just like Tony Scaccia at Tony the Barber and Gerry Maciuba at The Paperback Trading Post, Manny was one of those Seneca Street shopkeepers who made Seneca Street– where both grandmas lived– feel like home to a kid who moved seven times before sixth grade.

Torn-Down Tuesday: Marine Midland Arena JumboTron crashes to the ice, 1996

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

It was one of the more notorious moments in Buffalo Sabres history, 24 years ago this week.

On Nov. 16, 1996, shortly after the Sabres and the Boston Bruins finished their morning skate in preparation for their game that evening, the 20-ton Jumbotron scoreboard hanging over the playing surface crashed at center ice without apparent cause or explanation as crews did routine maintenance.

The manufacturer, Daktronics, had just given the 23-foot-tall unit a clean bill of health in a tune-up a week before. No one was injured in the thunderous crash which shook the arena as well as those who worked there.

“If it was meant to fall, it happened at the right time,” Sabres President Larry Quinn told reporters.

The eight-sided scoreboard cost $4 million and was the centerpiece of the new $127.5 million facility which had just replaced the 56-year-old Memorial Auditorium as the home of the National Hockey League team.

“The 40,000-pound scoreboard laid in a heap of parts and wires on the ice surface,” reported the Associated Press in newspapers around the world. The front page of The News read “Jumbletron.”

Marine Midland Arena

The arena had only opened weeks before the crash at the start of the Sabres’ 1996-97 season. Since being opened as Marine Midland Arena, the name of the building has changed a handful of times reflected the changes in the banking industry in Buffalo. In 2000, the building was renamed HSBC Arena as the area branches were rebranded.

Ten years later, in 2010, HSBC sold off local branches and the naming rights to the arena to First Niagara Bank, and the building was called First Niagara Center until 2016, when First Niagara was bought out by KeyBank.

After replacing the scoreboard shortly after it crashed, the audio/visual in-game presentation system was again upgraded during the 2007-08 season.

Torn-down Tuesday: Fort Makowski, Niagara Square, 1976

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

Fort Makowski

More than four decades removed from the time he left office, there aren’t many Buffalonians who can claim to be a better representation of what it means to be a Buffalonian than Stan Makowski.

Buffalo’s mayor from 1974-77, Makowski was a World War II vet and a lifelong member of the Grain Millers’ Union. He lost half a finger in an accident at a grain mill, but it didn’t stop him from representing Tippie’s Social & Athletic Club in statewide bowling tournaments – even as mayor.

The pride of Buffalo’s Valley neighborhood, just about everyone loved Stan Makowski. Outside of being remembered as a good guy, he is remembered as the mayor during the Blizzard of ’77 and for an ill-fated public works project that became the talk of the country for a few weeks in 1976.

The opening paragraph in a New York Times story about the brick enclosure being built around Niagara Square summed up the saga surrounding what’s remembered as “Fort Makowski.”

Mayor Stanley Makowski

“A six-foot brick wall being erected around the square in front of City Hall here in a $575,000 public works beautification project is being torn down next week because the public finds it too ugly,” reported The Times.

The official name was “Niagara Square Beautification Project,” but almost immediately, it seemed as work got underway in August 1976 that “beauty” was not the first thought of most folks.

“When are they going to learn, what we need in this city is simplicity, taste and restraint,” said Virginia Tillou, one of Buffalo’s great artists, arbiters of taste and Allentown Association leader.

Opponents said the dark bricks walled up around the McKinley monument not only clashed with surrounding architecture, but also would become “a haven for muggers and rapists.”

Designer Robert O’Hara’s idea was to wall off the outside world so that downtown folks could take a peaceful breather on a patio surrounded by planters and greenery near the fountain at the center of the square.

Tillou said it would be like “some local artist painting over a Rembrandt” to make it look better.

Opposition also came from those who questioned whether the federal funds being used in the project – originally earmarked for fixing the McKinley monument fountain – were being misdirected.

At a time when Buffalo’s massive hemorrhaging of good jobs had only just begun, Makowski buoyed the project by underlining the thousand-plus desperately-needed trades jobs that were created as the structure was being built.

But as newspapers around the country poked fun at Buffalo, our giant brick wall and our mayor, a nine-member panel organized by Makowski agreed that the wall should come down. Work began almost immediately.

As Makowski watched the structure come down, he told reporters, “It proves you can fight city hall and win.”

In the end, “Fort Makowski” wasn’t a total loss.

Eventually, most of the bricks were used in a project sprucing up sidewalks and pathways in the Allentown and Day’s Park areas, where the construction materials brought no aesthetic protests, only smiles and appreciation.

[BN] Chronicles: Slime dog history: Looking at the past of Buffalo’s Texas hot

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo

A famous slime dog from Seneca Texas Hots.

Whether you call it a slime dog, scum dog or “some kind” of a canoe, the “Texas hot” is a Western New York institution and one of those tastes you just can’t find outside of the 716.

Generally, it’s a skinless Sahlen’s hot dog that is griddled, often within sight of the spot where the ordering is done. The insider will order “two dogs up,” because anyone in the mood for a slime dog is almost certainly in the mood for (at least) two. The dog comes on a steamed roll with mustard, silver onions and a zesty, overflowing trough of “special sauce.”

The sauce is what makes or breaks a scummer, with many Buffalonians swearing by the secret recipe of their favorite Texas hot stand, and many places offering their ever-so-modified versions of the sauce for sale, ladled fresh into unlabeled paper takeout containers.

Of course, any good Buffalonian who has ever stopped in Rochester has tried the city’s most Buffalo-like regional dish, “the garbage plate,” which traditionally includes hot dogs covered with a sauce that is close to what you might expect on a Buffalo Texas hot – but not quite. The same can be said for Greek dogs in Erie, Pa., and Michigans in New York’s North Country.

As painful as it might be, Buffalonians – and anyone else who enjoys a hot dog with spicy hamburger meat sauce – have to acknowledge a downstate ancestry to one of our region’s iconic specialties.

Buffalo’s first “Texas hot wiener lunch” was billed as “famous Coney Island sausage” next door to Loew’s Theater at Mohawk Street between Main and Washington in 1921.

An advertisement for a “Texas Hot Weiner Lunch” in 1921.

Fifty-seven years later in 1978, the then Century Theater was torn down and took that same restaurant – then “The Quality Texas Wiener Restaurant” – down with it.

The restaurant, best known as “Texas Red Hots” for most of the 57 years that it was run by the Pappas family, was generally acknowledged as the maker of Buffalo’s best slime dog. The sauce was concocted by Greek immigrant brothers John and James Pappas – who obviously gave a nod to Coney Island in the ads that ran in the Buffalo Commercial in 1921 shortly after their lunch counter opened.

Heavyweight champ Jack Dempsey and sparkling pianist Liberace were among the millions who ate a red hot from the Pappas family’s downtown location.

Since that first Texas hot was served 99 years ago, dozens – if not hundreds – of small stands and restaurants have made the slime dog their main fare. Two of Buffalo’s most successful and best remembered restaurant chains started as hot dog joints – Deco Restaurants and Your Host Restaurants.

These days, the most celebrated Texas hot joints have been around for decades and have loyal followers. Seneca Texas Hots on Seneca Street in Buffalo just over the West Seneca border is known affectionately in South Buffalo as “Slime on the Line.”

I once spoke with Rod Roddy about his time working in Buffalo at WKBW in the 1960s. Before I could ask any questions, the famous “Price Is Right” “Come on down” announcer of the ’80s and ’90s asked me “if Seneca Hots was still there near where the buses turn around. Best hot dog I’ve ever had.”

A 1981 advertisement for Seneca Texas Hots.

Louie’s is another Western New York slime dog institution, with stores on Bailey Avenue and around the city for decades.

The headlines these days seem to go to the Sahlen’s hot dog that’s char-boiled and served with the spicy relish sauce, pickle, mustard, onion and sweet relish the way that another Greek immigrant, Ted Liaros, started serving them under the Peace Bridge in 1927. For some, that might be the definitive Buffalo-style hot dog.

But doesn’t it suit Buffalo’s personality perfectly to be the home of two distinct and beloved hot dog styles? I’ll take one of each.