Beatlemania hits WKBW

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


In the simplest of terms, after decades of economic depression and war, young people of the late 1940s had less responsibility, more economic freedom and a growing segment of pop culture being cultivated to employ and take advantage of that free time and free cash.

For 70 years, more mature generations have been panning the choices of teenage girls and especially the fervor with which they make those choices.

The names change, but from Frank Sinatra to Justin Bieber, rigid-minded adults can’t understand all the swooning over (some singer) with (some bizarre haircut, bizarre dance, etc.).

By 1964, American fuddy-duddies had withstood the waves of bobbysoxers and Elvis’ wagging hips — but the arrival of a moppy-headed quartet of singers from England took the genre up another notch.

If there’s a start date for Beatlemania, you might choose Feb. 9, 1964 — the date of the band’s first appearance on “The Ed Sullivan Show.” About 60 percent of American televisions were tuned to the performance of the nation’s No. 1 top single, “I Want to Hold Your Hand.” It aired in Buffalo on Ch.4.

Immediately, adults started to try to make sense of the mania.

In a matrix that has repeated itself time and time again as American Pop Culture has evolved, the aversion to the Beatles was just as strong as the fanaticism of their young followers.

What was it about the Beatles? everyone seemed to want to know. Was it the haircuts, asked the Courier-Express’ “Enquiring Reporter” of Western New York high school students?

Lining up to get on The KB Crush Beatles Bus Caravan to Toronto

One boy from Cardinal O’Hara High School was convinced that it was “The Beatles’ weird looks more than their musical ability” that made them popular. Many others agreed, but said it was the combination of talent and different looks that made the Beatles “just far out.”

Whether you loved the Beatles or hated them, they were clearly a growing economic force to be reckoned with.

It wasn’t just with the expected idea of record sales at places like Twin Fair, more staid institutions such as AM&A’s were offering “The Beatle Bob” in their downtown and branch store beauty salons. Hengerer’s was selling Beatles records and wigs.

A month after the group’s first appearance on Ed Sullivan, a couple of doors down from Shea’s Buffalo, the Paramount Theatre sold out a weekend’s worth of closed-circuit showings of a Beatles concert.

Eighteen uniformed Buffalo Police officers were hired to help keep the peace among the more than 2,500 teens who showed up to watch the show at the Paramount, which was hosted by WKBW disc jockey Joey Reynolds. The only slight hint of misbehavior on the part of Beatles fans came when the infamous rabble-rouser Reynolds declared on the stage, “I hate the Beatles!” and he was pelted with jellybeans.

Local bands like the Buffalo Beetles, later renamed the Mods, enjoyed popularity and even their own records on the radio. After the July, 1964 release of The Beatles’ first film “A Hard Day’s Night,” the summer of 1965 saw the release of the Beatles’ second movie, “Help!,” which opened at Shea’s before moving onto the smaller theaters and the drive-ins.

The Beatles also played a concert at Toronto’s Maple Leaf Gardens in August 1965. There were at least a couple of dozen Buffalonians in attendance courtesy of the WKBW/Orange Crush Beatles caravan, hosted by Danny Neaverth.

Danny Neaverth hosting on KB Crush Caravan to see the Beatles.

Sixteen-year-old Jay Burch of Orchard Park High School described Beatlemania from the midst of it in 1964 this way: “The Beatles’ singing is OK, but it’s the haircuts and dress that make them standouts. … The Beatles are different. They got a good gimmick and made it work.”

John Lennon, Paul McCartney, and George Harrison of The Beatles at a Toronto press conference, speaking into a microphone from Toronto’s CHUM Radio front and center.

Many of Buffalo’s Beatles dreams finally came true on Oct. 22, 2015, when Paul McCartney made his first appearance in Buffalo, singing songs that many in the audience had first heard 51 ½ years earlier for the first time on a Sunday evening with Ed Sullivan.

Art Wander was among the first Americans to hear The Beatles’ classic “A Day in the Life.” Yes, that Art Wander. Long before his sports talk show days, the native of Buffalo’s East Side was a national radio programmer, and hosted Beatles manager Brian Epstein in his WOR New York City office.

The KB mid-60s lineup included midday man Rod Roddy, who would later be one of the country’s leading game show announcers on shows like Press Your Luck and The Price is Right.

In the late 60s, KB issued two different top 300 lists. The band members are the KB disc jockeys shown on the previous page, with the exception of Lee Vogel—who had left the station, and was shown facing backwards.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

20 Years Ago Today: The Houston Comeback Game

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Van Miller, the Voice of the Bills (Buffalo Stories archives)

BUFFALO, NY – Bills games were big doings in the late 80s and early 90s, but they were always big doing in my house. Among my earliest memories of listening to the radio is sitting in our 1977 Mercury Monarch with mustard colored nugahyde seats, listening to Van Miller describe Joe Cribbs run with the ball. It was only a 5 minute drive from our South Buffalo home to Grandma Coyle’s South Buffalo home, where watching my grandfather watch the game was more fun for me, hearing him curse about Joe Ferguson.

Fast forward a few years, when the Bills actually started winning, and my dad would have his 5 brothers over to watch the game. Football for me became an endless walk to the fridge for another beer for someone.

I remember the excitment, I remember the cheering, I remember getting Bills clothes for Christmas every year, and being able to wear them to school on the “Bills Spirit Fridays” before games days and weeks later.

But the actual games themselves all blend together for me before I started working in sports radio. That’s true with only one exception: The Houston Comeback Game. I remember that I was alone in the living room listening to the game on the awful stereo my dad got for free somewhere. No screaming uncles looking for beers. No one swearing when the team was getting killed. Just me… a high school sophomore, Van Miller, and that cruddy stereo.

I was already taping most of the things I listened to on the radio, but I didn’t tape the game for some reason… Maybe because they were losing early, and then I got caught up in the comeback… I don’t know. But I did tape it the next day, when they played back the second half and OT. And here it is, 20 years later.

In Part One, WGR’s Art Wander introduces a collage of highlights, and then the second half of action with Van Miller, Marc Stout, and Greg Brown at the score 28-3 Oilers. (The audio is low quality so that Bills fans reliving the glory days don’t shut down my website.)

In Part two, the second half continues with Van Miller, Marc Stout, and Greg Brown… After overtime and the comeback complete, Paula Green does the news, and then briefly hear John Otto gush about the Bills. Its my favorite part! (The audio is low quality so that Bills fans reliving the glory days don’t shut down my website.)

I’ve been listening to this and thinking a loy about it, and realizing that a few months after taping this, I started working at WBEN. Then soon producing the Bills games on the radio, and covering media day at the stadium. The starting at WBEN in someways seems like only yesterday. That memory of sitting in my living room listening to this game seems like a a book I’ve read, but not something I actually lived.