One of America’s Two Great Radio Stations: WKBW

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


Riding a wave started with a change to a personality driven Top-40 format in 1958, KB dominated Buffalo radio for most of the next two decades.

Sold by station founder Doc Churchill to national broadcasting powerhouse Capital Cities, the wealthy corporate backing of KB’s monstrous 50,000-watt signal helped lead to the evolution of one of the finest examples of a full-service Top-40 station that ever existed.

Eventually grabbing as much as 50% of the market share, KB quickly blew all of the much smaller Top-40 competitors out of the water. Half of the audience was listening to KB. Never before, and never since, has a radio station been so dominant in Buffalo.

Left to right: Don Keller (Yearke), Tom Shannon, Doug James, Wayne Stitt, Jay Nelson, Russ “The Moose” Syracuse, Dan Neaverth, Tom Saunders

The station’s base of homegrown talent sprinkled with some of the most talented people from around the country, helped build an unprecedented following for KB in Buffalo and around the country.

The first of those homegrown talents to leave a legacy was the great Tom Shannon, South Buffalo’s breaker of hearts and as smooth a disc jockey as Buffalo, Detroit, Denver, LA, or anywhere else has ever known.

Tom Shannon, in the WKBW air studio

Easy to listen to, debonair and literally the boy next door, the handsome and ultra-cool Shannon was a graduate of Holy Family grammar school and Bishop Ryan High.

As if owning nights on KB and driving a Corvette convertible wasn’t enough, there was the night Swedish sex-symbol Ann-Margret was in Buffalo on a promotional tour, and hopped in Tommy’s sports car for a date at the trendy Candy Cane Lounge, downtown next door to the Market Arcade.

That was the same nightclub where Shannon met the group that would ultimately become known as “The Rockin’ Rebels,” who would take “Wild Weekend,” their instrumental version of the Tommy Shannon Show theme song, to the national record charts.

At KB, he started as a weekend jock and fill-in guy, and didn’t even rank high enough to get his own theme song. It’s part of the KB magic that his self-produced, garage-band sounding musical opening touting “Top tunes, news and weather, so glad we could get together, on the, Tom Shannon Show” could become a nationwide Top Ten hit.

Shannon was at Fort Dix doing a hitch in the Army when he heard his song come on the radio and almost couldn’t believe it.

Tom Shannon sits in the WGR studio, holding a copy of the Rockin Rebels’ Wild Weekend album.

“It was so exciting to be a part of Buffalo radio back then,” Tom Shannon said in 1996. “Sometimes the disc jockeys were more popular than the rock stars.”

He was bigger than life hosting the night shift on KB, and Buffalo’s teens couldn’t get enough of Tommy. In 1961, tickets to his “Buffalo Bandstand” TV show on Ch.7 were being counterfeited and new procedures had to be put in place after the number of kids on the dance floor swelled out of control.

While a deejay at KB, Shannon hosted Buffalo Bandstand on Ch.7. When he later moved to WGR Radio, he hosted Hit or Miss on Ch.2.

Tom Shannon hosts a WKBW Record Hop, with Paul Simon, left.

Tom Shannon appeared in a series of 1964 print ads for Queen-O.

After spending the 60s and the 70s moving around the country and around radio dials, Shannon was back in Buffalo for his 30th grammar school reunion at Holy Family on South Park at Tifft when he stopped by his old home, WKBW.

A week of fill-in work lead to a three year stay towards the end of KB’s run as one of Buffalo’s most dominant radio stations. After spending time as a host on the Shop at Home cable TV network, Tommy made it back for one more turn at the air chair in Buffalo hosting afternoon drive on Oldies 104 during the 1990s and 2000s.

From 1960’s “WKBW 6-midnight platter and chatter show” host, to 1997’s deejay with “a warm conversational tone and knowledge of music and performers,” Tom Shannon has been one of the leading voices of Buffalo’s baby boomers through every stage of life.

Joey Reynolds, WKBW

If there was a way to “one up” having your theme song land on the national charts, the guy who eventually followed Shannon in KB’s evening slot probably found it.  

Joey Reynolds, KB’s night man through the mid-’60s, got The Four Seasons to sing their No. 1 hit “Big Girls Don’t Cry” with the lyrics changed to “The Joey Reynolds Show.” What a show!

Another local guy, Reynolds grew up in Buffalo’s Seneca-Babcock neighborhood playing radio announcer at the neighborhood Boys Club, and was every bit of a shock jock 20 years before the term was created for Don Imus and Howard Stern.

Joey Reynolds interviews Bobby Sherman on Ch.7’s Joey Reynolds Show.

He started a boisterous on-air feud with The Beatles and refused to play their records or even say their name, calling them “the four norks from England.” The feud lasted until there was money in it for him– he helped promote the local band The Buffalo Beatles.

Reynolds’ bombastic and over-the-top style earned him a following complete with membership cards for the “Royal Order of the Night People.” That audience extended far beyond Buffalo and Western New York. Despite working at a station 300 miles away in Buffalo, he was one of the most popular radio personalities in Baltimore, with thousands of listeners of KB’s strong signal mixed with Reynolds’ big mouth.

Reynolds’ eventual exit from WKBW is one of the most fabled in the legends of radio.

As the 1966 Variety Club Telethon aired on Ch.7, Reynolds felt slighted for being slotted to host the overnight portion of the big event.

One of many memorable stunts orchestrated by Reynolds involved him grabbing Fred Klestine as a tag-team partner to take on the tough, mean Gallagher Brothers in a wrestling match at the Aud.

In his memoir “Let a Smile Be Your Umbrella … But Don’t Get a Mouthful of Rain,” Reynolds admits to having had a few drinks before going on radio and giving TV star Frank Gorshin a hard time in an interview about the fundraiser.

Reynolds then insinuated another TV star and telethon guest host – Forrest Tucker of “F Troop” – was a drunk and had a case of booze in his dressing room.

One of the station managers took the episode personally – especially after Reynolds goaded him and made a joke about his bald head.

Seeing the writing on the wall, Joey put the writing on the door.

Rather than waiting to be fired, Reynolds, in an all-time display of brassiness, nailed his shoes to the station manager’s door with a note saying “FILL THESE” attached.

 Joey Reynolds, Tommy Shannon and Danny Neaverth all grew up in South Buffalo. Reynolds and Neaverth knew each other from St. Monica’s, the Babcock Street Boys Club and Timon High School. When teamed up on KB, the cross-talk between Neaverth’s afternoon show and Reynolds’ evening wrap was the subject of homeroom and lunch table discussion at every Western New York high school the next day, but was also the talk of water coolers and coffee break tables at businesses as well.

Beyonce. Bono. Cher. Some personalities are so renowned and celebrated just one name will do.  Such is Buffalo’s Danny.

Danny Neaverth is perhaps Buffalo’s greatest pop culture star. He’s remembered most for peeking at us through the hole in the record behind the microphones of upstart WBNY radio in the 1950s as Daffy Dan, then WGR Radio, and then 26 years at WKBW Radio — with most of those years as Buffalo’s morning man. Tag on a dozen more years at WHTT, and a few more at KB again, and Danny moved our fannies on the radio for half a century.

But it wasn’t just radio — Neaverth was also a TV weatherman on Ch.7 and later Ch.2.

He was the public address announcer for the NBA Braves and the NFL Bills.

 A few of his moonlighting gigs dovetailed more closely with his work as a disc jockey and radio host.

Danny signs hands at a Thruway Plaza record hop.

He was a concert promoter and recording artist (who could forget “Rats in My Room,” even if they tried?).

Of course, his face and voice were everywhere for Bells Supermarkets and dozens of other Western New York businesses through the years. His work in the community for dozens of causes and charities over the last 60 years has been unmatched. 

In the ’70s and ’80s, it was difficult to spend a day in Buffalo and not somehow be graced by the voice, smile and personality of “Clean Dan Neaverth,” a true Buffalonian who never forgot his Seneca Street South Buffalo roots and proudly plied his trade among fellow Buffalonians proud to call him one of us.

Danny took over mornings from Stan Roberts.

Stan Roberts at the KB mic.

Stan first woke up Buffalonians at WKBW from 1962-70, and then at WGR from 1972-82. He became “the first major Buffalo morning man to make the move to the FM band” when he joined WBUF-FM in 1982. After seven years at WBUF, Stan took WBUF mornings to the number one spot in the ratings— and the very next day, he jumped back to AM, hosting afternoon drive and working in sales at WBEN.

As WGR’s morning man, he narrated “Great Sabre Highlights” on the flip side of the very successful record single, Donna McDaniels’ “We’re Gonna Win That Cup.”  Stan also wrote at least two joke books, including “Sabres Knock-Knocks.”

Stan still hasn’t lived down the early 80s Royalite television commercial where he put a lampshade on his head, and in the late 80s, when, as the Bills PA announcer, he had to implore fans to “please stay off the field” while they stormed the Rich Stadium field, taking down the goalposts to celebrate the Bills’ clinching the AFC East in 1990.

The warm friendly voice of Fred Klestine felt like a cup of cocoa near the fire.

Fred Klestine, right, visits Xavier’s Meats at the Broadway Market

“An institution in Western New York,” his radio career when he was working at Lackawanna’s Bethlehem Steel, and a manager at Lackawanna’s WWOL heard his voice and told him to audition. Deejay was considerably easier than working in a blast furnace, and Fred spent the next 40 years keeping Buffalo company.

In the 50s, Klestine worked at WWOL and WBNY, before his long famous run at KB Radio. He was later heard on WADV-FM, and then on WBUF-FM through most of the 80s.

Then there was Pulse Beat News. Irv Weinstein was the news director and spiritual leader of the KB’s news staff.

“In terms of style, I was sometimes asked who my idol was in radio, and that was an easy one: Paul Harvey,” said Irv in an interview for the book Irv! Buffalo’s Anchorman. “Paul Harvey was not fast-paced, but he had a pace of delivering the news that was compelling. I like to think I was Paul Harvey only a lot faster.”

Faster, with flagrant, more outrageous writing. In the early rock ’n’ roll days of KB Radio and Pulsebeat News, the pace and the shocking style of writing and delivery made Irv’s later Eyewitness News persona seem comatose.

Irv Weinstein, WKBW Radio News Director

“A Top-40 news guy; fast paced,” said Irv. “Over time I developed a writing style that had sizzle and alliteration, and the type of thing to grab the audience. I learned along the way, that before you can get people to listen to you, you have to catch their attention. One way to do that is in your writing– make it compelling. Sometimes it was overboard, frankly, but it was ok. It did the job.”

It was the perfect comingling of man and circumstance that put Irv in the position to really invent the style of newscasting he made famous in Buffalo– one that was copied around the country.

Henry Brach had been a drug store owner before working in radio, and there’s something about that which just seems to fit. Unlike nearly every other KB Pulsebeat News man, Brach’s voice didn’t boom into radio speakers. His cool, understated style fit in just as well at KB, making him the favorite of listeners and a long line of America’s most talented all-time disc jockeys, who were merciless in mocking the newsman.

Henry Brach in the KB studio.

Jim Fagan was a disc jockey and newsman at WBTA in Batavia, where he’s shown here, before heading to WKBW for a three-decade career. 

Jim Fagan’s voice was one of the threads that tied together the various eras at KB.  During the 27-and-a-half years that he was a newsman at WKBW Radio, he saw many come and go, but from JFK to Reagan, his was one of the voices that reported on it over KB.

His strong voice punched out the KB Pulsebeat News sound perfectly in those early years, and mellowed as the rest of the station did right up to the very end. Fagan was among the final employees when corporate owners pulled the plug on the local news and music on KB and replaced it with syndicated programming.

John Zach was born into radio. His father was a radio pioneer, having built the first “wireless set” in the city’s Kaisertown neighborhood. After attending St. Casimir grammar school and PS 69, he learned about the technical aspects of radio at Seneca Vocational High School– but John’s path into broadcasting was lined with guitar pics rather than vacuum tubes.

As the leader of “John Zach and The Fury’s,” he played record hops with Danny Neaverth, who worked with Zach and helped him develop his on-air sound.

1959 ad.

After spending time as a disc jockey in Georgia, Zach returned to Buffalo and was hired by Irv Weinstein for an overnight news job at WKBW in 1960. He spent most of the next five decades informing Buffalo’s radio audience, come hell or high snowbanks.  Twice during the Blizzard of ’77, John Zach came in by snow mobile to anchor the news during the Danny Neaverth Show. 

As KB Radio’s News Director for most of the 80s, a survey found that John Zach was Buffalo’s most recognizable radio news personality.

With long stops at WKBW and WGR under his belt, Zach joined WBEN in 1998 and spent 18 years with Susan Rose co-anchoring Buffalo’s most listened to radio news program, Buffalo’s Early News.

John Zach spent time as a disc jockey and news man in Georgia before spending nearly 27 years at WKBW Radio.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

Public Broadcasting comes to Buffalo

       By Steve Cichon
       steve@buffalostories.com
       @stevebuffalo


Excerpt from 100 Years of Buffalo Broadcasting 


When the National Broadcasting Company gave up on its Buffalo UHF experiment and pulled the plug on WBUF-TV Ch.17, they sold off all the station’s assets but one—the license.

NBC donated the license to broadcast on Ch.17 to the Western New York Educational Television Association, which signed on WNED-TV on March 30, 1959 as New York State’s only public television station.

WNED-TV —which stands for Western New York Educational TV—began broadcasting with, what one station official described as “mismatched hand-me-down equipment held together by hope, dumb luck, and quite literally, masking tape… The ‘technical difficulties’ slide should have read ‘financial difficulties.’”

The station’s camera blew-out 30 seconds into the first broadcast.

A young John Zach operates a WNED-TV camera. Zach would go on to a career in radio news at WKBW, WGR, and WBEN that would span more than five decades.

Still, “The cultural appeal of the station was immediate,” reported Sturgis Hedrick in The News, as Buffalo’s Martha Graham Dancers were the first performers featured on the station.

It was touch and go for the first few years, with threats of programming cuts and layoffs of the already barebones staff, but over the station’s first decade on the air, WNED-TV saw “increased public support, state support and the greater recognition of public television’s role by the federal government.”

Starting in the old cinderblock building behind what is the Ch.4 studio today– WNED-TV moved to the penthouse of the Lafayette Hotel by the end of 1959.

Six local colleges joined with the station to create programming that would allow students to gain college credit through lessons learned on what could hardly be called “the boob tube” when tuned to Ch.17.

Board Chairman Laurence Goodyear reflected, “The services which Ch. 17 has provided to the community have been unique and distinctive.”

Bertha Hoffman teaches a French class on Ch.17.

Sister Jeanne, art professor at Rosary Hill College, teaches a class over WNED-TV.

Aside from grammar school, high school, and college credit programs, there were also typing classes, along with training for fire and police. Jack Call was the instructor on Ch.17’s “Train for Fire.”

Diane Sina was the host of “Type Right” on Ch.17.

For all the educational programming on WNED-TV, among the favorite and most watched programs was “Piano on a Terrace,” when announcer Matt Regan would play in the open air on the roof of the Lafayette Hotel.

Jack Paupst’s jolly shopkeeper Mr. Whatnot was the most popular show in the station’s early days.

Among WNED-TV’s original employees was publicity manager J. Michael Collins. He’d become the station’s manager, and in 50 years of creating a public broadcasting empire, he’d also become a familiar face during pledge breaks and events like “the Great TV Auction.”  He’s shown here with other staffers who survived the station’s first decade: Chief Engineer Gordon Knaier and Technical Operations Director G. Robert Bakaysa.

J. Michael Collins with two young WNED fundraisers.

WBFO-FM signed on in January, 1959, as a student-run, non-commercial, educational radio station at UB. “Classical music, poetry, symposiums and area college news” were on the schedule as the station only broadcast during the evening hours when first on the air.

Electrical engineering students built the studio in the Baird Music Building and a transmitting plant atop the Tower Dormitory.

“The student body benefits internally with the acquisition of broadcasting knowledge by the WBFO staff,” said Jack Mettauer, WBFO’s first program director, who was also a math student and a former WEBR engineer. “Externally, the wide variety of programs will stimulate

student interest in specific fields.”

Programming in October, 1959 included an hour of “pop tunes” each night—but “not to include Top-40 music,” followed by an hour of news from around the campus and around the world.

WBFO Chief Engineer Howie Barker at the controls, 1959

As the 60s wore on, WBFO found itself in the midst of the unrest on the UB campus, and became a pioneer in public radio as it’s known today.


This page is an excerpt from  100 Years of Buffalo Broadcasting by Steve Cichon

The full text of the book is now online.

The original 436-page book is available along with Steve’s other books online at The Buffalo Stories Bookstore and from fine booksellers around Western New York. 

©2020, 2021 Buffalo Stories LLC, staffannouncer.com, and Steve Cichon

John Zach: an impact spread over seven decades

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

John Zach’s Buffalo broadcasting career has spread over seven decades, starting in the late 50’s as a volunteer in the early days of public broadcasting at Channel 17.

John Zach & Susan Rose, WBEN, 2002.

When he walks away on December 30th to spend more time with his chickens (and his grandkids, I assume), he takes with him the last vestige of a great era in Buffalo radio.

John Zach & Danny Neaverth, Shea’s Buffalo, 1986

He learned the craft of radio and radio news from men who treated their jobs in radio like their friends and neighbors treated their jobs at the plant or the office. Buckle down, do your job with all you’ve got and with the highest attention to detail and quality, shut your mouth and get it done with as little nonsense and frill as possible.

the sound of WKBW: Jeff Kaye, John Zach, Jim Fagan, Danny Neaverth. From the night Kaye, Zach, and Fagan were inducted into the Buffalo Broadcasting Hall of Fame, 2002.

For quite some time now, John has been the defiant last holdout of that generation still grinding away in the news mill every day– to the point where there aren’t even many folks left who started ten or twenty years after John did still at work in broadcast news in Buffalo.

The sound and sensibility he has brought to Western New York microphones for nearly 60 years is unmistakable. That unique richness and breadth his presence has added to the tableau of media and journalism in Buffalo will be forever missed from our airwaves and news coverage.

John Zach, Seneca High School yearbook.

Your chickens and grandkids will like to see more of you, John, and I can assume you won’t mind seeing more of your pillow in the 3am hour. That, however, leaves the rest of us to miss you and your daily presence in our lives.

John Zach looks on as Steve Cichon takes notes at the WBEN daily news meeting, 2012.

Buffalo in the ’70s: Danny Neaverth, one of Buffalo’s greatest pop culture stars

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

Beyonce. Bono. Cher. Some personalities are so renowned and celebrated just one name will do.  Such is Buffalo’s Danny.

Buffalo News archives

Pictured here in the studios of WKBW on Main Street with newsman John Zach in 1972, Danny Neaverth is perhaps Buffalo’s greatest pop culture star. He’s remembered most for peeking at us through the hole in the record behind the microphones of upstart WBNY radio in the 1950s as Daffy Dan, then WGR Radio, and then 25 years at WKBW Radio — with most of those years as Buffalo’s morning man. Tag on a dozen more years at WHTT, and a few more at KB again, and Danny moved our fannies on the radio for half a century.

But it wasn’t just radio — Neaverth was also a TV weatherman on Channel 7 and later Channel 2. He was the public address announcer for the NBA Braves and the NFL Bills.  A few of his moonlighting gigs dovetailed more closely with his work as a disc jockey and radio host. He was a concert promoter and recording artist (who could forget “Rats in My Room,” even if they tried?). Of course, his face and voice were everywhere for Bells Supermarkets and dozens of other Western New York businesses through the years. His work in the community for dozens of causes and charities over the last 60 years has been unmatched.

In the ’70s and ’80s, it was difficult to spend a day in Buffalo and not somehow be graced by the voice, smile and personality of “Clean Dan Neaverth,” a true Buffalonian who never forgot his Seneca Street South Buffalo roots and proudly plied his trade among fellow Buffalonians proud to call him one of us.

More Danny:

Danny Neaverth’s 25th Anniversary at KB

Buffalo Morning Radio around the dial in 1989

Buffalo’s 1520 WKBW Radio: WNY’s great contribution to 20th century pop culture

The scary sounds of Halloween on WKBW: 5 hours worth of K-Big talent on display

Ten years without the I-190 tolls

John Otto’s Love Rubs Off: The best ever never lost his fire and passion

By Steve Cichon | steve@buffalostories.com | @stevebuffalo

johnottopicSometimes the way life lines a series of seemingly unrelated events like lights on an airport runway can make a guy pause and question his sanity, because the answer is almost too clear.

For the past three days, I’ve been filling in for John Zach on Buffalo’s Early News on WBEN. The four-hour news show starts at 5am, and John does most of the writing when he’s here. For me, that meant getting up at 2:45am, in order to give myself about 90 minutes to put the local news together. John gets here earlier than that, and has been doing it just about every day for most of the 50 years he’s worked in radio.

I question myself often, would I be able to do this; get up like this. I did early morning weekends for a few years, but in 19 years of broadcasting, never a regular Monday-Friday, in-to-get-the morning show ready gig. John, who has worked the morning shift in parts of 7 different decades has said, “You never get used to it.”

I’ve filled in on the shift before, even for just a week or two, and always walked around feeling like a two-hour old grilled cheese; still crusty and gooey, but crusty and gooey in the wrong places. I just didn’t feel right, and never felt like I sounded as good as I could or should. And it always bothers me that when I set my alarm for 2:45am, my wife is rattled awake, too.

But this week, in the midst of working this early morning shift, one of the guys at work was cleaning out some files and handed me an old envelope he thought I might be interested in labeled MASTER TAPES– JOHN OTTO HALL OF FAME. Aside from being a master of the English language, the father of talk radio in Buffalo, and one of the top 5 broadcasters to ever grace the airwaves in Buffalo, John is somewhat of a personal hero to me.

Needless to say, I snatched the envelope, and delved inside not only to find hours of reels, cassettes, and DATs (an early digital tape format), but I also found a paper-filled folder labelled “John Otto.”

On top were a couple dozen e-mails and cards sent to WGR in the days following John’s death. Touching memories from fans and friends far and wide. Beautiful and filled with raw emotion. Then came John’s handwritten professional biography, tracing his radio career from the early 50s to the late 90s, only a year or so before his passing.

johnottoautograph

But what I found most gratifying were the notes that had been sent back and forth over the years to a succession of 5 or 6 supervisors at WGR. And while even a John Otto note complaining about a co-worker’s tardiness or an equipment problem flows across the paper the way a ballerina glides across the stage, that’s still not the point.

It started to strike me when I saw the note he wrote in 1995 asking to work Christmas Eve, Christmas, New Years Eve, and New Years Day. He was begging to work those days. Days most of us would curse the boss who forced us to work, but here, 43 years into his broadcasting career, and John’s tone was nearly inconsolable, worried that some other program might pre-empt his conference call of all interested parties.

In case the point be lost, John writes it quite plainly in one note. “The very principle on which I’ve always conducted myself, to wit, if one is in radio, you want to be on radio at every opportunity.”

After an illness took him off the air for a spell, he wrote in another missive that he’s ready to come back “if you’ll have me,” adding, ” My appetite is restored, miracle of all, my taste buds are a-bloom once more. You’ve got no idea what life is like without the ability to taste… ’til you’ve not got it.”

John Otto, almost 50 years into his career had such a fire in his belly for it. Not a soul better, universally lauded; but still fearful that it could be taken away. Would that we all felt that way about anything in our lives, let alone our job.

It made me think of my friend Ed Little, who was that way, too. He worked a tremendous 62 years in radio, starting as a child actor. I was with him in 2000 when he delivered his last newscast on WBEN, also the last program to originate from the studios on Elmwood Avenue.

Septuagenarian Ed couldn’t get a handle on the new computers, despite going through extra training on his own. Within a few months, he passed away. His heart was bad, but I know it was a broken heart, too.

Twenty years ago, my fire was inexhaustible. I can remember going to work as an 18 year old within hours of my grandma’s cancer death.

Thinking back on it, it makes me sad that I went in to board op Buffalo’s Evening News that night, and didn’t spend the time with my family. But that’s what I was and what I did. I think I’ve learned a little about life and about work since then.

Family’s much more important. I write books. I have a website. I’m on Boards of Directors, and I give talks about Buffalo History. I also work a pretty much 9-5 job these days. It’s not often I’m challenged to see how hot that fire burns.

I know it there, because it has to be there to be working in radio, or in any number of jobs similar in that there really isn’t much money. And its not the fame or the notoriety,either. Its having the blessing of doing a job that thousands would line up behind you to do for free. And just having that job, and being blessed with the gift of it, and being able to live a dream. And not wanting to give it up for the world.

So I’ve been thinking about whether or not I could work the morning shift, and the answer is of course. And though I sometimes play the curmudgeon, and complain about getting up early on those days when the job calls for it, the fact of the matter is, I’d do just about whatever they told me to do to keep it going. And this week, I even loved the early mornings. Loved every minute of hosting that show with Susan Rose. Loved it with that John Otto fire.

Just today, I read a Forbes Magazine article, which talks about the only three questions employers need to ask perspective employees. I say, you only need to ask one of those three. Will you love this job?

If the answer is no, go find something else. When I say love, I mean LOVE. Not ‘like the hours,’ or the pay, or the doors it might open. Love the job. Put your heart into it. Life is just too short.

“You know me,” John Otto closes one note with, “I just want to be on the radio.” Me too.

Buffalo Broadcast Pioneers: 6th Annual Hall of Fame Inductions

By Steve Cichon
steve@buffalostories.com
@stevebuffalo

This story was published in Living Prime Time magazine.

may02Spring is in the air, the lilacs are in full bloom, and that means it’s time for Buffalo’s premier radio and television event…The Buffalo Broadcast Pioneers Hall of Fame Induction. This year’s slate of honorees continue in the tradition of representing Buffalo’s amazing broadcasting past, present, and future.

Broadcasting is strange in that often, at the end of an 8-hour work day, one might have nothing to show for it all; no tangible proof of that day’s toil. By definition, one speaks into a microphone, or looks into a camera, and images and sounds go up and off an antenna, and are gone forever.

Each year, the Tralf is the location where pulled from the ether are entire life times’ worth of accomplishment. It’s with induction into the Hall of Fame that we make tangible the superlative informing, entertaining, and friendship these select broadcasters they have provided us with over the years.
The following are this years’ inductees:

 

Henry BRACH

BBP-brachThe rock steady pulse of KB’s Pulsebeat news, Henry was the heart of KB… not only as the mainstay news anchor, but as everyone’s gruff but lovable uncle.
As Buffalo’s own version of Lou Grant, Hank’s crusty newsman personality could be counted on by KB staffers to drive in from West Seneca during the ‘77 Blizzard or hop in a news cruiser to cover the Attica Prison Riots. It was his big heart, though, that leaves him remembered as everyone’s favorite person and best friend.

Listeners saw both sides of his personality indirectly: It was his never-contrived voice of reason that warmed the radios of Western New York by talking to each listener individually.

Brach’s career began at WBNY, where as news director he was the first man to hire a fresh-faced Dan Neaverth as an announcer. Though his on air persona was that of a straight-laced newsman, Henry did music shifts at both ‘BNY and beautiful music WYSL-FM before joining KB. Brach died in 1983.

Frankie CROCKER

BBP-crocker

Frankie Crocker… Chief Rocker… The Eighth Wonder of the World!!! Revered as the man who changed the rules for African-Americans as both disc jockeys and musicians, Frankie Crocker started down the road to Gotham fame and nationwide reverence in his native Buffalo.
He was studying pre-law at UB, when he was bitten by the radio bug, joining WUFO as News Director. There, he tasted early success spinning urban wax and never turned back. As a jock at WMCA in the Big Apple, Frankie began playing album cuts and extended mixes from Urban artists, helping to pave the way for the more diverse sound heard today… When Crocker started in radio, music played by Black artists was lumped by mainstream circles into the category race music.

The Chief Rocker’s resume is that of a true broadcast pioneer: He helped to bust the stereotypes, and bring the music of an entire race from the remote corners of the music world to the popular choice of hip New Yorkers. Crocker passed away in 2000.

Ted DARLING

BBP-darling

The career of Edgar Lee “Ted” Darling, the long time Voice of the Sabres, can be best summed by the number of honors he received in a life and career cut short by Pick’s Disease. He was inducted into the Sabres Hall of Fame and the Buffalo Sports Hall of Fame; is a member of the Hockey Hall of Fame in Toronto, having been honored with the prestigious Foster Hewitt Award; and has the press box at HSBC Arena named in his memory.

Ted joined the Sabres in their inaugural season after having spent time with CBC’s Hockey Night in Canada as an intermission host. Darling spent the next quarter century in the gondola high above the aud ice, entertaining Western New York’s hockey minions with his play-by-play over WGR, WBEN, WNYB-TV, and several cable outfits, including the Empire Sports Network.

Jeff KAYE

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Jeff Kaye is a radio renaissance man…. A brash yet steady voice of gold, a masterful way with both the written and spoken word, and a producer par excellence, Kaye blazed into Buffalo in the mid-60’s as KB’s nighttime teeny-bopper leader and soon was at the rudder of the K-Big giant ship as the station’s program director.

Jefferson was responsible for bringing western seaboard phone operators to their collective knees with his 1968 adaptation of Orson Wells’ “War of the Worlds,” with folks calling from all points on the map to see if Grand Island was indeed under Martian control.

In 1977, he took over the most hallowed slot in Buffalo radio, morning drive at WBEN, as only the 3rd man to sit in that announcers chair. Jeff’s decades worth work as the radio producer for Buffalo Bills Football set him up for a job at NFL Films, which he has held since leaving Buffalo, voicing countless NFL video
compilations.

Jim FAGAN

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His diction, energy and news judgment with just a touch of pageantry made Jim Fagan the quintessential intoner of Pulse Beat News. His sybarite swagger was as much a part of 1520 as were the K and the B from the time he joined the station in 1960 until he went down with the ship in 1988, when the station went to the birds and to the bird… satellite, that is. Fagan was so much a part of KB that he was brought back in 1989 and stayed on until 1992.

Fagan repeated the K-Big story of the moment at only after his days as a disc jockey at Buffalo’s WINE Radio; where he keyed the mic with such names as Mark Hall and Tommy Thomas. Also active as a shop representative, he was President of NABET Local 25, the broadcaster’s union, from 1970-89. He remains active in union affairs today, and is always willing to lend his voice to a worthy project, like Channel 2’s recent look back at the 1901 Pan-Am Exposition.

John ZACH

by wippert 1/21/02 John Zack and Susan Rose at WBEN Radio in their Amherst studios.
by wippert 1/21/02 John Zack and Susan Rose at WBEN Radio in their Amherst studios.

If you’ve listened to top calibre radio news in Buffalo anytime over the last 40 years, chances are good that you heard John Zach dictatorially caressing the airwaves, delivering the news with a style and passion like none other.

First renowned in Western New York for fronting the rock n’roll band “The Furyies” in the late 50’s, Zach’s news skills were first exercised on the Niagara Frontier at KB in 1961. The reigning Dean of Buffalo Radio News, John also spent time at WGR before joining WBEN in 1998, where you can now hear him along with Susan Rose as the station’s morning drive team.
Zach is also the Queen City’s top radio and television historian and scholar, and is active in the affairs of the BBP.

Zach is also the Queen City’s top radio and television historian and scholar, and is active in the affairs of the BBP.